‘Done In’ – Cannes selection short film review.

Last year I spent a lot of time working with independent filmmakers, on independent projects. I found myself Jaded. The film making community (at least, what I saw of it here in Scotland) was incredibly frustrating to me. They were bullies, arrogant and out to purely fulfill themselves and their own needs and not the creative process. There is also the sense that they must fill their short with as many conventions and techniques as possible to prove how “good” they really are. Luckily with Adam Stephen Kelly’s directorial debut ‘Done In’ this is, on all aspects entirely not the case.

Instead what we are presented with is a highly polished, well paced short that’s contemplative, well written and no doubt packs a punch with the shock ending.

Guy Henry, who has appeared in multiple British TV Shows and even big Blockbusters such as ‘Harry Potter and the Deathly Hallows’ carries the short as he narrates a letter reminiscing about his life which is revealed to be a suicide note. His performance is low key and subtle yet entirely engaging throughout. There is almost no dialogue in the short, instead we hear Guy’s narration of the letter. There is great range, emotion and variety throughout to never become dull or overplayed.

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Richard Osborne’s cinematography is elegant and there is never a shot simply constructed out of pomp or arrogance. There is a great care to each lingering shot of old photographs, in the old house, which compliments the sound design immensely.  The old house itself is a character within its own right and acts as a visual metaphor to the lead character and perhaps even the film itself – old, full of shadows and secrets.

Adam directs a classic tale of misdirection. Presenting us with one thing when in fact it turns out to be something else entirely. This something else ultimately changes how we view the rest of the short. It could have easily became unnecessary but with Adam’s precision of playing with expectation it doesn’t betray the narrative and instead invites us the viewer to think about things a little differently.

‘Done In’ has been selected for the Cannes film festival and it becomes clear as to why. It does more with less and more experienced “film” makers need to take note of what Adam and his entire creative team have managed to achieve with ‘Done In’. It was also crowd funded and for me, this kind of film is more interesting and successful than the Veronica Mars’ of this world and the successes we should be taking note of. On a personal level, the short is extremely inspiring creatively and I feel more motivated than I did having not saw it.

To keep up to date with ‘Done In’ and for more information on when it can be seen, head on over to the official Facebook.

Got a short you want to showcase or be reviewed by us? Get in touch.

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ITL Tournament Edition: Cop Movies

The madness marches on again this week as the plucky sports nerds from that oh-so-fragrant gym storage unit bring you another Totally Accurate, Desperately Necessary Movie Elimination Tournament! You yes, it is all of those things.

We hope you enjoyed last week’s sword-and-sandal movie tournament.

This week, in honor of Sabotage, we take on the case of the missing cop movie champion. Starting with the Sweet 16 of police-centric films, we follow procedure by the book (because we’re not loose cannons, chief) and even enlist the services of an actual active police officer to be our tournament referee. We therefore believe, your honor, that we have successfully crowned a number one cop movie beyond a reasonable doubt.

That being said, feel free to share your doubts about our selections and arguments (reasonable or otherwise) in the comment section below. Keep in mind we intentionally stayed away from buddy cop movies here, as we’re gonna do an entire tournament just for those. If you like the episode, please do share the link around the web.

 

Let’s get ready to go a few rounds!

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Cop Movie Elimination Tournament (17:07)

The starting bracket is pictured below. If you want to see the results (and spoil the fun before you even listen to the show…for shame), click on the image to reveal a filled-in version of the bracket.

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Next week’s tournament: Marvel Movies

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Make sure to follow us on Twitter, that would really make our…well…you know.

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The Show Account–@ITLCast
Brian–@BriguySalisbury
J.C.–@jcdeleon1
Elliott–@ITLElliott
Adam–@the_beef

Exclusive Interview with Indie Filmmaker James Mulholland.

“I wrote my first script ‘Why’ back when I was 18, and when I look back on it now (yes I still have it) I thank god that I didn’t make it as my first short film.”

