Jason Bateman has had it up to HERE with your shenanigans. He’s sick and tired of being the nice schlub that has to deal with some obnoxious ass coming into his comfortably square life and ruining it. In fact, he’s so done with it, that he’s not only starring in this film, he’s directing it! He plays Guy Trilby, a 40 year old man who has decided he’s going to enter the national spelling bee contest and win! Problem, is it’s really intended for kids. That doesn’t stop Guy, who foul mouths his way hysterically through legions of angry parents determined to prove a point. But what is that point? And will he be able to keep his ire up at all costs when a plucky young contestant befriends him?
All these answers and more, when you actually go and pay to watch the movie, WHICH…the Unusual Suspects do, in fact, recommend. Hear why straight from the lips of Chris, Martin, and Brian.
You young adults, I swear. First you wanted more boy wizards, then it was angsty gothy teens, now you want chicks fighting fascism, when I was your age….oh, but look at me. Going off on my childhood when we should be talking about kids being forced out of childhood. That’s what all this YA stuff is about, right?
Like in “Divergent” with Shailene Woodley being forced by society to choose her own identity, only to find out she doesn’t fit into one of the neatly shaped holes that are provided for her, and must make adult decisions or be discovered for being the freaky deaky individual she is. Or something like that. And will she be able to make like rabbits with the hunky leader of her group? OH MY GAWD, I GOTTA KNOW.
Don’t let us stop you, but check out what the US has to say anyway. Chris, Ashley, JC and Beau take a look at the dystopian future of what you might think after you see this movie.
Geek culture is bigger and has more influence than ever before. This is a circumstance we should enjoy and celebrate. Now, it is significantly easier to share with our like-minded brethren all the things we love and to greet with open arms all those who want to join in the fun. That isn’t always what happens though, is it folks? Geeks and nerds used to go on and on about how bullying was so unfair. Only now that we have a little power, many of us have become bullies ourselves.
The recent debacle surrounding the release dates of Marvel’s Captain America 3 and DC’s Batman vs. Superman showed me that once again, we have become what we once hated. For those of you in the dark, after a bit of schedule shuffling, the studios have decided to release both films on the same day, May 6, 2016. Instead of rejoicing over the fact that we now have two huge superhero films to watch at that time, we immediately regressed into our factions and the internet hate tirade flowed like the mighty Euphrates. Insults were hurled, preferences were belittled, and the discussion about the release date immediately turned toxic.
An example of some of the high-minded and respectful discussion this news has generated.
It seems the “cool” thing these days to badmouth any variation of geekdom we may not personally care for while simultaneously holding our own preferences above reproach. I remember a time when you could have a passionate yet reasoned discussion of the classic “Marvel vs. DC” where you could choose a side and yet still appreciate and enjoy the other. These days you find people either spoiling for a fight or people so wary of the possible fight that they won’t even come near the question. The fights about video games and their various platforms are even worse. Can we get a little civil discourse injected back into the mix, instead of all the pointless dick-measuring contests please?
However, despite how crappy we are to each other, we are even worse to outsiders looking in, those who have only a passing interest or are only starting to explore geek culture. A good amount of us treat them like shit, either blowing them off and calling them “fake” or constantly quizzing them belittling them for not having as much knowledge on whatever subject that we have. Particularly vexing is the geek community’s vitriolic pushback against women who are into video games, comics, or other such media. Is it any wonder so many people feel this culture is too complicated and hostile to get into?
Ask yourself, is this who we want to be?
HELL FUCKING NO!
We need to put the weapons down, step away from our keyboards hot from the latest flame war, and step back into the light. We need to take a breather and ask if all this posturing is about anything other than our own egos. Passion is great, but left unchecked it can grow into hatred. Do you really want to take these things you enjoy and make them about hate? I get pissed when someone talks shit about something I care about, but instead of flipping shit (which I am guilty of) like I used to, I’m trying these days to play the role of welcoming educator. We can’t force people to learn, but we can be there to offer them the chance to see the other side of things. We can be there to help guide and encourage those that want to explore more things. We can take this thing we’re a part of and work to keep it about the love instead of hate. It doesn’t cost us anything and we get to share cool stuff we like with cool people we like and perhaps make some new friends along the way. Wasn’t that the dream?
