Wonder Woman May Yet Lasso Herself A TV Show

After the recent debacle that was David E. Kelly’s leaked Wonder Woman pilot (to call it toxic would be polite), it looks like the bigwigs at Warner Bros. are eager to give Princess Diana another shot.

While speaking at the USC Gould School of Law, WB Entertainment CEO Kevin Tsujihara briefly touched upon his belief that the company should make more television shows and films based on DC Comics’ properties. Specifically, the CEO went on to say “We need to get Wonder Woman on the big screen or TV.”

Wonder Woman is not only part of DC Comics’ “Trinity” (the other two members being Superman and Batman), but is the most recognizable heroine in all of comics. Brian Azzarelo’s current run remains one of the brighter and better selling spots of the “New 52.” Wonder Woman has more heat behind her than she has had in years, so it only makes sense that Warner Bros. would try to capitalize on the increased interest. Still, it is wise to remain skeptical. The mixed fan reactions to the CW’s Arrow and Zack Snyder’s Man of Steel show that while Warner Bros. is willing, its ability to bring DC’s superheroes to both the big and small screens successfully is spotty at best.

Would Wonder Woman make a good cinematic film? Should she stick to TV or even just comic books? Sound off below!

Via Latino Review

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Bryan Cranston Is The One Who Knocks, On Broadway

We may have seen the last of Heisenberg on AMC’s hit show Breaking Bad, but Bryan Cranston is taking his Emmy-winning talents to the Broadway stage. Cranston will be playing the role of President Lyndon B. Johnson in All the Way when the $3.5 million play makes its way to Broadway. Cranston alone remains the only confirmed casting addition. The hope is that his presence will boost ticket sales for the Broadway production following his phenomenal performance in five seasons of Breaking Bad as the drug kingpin, Walter White.

The play will take place during the first year of Johnson’s presidency following the Kennedy assassination, but will also lean heavily on his involvement in passing the Civil Rights Act of 1964. Pulitzer Prize winner Robert Schenkkan penned the play, which is finishing up a sold out run in Cambridge, Massachusetts. Critics have described Cranston’s as “strong” in the role while the play itself has received “mixed” reviews.

At three hours, All the Way will be one of the longest productions on Broadway in years. Personally, I have never been much of a theater geek. Despite this, I think anything Cranston attaches his name to right now will be worth checking out given Breaking Bad‘s critical acclaim. Cranston has the ability to command almost every scene he is in and I have no doubt that seeing his performance unfold live on stage will be nothing short of mesmerizing. Performances are tentatively scheduled to start in the winter, but nothing has been confirmed at this point.

Does Bryan Cranston’s involvement in this show grab your attention? Are there any other projects you would like to see him in, now that Breaking Bad has concluded? Let us know below!

Via: The New York Times – Arts Beat

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Matt Smith turns American Psycho

I spend a lot of time both viewing and participating in Theatre. I’ve always found myself rather disinterested in Broadway shows (both in the US and here in the UK), especially the growing trend of musicals based on films, TV and books. Legally Blonde, Matilda, Lion King, Spider-Man, the list goes on and on. It concerns me when there are so many fantastic playwrights and original source material out there.

Bret Easton Ellis’ American Psycho is the latest property to be getting the musical treatment. The book, set in the 1980’s tells the story of Patrick Bateman, a New York investment banker whose sanity begins to dramatically unravel and he subsequently begins a rather brutal killing spree. The book was of course famously adapted to film in 2000, starring Christian Bale in one of his most iconic roles (followed up by an exceptionally poor sequel).

This new, musical adaptation opening at the end of this year at the Almeida Theatre in London has cast its own Patrick Bateman in none other than Doctor Who‘s Matt Smith. Whilst the decision to turn American Psycho into a musical baffles me completely, I do think this is an interesting casting choice. Smith has shown a lot of potential in Doctor Who; he demonstrated a very much subdued performance with bursts of anger, emotion and passion that could potentially transfer into an unraveling psycho quite well. It is also important for Smith to take on diverse roles that push him as a performer once he departs from Doctor Who to break away from it, and this could certainly do that if nothing else.

