Digital Noise Ep 140: The Weiner's in the Microwave | One of Us

Digital Noise Ep 140: The Weiner’s in the Microwave

6 Submitted by on Tue, 06 September 2016, 14:59

Joe and Chris get back to their more traditional antics as they discuss a heapin’ helpin’ of home release movies this week. Although there’s no TV reviews, per say (check the last TWO Digital Noise eps that came out last week for that), our giveaway of the really fun show Lucifer should bring this all full circle.

BluObservanceReview   BluHighRiseReview   BluSavedReview

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BluAmericanNinjaReview   BluAmericanNinja2Review   BluMicrowaveMassacreReview

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BluWeinerReview   BluMaggiesPlanReview   BluManKnewInfinityReview

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BluBloodstainedButterflyReview   BluRatchetClankReview   BluNiceGuysReview

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BluDerBunkerReview   BluChimesMidnightReview   BluLuciferDVDS1Review

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Born in the wilds of northern Virginia, in 1992 Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas, where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar management. An opportunity to see theatrical release films for free, by becoming a critic on a local public access show called “The Reel Deal”, turned into a full time job when Chris and his friends decided to take it to the internet. They built the site, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this paradise you see before you.
  • Kris Pistole

    YAY for Criterion and weird horror movies!

  • El Pollo Guerrera

    Since I saw the documentary about Cannon Films, “Electric Boogaloo”, I’ve been wanting to pick up all the classic Cannon flicks, so I am going to try and pick up the American Ninja flicks.

    Chris is thinking of “Enter the Ninja” (avoid) and “Revenge of the Ninja” (classic must-see), and both were re-released by Shout Factory a few years ago… in fact, “Revenge of the Ninja” was reviewed on Digital Noise by Salisbury and that guy who loved the “Man From UNCLE” movie.

  • Michael Peskett

    Speaking as the sort of fan who can recite everything about the Ratchet & Clank series by heart, has completed all the games many times… man, was the movie disappointing. It’s literally a playlist of the cutscenes from the PS4 remake, and not even of all of them. The remake already was a weaker redo of the story of the first game, cutting out a lot of the problems that the titular characters had with each other, and slicing even more out of it made for a pretty limp film.

    At least it had two moments I legit laughed at, one being the airlock funeral. Can’t say it was awful, but even as a major fan of the games, I’ll probably forget that the movie exists.

  • 认真拜读中……

  • RossOB

    Chris, re: The Night Manager. Decent, but not excellent. If you are a reasonably deep John Le Carre fan (as I am) it will probably disappoint, as it doesn’t dig deep enough into the hero’s (Hiddleston) conflicted moral code and emotional wandering. Winds up too neat for a ‘real’ Le Carre story, which should leave you feeling a little dirty. Hugh Laurie, however, is great as a Caribbean scenery-chewing Etonian arms dealer. Worth the watch, but not a MUST.

    • zgamer

      Respectful rebuttal. The Night Manager = Awesome. As a guy who hasn’t read a lot of Le Carre, I still feel that it manages to keep the heart of his writing style while sustaining a ‘thinking man’s spy movie’ tone that is accessible to a wide audience. Pretty much what Tinker Tailor Soldier Spy attempted to do, but was too dry and condensed to flesh out. And I personally liked the changed ending because it makes sense in what the show wants to accomplish and it might have been unsatisfying to make the outcome of the core themes ambiguous. It’s also a great vehicle for the actors, particularly Hiddleston, Laurie and especially Olivia Coleman (playing a role written as a man in the novel). If anything, it’s sometimes so slow a burn that you’re not sure where it’s going during the middle episodes, but it finds its footing near the end stretch.