Anyone creative can identify with these words. Some of us maybe still think that about our work, I know I sure do. Independent filmmaker and comic book writer James Mulholland has just completed his latest short ‘Forgiving Amy’ which will be featured right here on our showcase. But I also want to get to know the person behind the creative projects so I took some time to get to know James a little bit better.

I’m from a small town in Ireland, called Dundalk. I’m currently 23 and I’ve been making short films for about 3 years, been writing them for about 5. I wrote my first script ‘Why’ back when I was 18, and when I look back on it now (yes I still have it), I thank god that I didn’t make it as my first short film.

In 2011, just before my 21st birthday, I wrote ‘What If?’ and turned that into my first film. It done well in festivals and gained a few nominations (Best actress, Best Score and Best Newcomer). After that I went on to make my 2nd short film “My Father’s Son”, Which can be viewed on Youtube at the moment’.

That film was extremely well received by people, and was a very personal story for me to get out of my system. Then I wrote my latest short film ‘Forgiving Amy’.

I’m always curious why creative individuals are drawn to a nebulous life where nothing is guaranteed and there’s no clear path to a destination that itself is pretty unclear.

It’s all I’m good at. From an early age, I was writing. My first ever story was called ‘Barry Drip’ (Harry Potter, Changed Harry to Barry, and Thought of a pot, stuff ‘Drips’ from pots. That’s were the title came from). I was only 8 or 9, I think, and I gave it to the teacher in my glass, he though it was amazing but I never carried on with that. So it’s funny that at 18, it came full circle and I was writing again, and now it’s something I need to do and I love doing it.

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I like exploring darker elements of life. Stuff like mental illness, abuse in families, loneliness, Violence, etc. I don’t know what I do unwind my family and fiancee get sick of me constantly bringing up stuff I’m writing or ideas I have.  If we say, outside of the physical act of writing, then I play games, go to the gym, read books and comics, watch films, nothing to exciting to be honest.

I can identify quite a bit with James. We are the same age and have a similar experience growing up in terms of something coming full circle.  His conviction to what he does is inspiring and even now, his efforts are paying off.

I take the writing really seriously. I’ve no big budget (heck I’ve never had more than about 2 grand for a film), so I try to make sure my scripts are good enough to grab people and keep them entertained. I stress over every single word of dialogue in my scripts right up until shooting, I think Forgiving Amy had about 10 rewrites.

We’ll be showcasing ‘Forgiving Amy’ right here on OneOfUs.Net which is incredibly exciting as it was only publicly released this week. You can check out more of james’ work over on his official Facebook and Twitter and even check out some of the comics he has written, for free.

Movie Review: Sabotage

Director David Ayer is known for gritty, dark, intense crime thrillers like Training Day and End of Watch. Screenwriter Skip Woods is known for garbage like X-Men Origins: Wolverine and A Good Day to Die Hard. Between them, can Sabotage turn out okay? It’s hard to say, but we’re pretty sure throwing in Arnold as a DEA agent running a team of scummy and corrupt officers versus the Cartels isn’t ideal casting.

Nevertheless, Arnie has to deal with his own crazy team, the watchful and suspicious eye of his superiors at the agency, a troubled past and someone who is brutally killing off members of his team, as well as a troublesome accent from Olivia Williams, playing a local cop investigating the murders.

We brought in Ashley, JC and Chris to sift through these forensic details. Check out their review!

BONUS: Our incredible and essential graphics wizard, Ryan Dunsmore, initially sent me this graphic art as a joke:

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‘TMNT’ Trailer Showcases A Confused Tone

In the war of popular opinion, the upcoming Teenage Mutant Ninja Turtles film is facing an uphill battle with a steep incline. I have yet to run into anyone who is extremely excited about it, but when the design of the turtles leaked a while back, I was slightly more on board. The release of the first trailer, however, has me taking a large step back.