What do you make of Matt Smith playing Bateman? Could you ever look forward to a musical American Psycho? Sound off in the comments below!

Source: http://www.bbc.co.uk/news/entertainment-arts-24431026

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And the First Show To Be Canceled This Season Is…

After a short two episode run, ABC has decided to end Lucky 7, making the lottery drama the first show to be canceled this television season.

The freshman program encountered significant difficulties from its inception. Lucky 7 premiered to 4.4 million viewers and scored a meager 1.3 rating among adults aged 18-49, a vital demographic. This premiere was one of the worst in the network’s history. The second episode fared even worse, dropping to 2.6 million viewers and a miserable 0.7 rating. It has been reported that the latest episode’s dismal performance led to ABC’s decision to drop the drama from its programming schedule.

An American adaptation of a British television program, Lucky 7 was the tale of seven lowly New Yorkers who won millions from a shared lottery ticket and presumably would have followed them as they struggled with the problems associated with sudden wealth.  In place of Lucky 7, ABC will air reruns of its hit drama Scandal in the 10:00 time slot on Tuesdays.

To be frank, I don’t know what ABC was expecting from this show other than failure. The network seemed to willingly ignore a number of impediments that contributed to Lucky 7‘s demise. First, there was barely any advertisement for it. I only knew this show existed because there was a one-second spot for it at the end of a commercial for the rest of the Tuesday night lineup. Second, there were no noteworthy actors, directors, writers, or producers to draw in viewers. ABC needed to have some high-profile names behind this show if it expected people to stay tuned in late Tuesday nights. Agents of S.H.I.E.L.D. is a clear example of how to bring in viewers for a new show. Fans of Joss Whedon and the Marvel cinematic universe showed up in droves for its premiere. While it would be unreasonable to expect Lucky 7 to match that level of passion, it didn’t have a notable “something” or “someone” to pull in more viewers. Finally, I don’t believe the premise resonated with viewers. With a number of Americans suffering the consequences of a long-term economic downturn, a show about the hardships of the newly rich wasn’t likely to be attractive to the average viewer. Given these problems, Lucky 7‘s poor performance is certainly not a surprise.

Do you have any thoughts about ABC canceling this show? Do you have a prediction about the next casualty of this television season? Let us know in the comments!

Source: Entertainment Weekly

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Former ‘Spider-Man’ villain questions reboot

Thought the reboot of the Spider-Man film franchise was unnecessary? Well, don’t worry, the Green Goblin thinks it was too!

In an interview with Total Film promoting the upcoming video game Beyond: Two Souls, actor Willem Dafoe, who played the role of Norman Osborn/the Green Goblin in Sam Raimi’s trilogy of Spider-Man films, was asked what he thought of 2012’s The Amazing Spider-Man. Claiming he had not seen the film, Dafoe nevertheless picked apart the logistics of rebooting the franchise so soon after its last instalment, saying that it looked as if it was “the same story” and that Sony’s decision was “a cynical approach to making money”. He went on to cite the purity of Raimi’s trilogy, saying that its “genuine innocence” had become harder to capture when it had gained “some kind of attention and a certain level of success”. Dafoe then stated that he had no interest in seeing The Amazing Spider-Man or any subsequent films in the series, and felt indifferent to actor Chris Cooper playing his former role of Osborn in the upcoming 2014 sequel.

