The Big Reveals of 2014’s San Diego Comic-Con

With San-Diego Comic Con shutting its doors Sunday afternoon, it’s finally time to take a look back at the con’s biggest panels and most-talked about reveals. This also a place for you to react and discuss all the cool stuff (and the lame stuff) that happened at SDCC this year.

 

 

 

Wonder Woman

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So, it’s not surprising that one of the biggest reveals at the con was the release of the first image of Israeli actress and model Gal Gadot as Wonder Woman in Zack Snyder’s Batman v. Superman: Dawn of Justice. As expected,   the geek community seems to be pretty divided on the outfit.

My first reaction to seeing her in costume was actually rather positive. I initially thought they captured the look of the costume from the comics, even with the few obvious changes being quite apparent (No more star-studded bottoms for one). However, I started to notice a few troubling things about the outfit after looking at it closely.

As pointed out by many people critical of the costume online, Gadot’s Wonder Woman is sporting heals. Now, Wonder Woman, being an Amazonian warrior, doesn’t exactly strike me being the type to wear high-heels in a battle against DC’s most notorious supervillains. It’s an odd choice of attire, and it plays into my concerns that Snyder and David Goyer are just trying to make Wonder Woman eye candy for teenage boys. Both the director and writer haven’t exactly had the best track record when it comes to talking about female characters. Just ask Goyer about She-Hulk if you need any reference. In any case, at least the Wonder Woman reveal is opening up discussions about the presentation of female superheroes in leading roles on the silver screen.

 

Batman v. Superman: Dawn of Justice Teaser Trailer

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It didn’t take long for the Warner Bros. film panel’s teaser trailer for Batman v. Superman: Dawn of Justice to finally leak online only a few hours after its premiere in Hall H. While the cell phone recording of the teaser is hardly the best quality, it did reveal the type of tone and look for the highly anticipated movie.

The teaser opens to a massive thunderstorm above Gotham City. Batman (Ben Affleck), clad in armor reminiscent of the armored suit the Caped Crusader wore in Frank Miller’s iconic graphic novel, The Dark Knight Returns, is removing a rain-soaked tarp from the Bat-Signal. He turns it on and it shines brightly into the night sky. Lightning flashes and in the middle of the Bat, floating above, is Superman (Henry Cavil). His eyes flash red with heat vision as he looks down at Bruce who stares up at the Last Son of Krypton with his own glowing white eyes. It cuts to black and the logo for the film appears.

It’s an atmospheric teaser. It sends the points home that this will be a dark film and that these two icons of DC will most likely start out as enemies before inevitably becoming allies.

 

Legendary Pictures Panel

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Legendary, hot after their commercial success with Godzilla, wasted no time announcing that the King of the Monsters would make his return to theatres in the next few years with some other classic Toho creatures. Rodan, Mothra and Godzilla’s arch-nemesis, King Ghidorah will square off against the giant lizard in the tentatively titled Godzilla 2. Director Gareth Edwards is set to direct after finishing his unannounced Star Wars spin-off film.

Other reveals during the panel included Guillermo Del Toro’s Crimson Peak, a gothic period piece focusing on a haunted mansion filled with angry spirits, Duncan Jones’ Warcraft, based off of the poplar RTS games of the same name, and Skull Island, a film about the mysterious island abode of the giant ape, King Kong.

 

Marvel’s Ant-Man

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With a series of troubled production developments, new details for Ant-Man are a little scarce. The panel did welcome director Peyton Reed, and stars Paul Rudd, Michael Douglas, Evangeline Lilly and Corey Stoll, along with a trailer.

The footage has Rudd (Scott Lang) and Douglas (Hank Pym) talking about how superheroes are “a goddamn joke.” Pym explains that he needs “a small job” completed by Rudd, and that the only way for it be completed efficiently is to have Rudd don the mantle of Ant-Man. Some more scenes had Lang attempting to escape police while being advised by Pym, instructing him on the proper use of his new powers.

Not surprisingly, there was no Q&A nor any mention of former Ant-Man director Edgar Wright. Principal photography officially starts for Ant-Man August 18 in Atlanta, Georgia.

 

Avengers: Age of Ultron

“No strings on me.”

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The Marvel Studios panel welcomed not only most of the cast from Avengers: Age of Ultron, including newcomers James Spader (Ultron), Elizabeth Olsen (Scarlet Witch), Aaron Taylor-Johnson (Quicksilver) and Josh Brolin (Thanos), but also some new footage.