At first, the tone seems to be much darker and brooding. It’s slick for sure, but in an oddly gritty way. However, the tone towards the middle and end of the trailer suggest a bit of an identity crisis. The first half features a voiceover by William Fichtner talking about the need for heroes in a city being overtaken by crime. Beneath the voiceover everything looks Transformers-esque (hello Michael Bay influence) as the aesthetic looks polished, but still dirty with an abundance of shots of the top of skyscrapers falling and crashing to the ground. The origin is indeed being tweaked as it is hinted the turtles were created, at least in part, by a April O’Neil’s father.

Then there’s a pretty cool shot of the turtles tumbling down a snowy mountain and ending as the green heroes come face to face with April. This is where the tone seems completely off- as Mikey tries to ease April’s nerves by insisting he’s wearing a mask and subsequently taking his orange mask off revealing that he’s obviously still a turtle. It’s this jokey moment that just doesn’t fit in with the first part of the trailer- see for yourself.

 

It’s obvious that this is an attempt to bridge a generation gap here, except the late 80’s-early 90’s crowd, the generation that is arguably the most nostalgic for this property, is just as familiar with the the jokey, Saturday morning cartoon turtles as are the current generation because the younger age group has its own comedic TMNT cartoon. Who is the dark more gritty tone supposed to satisfy? I suppose it’s because comic book films such as The Dark Knight are so popular and successful and studios are still riding this train to the bitter end. I won’t come right out and say that this looks terrible, but it certainly does not calm my nerves about the project.

I still  love the design of the turtles and we get a really good look at Leonardo and some of Mikey, but there’s a definite cartoon look to them still. Jonathan Liebesman doesn’t have a fantastic track record of competent action flicks, but the mountain scene definitely looks like it could be fun. I’m crossing my fingers for more of that. I was hoping though that Bay wouldn’t have a heavy hand here, but it’s clear to me that he does. This looks like you could just add a couple robots in here and it would look exactly like the new Transformers movie.

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Time will tell if this ends up being worthwhile, but the first trailer shows that Teenage Mutant Ninja Turtles has some more work to do to impress this viewer. The film is due to open August 8, 2014.

What do you think of the first trailer for Teenage Mutant Ninja Turtles? Are you still excited for the film or less excited? What is your relationship with the old and new series? Sound off below!

Big Finishing Move: ‘Doctor Who: The Crooked Man’

Greetings to all, and welcome back to my series, Big Finishing Move. This is the feature in which I get to go over the Doctor Who drama releases of audio powerhouse, Big Finish, and let you know if I think they are worth your money and time. Today we’re back to the Fourth Doctor and the third installment of his third series for Big Finish, entitled The Crooked Man. So grab your scarves and bags of Jelly Babies and let’s go!

TARDIS Team: Fourth Doctor and Leela

The Doctor and Leela have come to a sleepy seaside town and end up investigating a series of grisly murders. The Doctor soon realizes there is more going on in this town than anyone realizes. Something nasty has bled through the corners of our imaginations. Something deadly. The Doctor must figure out what is going on and how it all ties in to the Corbett family.

If that doesn’t sound like an exciting set-up I don’t know what does!

Once again we have a story that I think would only have improved had it been expanded to two parts. There are moments of great atmosphere and dread, but the unease is never allowed to fully set in as we have to get to the next plot point. Both the angry mob and the Crooked Man are serious and interesting threats, but time is short so they end up robbing each other of the spotlight and you don’t get to spend as much time with either as one would like.

As spot on and fantastic as Tom Baker is here, flipping the switch between serious and silly as only he can, the true standout here is Neil Stuke as the titular Crooked Man. Stuke doesn’t have a whole bunch of lines, but the ones he does packs a punch and stick with you. Once you fully understand who and what the Crooked Man is, then the real horror sets in. This guy is pure nightmare fuel. I don’t get frightened by Doctor Who baddies, but make them dark and terrible enough, and they will unsettle me a little. That is precisely what Stuke has done with the Crooked Man.