Well, it had to happen eventually. The announcement in early 2010 of Sony rebooting Spider-Man came as an absolute shock to me, and it was only a matter of time until I had to see someone from the previous incarnation of the film franchise give their take on it. While I didn’t mind Marc Webb’s retelling of Peter Parker’s origin story, I wasn’t quite enamoured with it either, and Dafoe’s thoughts pretty much echo my problems with the reboot from a marketing standpoint. Even though I thought the series needed an overhaul anyway, I feel it’s justified for people like Dafoe or anyone who worked on the Raimi trilogy to vent their annoyances, as their hard work seemed to be discarded too soon in order to put a fresh image out for everyone’s favourite web-slinger. In the meantime, however, maybe they should look back on the reaction to Spider-Man 3 and see why exactly the idea of a reboot was thrown out there.

Via Total Film

What do you guys think? Do you agree with Dafoe, or do you think he’s being a curmudgeon? Should crew members of past incarnations of franchises have the right to criticize the current one? Post your thoughts in the comments below.

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‘The Hobbit’ Trilogy Costs $561 Million…So Far

Those hairy-footed hobbits must have gotten themselves some sweet new shoes because boy are they spendin’ money. According to recent reports, The Hobbit trilogy, director Peter Jackson’s followup to his highly successful adaptations of The Lord of the Rings trilogy, is now costing Warner Brothers $561 million (or 676 million in New Zealand dollars). This figure doesn’t include the last two films’ current production states, which will involve two more months of post production for this December’s The Hobbit: The Desolation of Smaug and even more time for the post production of 2014’s The Hobbit: There and Back Again. 

Box Office Mojo and Guinness World Records are reporting that the combined production of all three films is one of the most expensive total productions in film history. The Hobbit trilogy has usurped the title from the combined production of the second and third Pirates of the Caribbean films which cost an estimated $450 million to $525 million in total. This is also nearly twice as much as the total production of the previous Rings trilogy, which cost $281 million. Much of this money is going towards Jackson’s decision to shoot the films both in 3D and at 48 frames per second instead of the usual 24.

While last year’s The Hobbit: An Unexpected Journey received mixed reception, I was personally a big fan. It felt like a solid start to what could be a promising second trilogy. It was also a big step up for Jackson after overlong and sloppy efforts like his remake of King Kong and The Lovely Bones. Plus, the most recent trailer for The Desolation of Smaug has me extremely excited, particularly for Eggs Benedict Cumerbund  Benedict Cumberbatch as the voice of Smaug the Dragon.

Mind you, this doesn’t mean I lack any sort of trepidation about the next two Hobbit films. I had the same issues with the 48 frames per second technology that several other people did and the fact that they’ll be done with the story of The Hobbit in the first two films has me worried about what the third film will pull. It makes me wonder if Peter Jackson may be milking this a bit too far and might be putting so much money in the visuals to distract for a potential lack in story. Then again, An Unexpected Journey managed to make $1 billion worldwide, so I doubt Mr. Jackson will be taking much advice from me on how his films should be done… much in the same way he didn’t take much advice from anyone about The Lovely Bones! Aw snap! Take that, highly acclaimed and successful filmmaker! That’ll show your Oscar-winning ass!

Via Variety

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Inside the Locker: Cookies & O.J.

Lots to talk about in this installment of Inside the Locker. However, nothing inspires more discussion and laughter than the story of O.J. Simpson’s failed prison cookie heist. Yup, that’s a real thing that really happened.

Plus, Brian finally gets his first fantasy football win, we update our ITL Pensieve, and reveal a shocking NBA Jam conspiracy. Hold on to your jocks, cause we’re about to rock the lock(er).

Show Breakdown…

 

Scores and Stories (4:00)

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Topics Discussed: The start of NBA training camp, Golden State Penitentiary, NBA Jam was rigged, Happy Trails to Lane Kiffin, Mariano Rivera’s emotional final appearance at Yankee Stadium, Ben Rothlisberger trash talks his own team, Ricky Williams’ Avengers bedsheets, O.J. Simpson gets his hand caught in the cookie jar.