While I have yet to see the newly released footage, I’ve managed to find descriptions of it online.  Apparently, the first few scenes show the Avengers enjoying themselves at a small party thrown by Iron Man himself, Tony Stark. They laugh, joke and even attempt to lift Thor’s hammer. All but one of them is actually able to move it. Even Thor is shocked to see that this individual might be just as worthy to wield the power of Mjolnir. Thor later remarks that none of them are truly worthy of the power of Thor. Suddenly, a half-completed version of Ultron stumbles onto to screen and remarks that not only none of them are worthy, but that they are not willing, nor strong enough to make a lasting change in the world. The Avengers are then attacked my either Ultron-bots or Iron Man suits. The rest of the trailer cuts to different scenes of various levels of awesome. A twisted version of Pinocchio’s song “No Strings On Me” plays in the background. The final few shots show a seemingly defeated Avengers sprawled across a desolate landscape with an eight-foot tall Ultron bearing down on them.

So far, the trailer hasn’t leaked online, but this footage seems way too hot to stay buried forever.

What about you reader? Any reveals that caught your eye? Let us know in the comments below.
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Infestation: Fantasia Film Festival 2014 – ‘The House at the End of Time’

Well, I’m proud to say I can knock another country off my list when it comes to movies. The House at the End of Time (La Casa del fin de los Tiempos) is the first movie I’ve ever seen that is from Venezuela. It is also the highest grossing Venezuelan film of the year and it is in the top ten grossing films of Latin America. Despite its success, I had heard virtually nothing about this movie before watching it.

 

Before we begin, I want to point out two things that affected my opinion of this movie. First, my copy of the movie kept switching between standard definition and poor quality and there was a white static type thing at the top of the screen. I’m hoping this problem was exclusive to version of the film provided to reviewers and isn’t the case for all the copies. I also had issues with the subtitles. Normally, I don’t mind reading along while I watch a foreign film, but this time the subtitles were god awful. It seemed like less than five minutes could go by before I became confused by what was written or being drawn out of the film by typos that even a fifth grader wouldn’t make. Now I don’t expect perfection from my subtitles, but when I have to pay such close attention to text in order to understand a film, I expect the quality to be decent at least. The subtitles in The House at the End of Time were some of the worst I’ve ever seen on a movie.

With those complaints aside, I can move on to the movie itself.  This was Alejandro Hidalgo’s first film, written and directed it on a budget of 3 million dollars. The House at the End of Time is about a woman who is sent to prison for murdering her husband and child. A murder she says she did not commit, because of course she didn’t. 30 years later, she is released on house arrest and now must face her past and the dark secrets within her home.

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The truly sad thing about this movie is that it was so close to being amazing, but the hiccups along the way just made it a mediocre film. The movie is sold as a horror/thiller/fantasy, yet I saw no horror elements. At most there was a single jump scare, but in no way would I describe this as a horror movie. The plot itself was interesting, though it was drawn out a little more than it had to be. Because of this, at the climax it goes completely flat and the resolution is weak. We never get any answers as to why all of these strange events are happening in the house, they just do and no one bothers to propose an explanation. Plot points that were brought up earlier in the film are just left to dangle, providing further confusion. Additionally, characters undergo radical personality shifts with no warning or reasoning. One character, the father played by Gonzalo Cubero, is portrayed as a sympathetic character at the beginning, only to go bonkers later out of nowhere. I will say the end of the movie was kinda touching, but some of the choices made by the leads didn’t make sense to me especially after all that had happened.

The actors and actresses are the highlights of the film. Ruddy Rodriguez, who plays the main character Dolce, does a great job in this movie. She is a very compelling and sympathetic lead, which is why she is one of the few things that kept me interested in the movie. Another stand out performance was done by Rosmel Bustamante, who played one of Dolce’s sons. He is an amazing young actor and I see a bright future ahead of him. His emotional portrayal of the character was deeply moving and convincing. The family drama at the center of this movie is the strongest aspect of it, and the cast is more than up to the task of delivering it.

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While I don’t have many complaints about most of the acting in the movie, I can’t say the same for the makeup. For example, Ruddy Rodriguez plays both young Dolce and old Dolce and the makeup that was used to age her is hilariously bad. I know a $3 million budget isn’t a ton of money in this industry, but depending on who was hired, casting two different actresses wouldn’t have broken the bank.