One thing that disappointed me was how little Louise Jameson had to do in this story. A deeper examination of her character and how she has developed since teaming with the Doctor has been a extremely enjoyable part of the last two stories, but here she is back to playing the basic companion role. Leela doesn’t feel tacked on or superfluous, she is right there in the thick of as much as everyone else, but given the last two stories she does feel a little underused.

What it all boils down to here is we have another solid entry in this season. The writers seem to have finally honed in on what works in a Doctor and Leela story. The commentary on the constant availability of new media in the digital age and how we choose to digest or disregard it is timely and cleverly executed. This is without a doubt the best and most consistent the Fourth Doctor Adventures have ever been. Each new entry makes me all the more excited for the next.

Purchase Doctor Who: The Crooked Man Here:

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 Keep in mind good lords and ladies of the internet that Big Finish isn’t the only game in town when it comes to audio dramas. If you haven’t checked out One Of Us’ own audio series, Infinite Variations, you should do yourself a favor and fix that.

For next time, things are going to get a little bloody as we sink our teeth into:

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Check out my previous reviews of Doctor Who releases from Big Finish:

Phantasmagoria

The Fearmonger

The Light At The End

The Spectre of Lanyon Moor

Storm Warning

Blood of the Daleks

The Chimes of Midnight

Seasons of Fear

The King of Sontar

White Ghosts

Dark Eyes II

Digital Noise Episode 36: Viewing Party Massacre

Like a hockey-mask-clad madman living in the woods, Digital Noise just keeps coming back and coming back. Go ahead, take another swing with that machete, see if that puts us down for good.


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Brian and Chris once again bring you the aftermath of their latest bloody viewing party. They hack and slash their way through big tentpole releases like Frozen and American Hustle, as well as smaller cult releases like Monsters on DVD and Scream Factory’s Slumber Party Massacre Blu-ray. They are also giving you the chance to win a Blu-ray copy of Beyond Outrage, in which “Beat” Takeshi plays one of cinema’s most homicidal heroes.


Crank up the noise…if you dare!

 


Please do consider using our links below to make all your Amazon purchases! Much appreciated!

Frozen Blu-ray Review   Reasonable Doubt Blu-ray Review   American Hustle Blu-ray Review

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Sparks DVD Review   Slumber Party Massacre Blu-ray Review   Frightmare Blu-ray Review

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Flesh and Blood Show Blu-ray Review   Contracted DVD Review   Horror at 37000 feet DVD Review

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Monsters Complete Series DVD Review   Outpost III Blu-ray Review   Wrath of Vajra Blu-ray Review

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Commitment Blu-ray Review   Enemies Closer Blu-ray Review   Atlantis Season 1 DVD Review

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Beyond Outrage w time

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How To Win This Week’s Giveaway:

1.) Follow @OneOfUsNet on Twitter

2.) Tweet at us with what your super cool Yakuza nickname would be (Ex: The Doughy Fist or The Punctual Punch-Face)

3.) Add #OneOfUs

4.) We’ll select our favorite and contact that winner via Twitter (open to U.S. Residents only)

In Discussion: Batman VS Superman

Another week brings another discussion. This week, Batman VS Superman. We’re all very excited about the next phase of Marvel and the franchise building they continue to do so well. But when it comes to DC and their attempts with Batman VS Superman we seem to meet it with bile and hate.

What are the reasons for this and is it justified? Watch the video then comment below what you think.

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Infestation: SXSW Reviews

Man, we saw SO many films at SXSW this year, there’d be just no way to get to talk about them all, so we decided to pull out some of the cream of the crop, get Martin, Brian, Chris and Richard Whittaker to gather together, and exchange notes on them. We only wish you had access to see these right now! Hopefully, soon enough most of these will get some sort of release in a theater (or at least a netflix) near you.

Movies discussed:

Jimi: All By My Side

Andre 3000 plays the famous guitarist in a pre-fame year of his life.