 

Main Segment: NFL Week 4/NCAAF Week 5 (43:20)

Fairley Suh
Gif courtesy of Gawker

Once again giving out The Fredo, The Rudy, The Pwn Zone, and the Oh My Goooooood Awards as well as finally discussing the Colts’ coo of sneaking into Cleveland Sam Fisher style and stealing Trent Richardson.

 

The ITL Pensieve (84:30)

Pensieve2

It’s baaaaaack. Well technically, it never left. In any event, we bring you up to date on which of the four locker denizens has the best track record with predicting the winners of NFL games. Spoiler alert: It’s Brian.

 

He Might Be A Cyborg: Joe Thomas  (92:55)

Joe-Thomas_borg

The Guy has not missed an offensive snap since he was drafted in 2007, and he plays for the Browns! That is machine-like resiliency.

Love Inside The Locker? Of course you do! Why not head over to the balloting website for the Podcast Awards and nominate us for Best Sports Podcast? Click here to access the balloting and copy/paste the link for this episode to include in your nomination. We thank you!

 

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Infestation: Last Round of Fantastic Fest Reviews

As Fantastic Fest wound to a close, amidst the sea of discarded beer bottles and empty Visine containers, Brian and Chris sat down for an extended review session to discuss what wowed them since they last drunkenly discussed the movies they’d seen.

The guys (including a special appearance by Luke Mullen) chat about such gems as Ti West’s The Sacrament, Michel Gondry’s Mood Indigo, Alfonso Cuaron’s Gravity, Stephen Chow’s Journey to the West, Blue Ruin, Metallica: Through the Never, & Why Don’t You Play in Hell.

They also discuss the madness of The Fantastic Feud, Elijah Wood mocking himself alongside Master Pancake, breakfast-cereal-flavored popsicles, and sacrificing their voices to Karaoke-pocalypse.

Give it a listen!

Digital Noise Episode the 13th: Halloween Comes Early

Halloween begins early on this week’s Digital Noise as we cover a solid collection of great (and some not-so-great) horror home releases of classics like Prince of Darkness, Halloween and the Psycho series. Even TV isn’t left out of the act as the boys rant and rave about their love for Hannibal. Add in a ton of new Dr Who, Iron Man 3, and a smorgasbord of other titles, and you’ve got an action-packed episode of your favorite home release show!

Don’t be afraid to show your love for Digital Noise and all things OneOfUs over at The Podcast Awards! Be sure to nominate our shows now!

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Thinking of purchasing any of the titles we discussed? Or anything from Amazon in general? Please access Amazon via our links to help support the site. We really appreciate it!

Iron Man 3 Blu-ray Review   The East Blu-ray Review   Scenic Route Blu-ray Review

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Halloween 35th Anniversary Blu-ray Review   Kings of Summer Blu-ray Review   Room 237 Blu-ray Review

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I Spit On Your Grave 2 Blu-ray Review   Prince of Darkness Blu-ray Review   Haunting of Helena DVD Review

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Psycho II Blu-ray Review   Psycho III Blu-ray Review   Hannibal S1 Blu-ray Review

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Dr Who S7 Blu-ray Review   Dr Who Ice Warriors DVD Review   Dr Who Scream Shalka DVD Review

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South Park S16 Blu-ray Review   Grimm S2 Blu-ray Review   The We and The I DVD Review

 

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Infestation: Fantastic Fest Rap Featuring PHZ-Sicks

Fantastic Fest may be over, but we’re rolling out plenty more goodies to finish off our coverage. I guess what we’re saying is, The Infestation has not yet been quelled.

During the fest, One Of Us fan, and mad lyricist PHZ-Sicks basically free-styled this outstanding rap bringing people in the outside world up to speed with what’s been happening at the fest as well as some of the things that have transpired while we’ve been entrenched in the festival madness.

Gotta love how many titles from this year’s lineup PHZ-Sicks was able to throw into the mix. Check out the video below.

 

Follow @PHZ-Sicks on Twitter and visit his website