It’s sad to see a movie that had such great potential for over half of the film flounder so badly by the end. I can only give The House at the End of Time 6 out of 10 and the cast and director best wishes on their next ventures.
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The Pre-Weekend Recap: July 25, 2014

Welcome one and all to the Pre-Weekend Recap for the week of July 25, 2014! This was a week full of huge developments for the site. Before we get to those, however, here’s another reminder for One Of Us’ San Diego Comic Con meetup and pub crawl event this Saturday, starting at 6pm! To find out more about all the madness that will ensue, check out the event page here.

 

If you aren’t fortunate enough to be at SDCC this year, don’t you worry because we have plenty of cool stuff for you right here. Below, you’ll find information about some of the articles, podcasts, and announcements we posted this week. There are also links that will take you to the content faster than you can say, “I wish I was at Comic-Con, damn you Brian and Chris!” The rest of us have been saying that all week and we’re getting pretty good at saying it quickly, so that’s saying something.

Lounge Geeks is moving to One Of Us!

We started the week with some sad news. Lounge Geeks, a site for passionate and creative geeks of all stripes founded by the incredible Grant Davis, will be shutting its doors. However, all is not lost! Grant is a phenomenal human being and he refused to let his site close without finding a home for some of its great podcasts. That’s why on July 31st, five of the shows on Lounge Geeks will be moving right here to One Of Us! While we are tremendously sad that the internet will be losing an excellent website, we are unbelievably excited to bring these shows into our family. For more information about this development, click on the link above!

 

The Make-A-Wish Foundation Unleashes Madzilla

This week, we published an inspirational story about Maddex, a 5 year old Chicago native who is currently being treated for Acute Lymphoblastic Leukemia. Maddex has been undergoing treatment for his condition for some time now and his family has kept his spirits high with a steady diet of Godzilla films. As a result, the young kaiju enthusiast and his family submitted a request to the excellent people of the Make-A-Wish Foundation asking to help Maddex star in his own Godzilla movie. Thanks to the hard work of Make-A-Wish and volunteers from across Chicago, Madzilla will make its debut later this summer. You can find out more about this incredible project and view some stills from the production the the full article! Go get ’em, Maddex!

 

Salt Episode 2: The Maryaj Lwa

The adventures of Jean-Pierre Desperois continue in the thrilling second episode of Salt, a new radio drama from The Intergalactic Nemesis’ Jason Neulander! For those who you who missed out on the news the first time, Salt chronicles the story of Jean-Pierre, a Haitian-born salt smuggler with the incredible power to travel through space and time. It’s a fine mix of science-fiction, pulp, and noir, and it’s exclusively here on One Of Us! On this episode, more is revealed about Jean-Pierre’s extraordinary birth and we listen in on our heroes interactions with a vagrant and a former employee. Plus, what’s that symbol all about? This is some stellar material that you DO NOT want to miss! Be sure to share Salt with everyone you can!

 

Infestation: Fantasia Film Fest 2014

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The Fantasia Film Festival is celebrating its 18th year and One Of Us is fortunate enough to be reviewing some of the selections premiering throughout the event! Starting this week and through to the fest’s end on August 6th, you’ll find written reviews of some of the movies that are making their appearance up there in Canada. So far, you can find reviews for Cybernatural and Zombie TV and there are plenty more to come as the weeks continue. These films are anything but ordinary, so if you’re looking to find out about some truly original stuff, we have all the information you need!

 

Geek Inherits The Earth: Not Dressed To Impress

Geek Inherits The Earth made its return this week with some commentary about female superheroes’ costumes. The upcoming debut of the redesigned Batgirl has comic fans buzzing with positive interpretation. Not only is Babs’ new costume completely functional and sensible, it doesn’t take away from what makes Batgirl who she is. Is this the start of a positive trend in comics? What are some of the bad practices that need to go in order to make female superheroes both realistic and interesting for all readers? Find out what our very own Seth Hall has to say about the matter right here.

If you like what you’ve seen here, please be sure to share our stuff with others who might enjoy it. In addition, please consider becoming one of our proud subscribers! There are plenty of benefits for those who are generous enough to contribute to the site each month, so don’t miss out on your chance to earn some exclusive rewards! Have a great weekend!

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World of UScast: The British Bodcast: Episode 5

Duke and Kia discuss the Monty Python reunion show and why bands can do a greatest hits, but comedians can’t. Kia gives her views on watching Star Wars for the very first time and then the pair go through a list of very British things. To finish off, Duke goes back over Kia’s predictions for Breaking Bad and points out how wrong she was.