Exists

The director of The Blair Witch Project is still scared of the woods, but now specifically of bigfoot in those woods.

Faults

Mary Elizabeth Winstead has been kidnapped by a washed-up deprogrammer to get her to abandon the cult she belongs to and rejoin her family, but this guy has got his work cut out for him.

Creep

Mark Duplass hires a videographer to follow him around and create a portrait of his life for his unborn child, since he’s dying of cancer. But he’s unnaturally needy and maybe even extremely dangerous.

The Guest

The director and writer of You’re Next create this twisty horror thriller about a soldier back from Afghanistan who befriends the family of a fallen comrade, only to slowly reveal the dark truth about himself.

Housebound

A young female criminal is forced into house arrest with a family she can’t stand, and apparently a nasty ghost as well.

What We Do in the Shadows

Jemaine Clement co-directs and stars in the comedy break-out hit of the festival, playing in this mockumentary one of a group of pathetic vampires who live together in a flat in New Zealand.

Oculus

Amy Pon…er…Karen Gillan has come to greet her younger brother from his release from a psychiatric institute, only to tell him that he’s not crazy because all the insane ghosty stuff he saw as a kid, including the possession of his father and mother that led to murder, were all true, and now it’s time to confront the ghost of the mirror with…SCIENCE!

The Infinite Man

A scientist who has invented time travel uses it to try and fix a failed anniversary weekend with his girlfriend, has to deal with a steadily growing number of multiple numbers of himself as his travels loop back in on themselves.

Frank

A guy joins a very strange band with aims to head to SXSW music festival, that has a very strange leader named Frank, who never takes off the large paper-mache head he wears. Stars Maggie Gyllenhaal, Domhnall Gleeson and…we can’t tell you.

Among the Living

Those crazy French horror filmmakers who distressed the living crap out of everybody with Inside bring you this tale of some young boys on a care-free summer day who when playing around inside an abandoned film studio see something they shouldn’t have, and end up being stalked by a evil clown (or something).

 

 

The Intern-Net Show(case)

Change my dear. And it seems not a moment too soon.

With a push for more original content here on OneOfUs rather than reporting the same old news that you guys can read on a billion different pages, the Intern-Net Show is changing. We spend a lot of time talking about the latest movies, music, books, music and all that great stuff. But what about the next generation of film makers, artists and creators. What about you guys and the work you create.

Well the Intern-Net Showcase is the place for you. Got a short film, artwork, music, story, anything you want to share with the OneOfUs audience? Well now you can. Each episode, I will showcase your guys work and give you the opportunity to get feedback on your project. You will also have the opportunity to discuss your work in an interview for everyone to read which can also include links to your own sites for all to see. The best way to ensure you can reach me direct is on twitter @Chris_Harrison_ and email: chris-harrison@outlook.com. There’s no entry requirement, just get in touch with the work you are interested in sharing. I look forward to hearing from you and sharing your work.

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So this week to launch the Showcase and present the format, I will showcase my own short film ‘Cry Baby’ which took home best film at the National Theatre of Scotland’s Two Days of Darkness film competition.

48 Hour film competitions are incredibly tough. With no prior planning the notion of writing, shooting, cutting and editing a short film is tough. Horror is one of my favorite genres and I had specific ideas about the imagery I’d like to explore, so that was a great starting point for the weekend. I wanted to play with the audiences expectations and create a tight short that features twists and flashbacks and all came together with that “aha!” moment and I think elements were stronger than others in that regard.

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Despite the massive strain of time. We managed to have a great time and push ourselves creatively in each department. I think the biggest advice for 48 Hour films and productions in general, especially when you are evolving creatively is to be willing to explore, take risks and above all, fail. – Chris Harrison.

Get the full scoop about Showcase in the video below and see the full short “Cry Baby” below. Feedback, questions and critique are absolutely welcome.

Want to feature your work next week? Get in touch right now.
@Chris_Harrison_
chris-harrison@outlook.com