Just don’t be a dick, okay? You’re better than that.
From within that steel gym receptacle, the sound rises; giving way to rumbling, and finally thrashing. The meager lock cannot hope to contain the resurgent force due to burst forth. Brace yourselves for the return of Inside The Locker!!!
After a SxSW-induced hiatus, your favorite sports nerds are back with a brand new Totally Accurate, Desperately Necessary Movie Elimination Tournament! As March Madness begins, these tourneys are heating up. This week, a grand champion is crowned in the uber macho subgenre that is sword-and-sandal flicks.
Ramon Ramirez, from The Austin-American Statesman and our very first Movie Elimination Tournament, is back to once again serve as the referee as the Sweet 16 of sweaty, steel-swinging, open-toed epics are pitted against one another in bloody combat until only one remains standing. Quite fitting given the category really.
Give a listen and please do share the link around if you dig it. Think there were any glaring omissions? Unhappy with the grand champion? Leave your comments below!
War is hell, let’s get to it.
Sword-and-Sandal Elimination Tournament (10:57)
The starting bracket is pictured below. If you want to see the results (and spoil the fun before you even listen to the show…for shame), click on the image to reveal a filled-in version of the bracket.
Next Week’s Tournament: Cop Movies
Make sure to follow us on Twitter. Not doing so would be as illogical as The Scorpion King being voted into this tourn–well, you know what I mean.
Nostalgia notwithstanding, let’s face it: The Muppets are, and always have been, awesome. The best stuff that ever came out of the Henson camp was always the shows/films that knew how to appeal to both children and adults in equal measure. Certainly the return of the felted friends to the big screen in 2011 with “The Muppets” film largely seemed to please most demographics.
But what now? Jason Segel and Amy Adams have left and a brand new set of humans (Tina Fey, Ricky Gervais, Ty Burrell, amongst others) is interacting with Kermit and the gang. Will it be the same? Will it compete with the original? Or the ORIGINAL original? Or the sequel original original?
Our team of highly trained, highly unusual suspects are here to crack the case. Join Martin, Brian, Beau and Ashley as they investigate the latest muppet madcappery.
When the fans pay for a movie, they get a movie made for the fans. At least that’s how director Rob Thomas felt about making the Veronica Mars theatrical film, released some seven years after the untimely demise of the cult tv show starring Kristen Bell as the lovably snarky Nancy Drew-ish gumshoe. But how does this work for folks who aren’t slavering Mars fanatics?
Well, you won’t find out on this podcast. Beau and Chris, both dedicated followers of the Mars cult, are joined in their worship by two folks from the Infinite Variations spaceship (and the old LEOG show, to boot), Harris and Cat O’Malley. Much fandom is indulged in while talking about Veronica’s latest adventure in the city of Neptune, CA. If you’re one of this specific US, give it a listen. You’ll be rushing to give a VOD choice your credit card number, I suspect.
This Friday marks the release of Muppets Most Wanted, the eighth theatrical production from the titular puppet creatures who have been around in some form or another for nearly sixty years. Jim Henson’s creations have stood the test the time for so long, but one has to wonder… how? How is it that a frog that was originally made out of Jim’s mother’s old rain coat and two ping pong balls & his gaggle of bizarre friends managed to become the cultural phenomenon that still persists to touch the hearts and minds of billions across the world? I mean, Disney had to have bought the property ten years ago for some reason or another, but what exactly is that reason?
“Nobody reads those names anyway, do they?” “Sure. They all have families.”