Ash & Fern: The Never Ending Summer

I know summer is supposed to be my favorite season. People all around me spend the snowy winter and rainy spring waiting impatiently for the long sunny days of summer. Swimming pools, BBQs and the beach seem to be everyone’s favorite topics leading up to the first really hot days of the year. For me though, with my freckled skin and vampire-like avoidance of the sun, a season largely lacking quality television has always been a bit of a buzzkill. What good are the longer days if there is NOTHING to do?!

 

Everyone measures this dead zone a little bit differently. These days for me it runs roughly from the season finale of Game of Thrones through the day I leave for DragonCon. It used to be torture, 3 solid months of forcing myself to read a book (gasp!) or sit through reruns of Seinfeld (which I do love, but I’ve seen them all dozens of times at this point). Since I know I can’t be the only one dealing with this right now, here are a few shows that are helping me through. And just remember guys, we’re about halfway there!

First, we all know that if there’s one thing we can count on no matter the season, it’s Sunday nights on HBO. Yes True Blood is long past its prime, assuming it ever had one, but it’s still a somewhat enjoyable guilty pleasure. This summer I’ve been thinking of it like the last cookie from a batch you baked last weekend. Yes it’s a little stale and would have tasted better a few days ago, but hey, it’s still a cookie! And you’ll definitely miss those cookies once you’ve eaten the last one.

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But this summer HBO has really nailed it with The Leftovers. After several good episodes, and a couple of really great ones, I still have absolutely no idea what this show is about. The framework is simple, 2% of the world’s population has disappeared with no explanation and the rest of the world is left to pick up the pieces. Was it the biblical rapture? Were the people who disappeared the innocent? Or the guilty? I have no clue. (And since this comes from one of the masterminds of Lost, it’s entirely possible they have no clue either.) It’s certainly a little deeper than your normal summer fare, but sometimes it’s nice to have a show in the off-season rotation that actually makes you think.

The Leftovers - Where Did They Go

If contemplating the big questions isn’t your idea of a relaxing summer’s eve and you’re looking for something a little more light and fluffy, you might give Covert Affairs a try. Currently in its fifth season (somehow, I had to double check that number, just how old am I?), this show is a spy drama that doesn’t take itself too seriously. The tech is cool, the scenery is beautiful, and the characters are likeable enough to want to spend an hour with them each week. Really that’s all I’m looking for in a summer show. And as a bonus this show also features Peter Gallagher’s eyebrows.

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Maybe a globe-trotting spy isn’t your idea of a hero? What about a history professor turned militia leader? I’m sure a lot of you have been watching Falling Skies for years, but if you haven’t you should really give it a shot. I’ve had trouble committing to a science fiction show since Battlestar Galactica went off the air. Partially because nothing else compares, and partially because I know that even if a show is good it will probably be cancelled after one season. But I’m really glad I stuck with Falling Skies. It’s got cool aliens and historical references just clever enough to make you feel like you’re learning something on your summer vacation. Teachers should rejoice.

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None of these options up your alley? My final suggestion is what I did for years before networks finally wised up and starting giving me SOMETHING to get through the summer months. Summer is a great time to revisit an old favorite. For me, my project this summer has been a Prison Break marathon. I forgot how much I LOVED this show. It’s reminded me how excited I should be to see Wentworth Miller back on TV this fall in The Flash and got me itching to expand my tattoo collection. (Unfortunately I’m currently stalling near the end of season 2. Though it’s been years since I watched I do remember a significant decline in story quality in season 3, and I’m not quite ready for that.)

So what about you? Any marathons you’re doing this summer, maybe waiting for the return of new episodes this fall? Or is there a new summer show out there that I’m missing? I’m open to suggestions!

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Batman’s 75th Anniversary: A Selection of The Dark Knight’s Greatest Hits

With Batman celebrating his 75th Anniversary this week, it felt appropriate to talk about the Caped Crusader’s most beloved storylines. Below you’ll find a list of popular books in no particular order that prove that Batman is DC’s greatest hero. Not that you needed any convincing, of course. Some of these are recent hits, while others are legendary books popular even with comic neophytes. All of them demonstrate why Batman is the paragon of justice we know and love.

 

 

 

Batman: The Black Mirror

“I suppose I’m just not used to seeing you being there when I look up.”

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It’s been called the definitive Batman story of the 21st Century. Batman: The Black Mirror kicked off Scott Snyder’s multiple award winning run on the Caped Crusader, and it continues to be held up alongside other legendary Batman stories like The Dark Knight Returns and Batman: Year One. The funny thing about Batman: The Black Mirror is that Bruce Wayne isn’t even under the cowl in this particular adventure. No, it’s his protégé and former partner, Dick Grayson.

Batman: The Black Mirror not only gave readers a look into Grayson’s struggle with assuming the role of Gotham’s protector, but also reveals answers to a mystery that had been on the minds of readers for decades. That mystery: Whatever happened to James Gordon Jr. in Batman: Year One? The answer is provided by The Black Mirror, and it’s anything but pretty. James Jr. is quickly revealed as a recovering psychotic who has returned to Gotham to seek forgiveness from his father, Commissioner Gordon, and sister, Barbra. Their reunion is filled with tension and Grayson watches carefully from afar, trying to learn if the eerily calm James Jr. is really cured of his illness.

I have to admit, I was initially very skeptical that Dick Grayson would be a good fit for Batman. Having read a few issues of Grant Morrison’s incompressible Batman and Robin, I was convinced that Grayson would be the worst Batman since Azrael. I was so wrong. Snyder not only proved that Grayson was more than worthy of taking on the responsibilities of his former teacher in The Black Mirror, but that Gotham could also have a Batman that was kinder and even optimistic about the future.

 

Batman: Under the Red Hood

“If I allow myself to go down into that place, I’ll never come back.”

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Resurrecting a dead character can be tricky and is often criticized for being a cliché in comic books. There are some notable exceptions to that rule however. Judd Winnick’s Batman: Under the Red Hood is one of those few exceptions.

It’s probably not a surprise to most comic readers know that Jason Todd, the second Robin, is alive and well in the DC Universe. Under the Red Hood reveals how that came to be and Todd’s miraculous resurrection resulted in a city-wide gang war involving Gotham crime lord Black Mask, and his former mentor, Batman. Taking over the mantle of the Red Hood, a persona the Joker may have once called his own, Todd goes to war with Gotham’s worst criminals. This inevitably leads to a confrontation with Batman, who has been trying to identify this new murderous vigilante.

At its heart, Under the Red Hood is a father-son story. It takes a look at the complicated relationship that Bruce and Jason had when they were partners, and how Bruce failed to recognize the obvious psychotic tendencies of his former ward. Bruce provided the means for Jason to become what he is in this story: An unrelenting force of nature with a lot of time and initiative. It’s about Batman’s failures and his attempts to help his long-lost son.

While Batman: Under the Red Hood is a damn good book, I can’t help but wince at some of the questionable choices Winnick makes in regards to Todd’s resurrection. They’re small things, but even I have to admit that they’re a little goofy. Thankfully, Under the Red Hood recently received an animated film adaptation that eliminates the more eye-rolling material, and tightens the overall plot. It’s well worth a watch if you don’t have time to read the comic.

 

Batman: Black and White

“The monsters were all around me.”

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Batman: Black and White stands out as one of the best and most daring Batman graphic novels because it allowed writers to get as crazy as they wanted to with The Dark Knight. Comprised of multiple short stories, Batman: Black and White features such talents as Neil Gaiman, Dennis O’Neil, Ted McKeever and Bruce Timm. The collection is free from the continuity of the comics and places Batman in scenarios that are both familiar and unique. Such stories harken back to the 1960s camp of the Adam West television show and even Batman: The Animated Series.

Stand out stories include “Perpetual Mourning,” which has Batman performing an autopsy on a murdered woman with the hope of eventually finding her killer, “Two of Kind,” that follows a seemingly rehabilitated Harvey Dent trying to lead a normal life, and “Heroes,” a WWII-era tale about a boy’s run-in with the Batman. With so many different interpretations of Batman and his cast of supporting characters in Batman: Black and White, you’re sure to find a few stories that catch your interest.

 

Batman: Gates of Gotham

“The families will fall by the gates of Gotham.”

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The second storyline in Scott Snyder’s run on Batman, Gates of Gotham still featured Dick Grayson under the cowl as he tries to solve a series of bombings at notable Gotham landmarks. It was Snyder’s first real exploration of Gotham City’s sordid history. In order to find the answers he needs to solve these seemingly random crimes, Grayson researches the history of Gotham’s wealthiest families, who received the honor of having Gotham’s historic bridges named after them. Grayson, much like the reader, is thrown into a world that he didn’t even know existed. Part mystery and part historical drama, Gates of Gotham is a must-read if you want to know more about the city that Batman calls home.