It could be the comedy. The Muppets were pretty instrumental in introducing some of the basic concepts of humor to children of several generations. Whether it be burlesque, absurdist or self referential humor, all of the Muppet characters introduced these concepts to children right after Sesame Street taught them their numbers and letters. It’s clear that Henson and company had a wide range of influences in terms of their styles of comedy, which can be clearly seen in the guest stars and cameos in The Muppet Show and the various films. Broadway legends like Bernadette Peters and Ethel Merman helped the Muppets showcase their knack for musical comedy, old school comedians like Edgar Bergen & Milton Berle allowed the Muppets the opportunity to perform vaudevillian style antics and subversive comedic presences like Steve Martin and John Cleese gave the Muppets a chance to show off how far they could swing for the fringes that were becoming all the rage during the start of the Muppets’ height of popularity in the mid 1970s. All of this showed that these seemingly glorified sock puppets were willing to experiment and appeal to a wide range of audiences, which definitely helped increase their popularity.
The Muppets’ penchant for music could also be a factor. Much like their comedic stylings, the felt Henson creations also managed to be eclectic in terms of their musical taste. They’ve performed with acts as diverse as Johnny Cash, Leo Sayer, Linda Ronstadt, Harry Belafonte, Lena Horne, Paul Simon, Diana Ross and even Alice Cooper, managing to expose children and adults to existing music that ranged from rock to pop to country to disco to African tribal. Then again, the original music contributions of Muppet productions can’t be ignored either. Frequent Muppet collaborator Paul Williams was famous for writing big hits for superstar acts of the 70s like Three Dog Night, The Carpenters and Barbara Streisand, but many would argue that his most lasting contribution to music would be his songs from 1979’s The Muppet Movie. “The Rainbow Connection” is definitely the most notable of those songs, having been nominated for an Academy Award, earned a place on AFI’s “100 Years… 100 Songs” list and covered by the likes of Kenny Loggins, Willie Nelson, Justin Timberlake and countless others. This song about a frog having big dreams and wanting to look beyond a meteorological based optical illusion for what was on the other side has touched so many, maybe because it reminds both children and the children within adults of the inner optimism we all should strive for in life. Or maybe it’s just really catchy. Either one works. There’s also a host of other songs that I could bring up (“It’s Not That Easy Bein’ Green”, “Movin’ Right Along”, “Sing”, etc), but they all go without saying… and plus, most of those were from Sesame Street and I’m not counting those public television freaks on here anyway.
Of course, it could just simply be that the Muppet characters themselves have been what helps the brand continue. In an interview with Rolling Stone, Jason Segel (star/co-writer of 2011’s The Muppets) said that he considered Kermit the Frog to be “the original Tom Hanks – the everyman.” And that’s honestly pretty damn spot on. Kermit’s persona has often been that of a bright eyed dreamer who takes responsibility as leader and rallies his fellow Muppety co-stars together. Without Kermit there to guide them, Miss Piggy would be too busy focusing on her glamourous outfits to perform, Fozzie Bear would get too hung up on how many whoopie cushions he needed for his act and Gonzo would probably cause considerable structural damage to the Muppet Theater. Kermit is the glue that keeps everything together and many a person can relate to that, whether they be a single father trying to keep his sanity or a young girl in elementary school trying to work with her fellow students on a project. Yet, we all can also relate to the other characters in some fashion; the weird outcasted nature of Gonzo, the cloying attempts to please of Fozzie, the egomaniacal vanity of Miss Piggy, the laid back smoothness of Rowlf the Dog we’d all want to have, etc. No matter how seemingly one dimensional or silly these characters could be, there’s always something to latch onto, which made the characters universal.
A boy and his frog.
It’s important to note that, in all this time I’ve been talking about the many ways in which The Muppets have supposedly stayed popular, yet haven’t really talked about the period in history when they weren’t. Following Jim Henson’s passing in 1990, The Henson Company (lead by Jim’s son Brian) attempted to keep the characters alive through films and television specials that didn’t always click with audiences. I won’t say that none of them worked; I’ve always defended The Muppet Christmas Carol as an expert adaptation of the original Dickens tale and I even have a soft spot for Muppet Treasure Island,though that’s mostly because of Tim Curry. Still, most of these efforts weren’t as successful or acclaimed as the works done under Jim’s watch… but why? I personally think it had to do with a lack of faith in the characters. Instead of experimenting and taking risks like Jim had done back in the 70s and 80s, the Henson Company (and later Disney once they bought up the characters) decided to go with the safe route of placing the Muppets into existing properties and bringing on guest stars less for the sake of jelling with the usual Muppety antics and more because they were popular.
Case in point: The Muppets Wizard of Oz with Ashanti. No really, this actually happened.
So, what exactly helped bring Henson’s creation out of this slump? Honestly, I felt it was recognition of all the factors I previously mentioned. One of the biggest compliments I can give the 2011 theatrical revitalization of the franchise The Muppets (it wasn’t a creative title, we can all admit that) is that it focused on bringing back all the big elements that made the titular characters so beloved; a tendency to be quite funny, an appreciation for music and the strange clash of personalities. All of those elements were so well realized by Segel and the rest of the production staff that it felt genuine. That’s ultimately what I personally love about any great Muppet production; it never feels forced. One such example of a genuine moment comes in the form of my favorite scene in The Muppet Movie. Near the end of the second act, Kermit has a confrontation with his inner conscience after the car the gang has been driving in breaks down, making their chances of getting to the auditions in Hollywood slim. His conscience (in the form of another Kermit puppet) helps Kermit realize why he needs to get past this roadblock in their adventure. He didn’t just give Miss Piggy, Rowlf, Gonzo & Fozzie the hope that they’d make it to Hollywood for the opportunity of a lifetime; he promised himself that he’d go for it.
“Well then… I guess I was wrong when I said I never promised anyone. I promised me.”
It’s a simple yet nuanced way of conveying the message that one should be honest to people and themselves about their goals to both adults and children. It’s that kind of heart and three dimensional treatment of the characters that I felt was missing from many of the initial post-Jim Muppet productions. People have become attached to these manic personalities and would like to connect with them as they go on some new journey, whether it’s attempting to live out their dreams, stopping a jewel heist or just wanting to put on a show that’ll make people happy. You can’t just dress Kermit up as The Scarecrow and expect people to immediately find it entertaining. You have to make him still feel like the frog we’ve all come to know and love, complete with all his charms and flaws. The same goes for any of the other characters. It’s moments like this that raise The Muppets from mere pieces of felt to being full fledge pop culture icons that have lasted multiple decades and continue to entertain billions. And all of those billions probably wouldn’t want it any other way.
What do you all think makes The Muppets such memorable characters? Did you feel I covered all the major reasons or did I miss something along the way? Post your opinions in the comments below!
It’s been a short time, but still we shouldn’t have left you…without a dope ep. to listen to.
SxSW took its toll, but Brian and Chris are back on the couch to bring you a laundry list of good, bad, and bizarre titles on DVD and Blu-ray.
The Digi-Masters cover the new Hunger Games, Venture Brothers Season 5, and the Oldboy remake just to name a few. They also answer your questions and explain how you could win yourself a Blu-ray copy of 12 Years a Slave. No, you won’t have to kidnap anyone to win, come on now.
Stretch your ears and prepare for the return of that sweet sweet Digital Noise!
Thinking of purchasing any of the titles we discussed? Or anything from Amazon in general? Please access Amazon via our links to help support the site. We really appreciate it.
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There ain’t no electric boogaloo going on in this highly anticipated sequel to the 2011 action film that took the martial arts world by storm, just lots of ass-kickery. I mean, like seriously, all over the place. Making practically every other action film look like My Little Pony by comparison. Even the original film.
I can’t make this stuff up. If you don’t believe me, check out the Unusual Suspects who all get REAL excited for the massive amounts of blood flowing out of this Indonesian thriller (in fact, maybe we do need to talk to a therapist, this is probably not how humans are supposed to react to this much death). Check out what Chris, Brian, JC and Martin have to say…and then you should probably call the police.