 

Batman: The Killing Joke

“Have you ever had a really bad day?”

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I realize that The Killing Joke focuses more on The Joker than Batman, but Alan Moore’s single issue story that tells the Clown Prince of Crime’s “origin” also takes an in-depth look at the complicated relationship between the mortal enemies.

The Killing Joke sent a shockwave through Batman comics that can still be felt to this day. It not only presented a possible reason why The Joker does what he does, but it also left an impact on a number of Batman’s supporting characters. Barbara Gordon’s paralysis and possible rape by The Joker is horrific and it made even worse as it is used to psychotically torture her father, James Gordon.

Possibly the most revealing, and disturbing thing about the comic is the final few panels that have Batman and The Joker sharing a laugh. It’s eerie to see the two finally having a moment where they’re not tearing at each other’s throats. At the same time, it shows just how similar the two characters actually are. Crazy seems to attract crazy.

 

Batman: The Cult

“I always claimed I became Batman to fight crime. That was a lie. I did it to overcome the fear.”

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Quite possibly the most underappreciated Batman story ever written, Jim Starlin’s Batman: The Cult has the Caped Crusader pursing a psychotic criminal named Deacon Blackfire, who is quickly forming a dangerous cult comprised of Gotham’s homeless and disenfranchised. Batman is captured by the cult before the events of the story, and is brutally tortured by Blackfire and his devoted followers for weeks.

The story is an analysis of why Bruce Wayne chooses to be Batman. Starlin breaks Batman physically and mentally to show the reader the possible psychotic underpinnings of what drives him to do what he does. Batman is beaten to a point where a complete mental breakdown is the only option for survival. It’s kind of horrifying to learn that Batman is quite possibly one of the few heroes in comics to lean more on his insanity than sanity.

This is not a particularly easy read. It’s probably one of the most graphic and violent Batman stories to be put to paper. Artist Bernie Wrightson has sewers littered with rotting corpses, severed heads and the remnants of ritual-like sacrifices fill in for the normal Gotham skyline one might glimpse in a Batman comic panel. Even will all the twists and turns that Batman: The Cult throws at you, it still manages to be a comprehensible story. It’s the philosophical Batman comic that Arkham Asylum pretends to be. It’s more than worth a single read.

 

Batman: The Court of Owls

“Bruce Wayne. The Court of Owls has sentenced you to die.”

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After Scott Snyder’s previous successes with Dick Grayson under the mask in Black Mirror and Gates of Gotham, Court of Owls saw the triumphant return of Bruce Wayne as Batman. The Court of Owls was a soft relaunch for the comic and had the Dark Knight Detective investigating a cult that has been manipulating events within in Gotham for hundreds of years. As a child, Bruce Wayne spent time studying the legends of the cult, believing that they may have has a hand in the murder of his parents decades ago. Years later as Batman, Bruce discovers that the Court of Owls is active in Gotham and is planning a city wide execution of Gotham’s most prestigious citizens.

Like his previous storylines, Snyder’s Court of Owls succeeds not only by introducing a fascinating new enemy, but by building on what came before. Much like Gates of Gotham, Court of Owls spends its time exploring the history of Gotham and its inhabitants. Snyder demonstrates that even though Batman is a character we’ve known for decades, there’s still plenty more to learn about him.

 

Batman: Venom

“I’m gonna hurt you a while.”

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Many people think that the introduction of Bane was the first appearance of the super drug known only as Venom. Not true. Batman actually used the drug in Dennis O’Neil’s Batman: Venom.

After failing to save the life of a young girl, Batman pursues every means to improve himself physically and mentally. Upon learning of the existence of a drug called Venom, Bruce begins taking the drug in large amounts. While increasing his strength and agility, the Venom increases his aggression and makes his behavior erratic. Realizing that he has become an addict, Batman isolates himself in the Batcave for months with the hope he can end his dependency on Venom.

O’Neal’s story was so good because it showed that even Batman, one of DC’s most intelligent and resilient characters, could fail. Not only could he fail to help an innocent person, but that he could also fail himself. Venom also gives us a glimpse at the struggles Batman faces on account of being human. In a universe full of Green Lanterns, Supermen, Amazons, and other fantastical creatures, Batman still faces a distinct disadvantage because despite his amazing feats, he is just a man. This story is an example of what happens when that fact rears its ugly head.

 

Batman: Year One

“Ladies, gentlemen, you’ve eaten well. You’ve eaten Gotham’s wealth. Its spirit. But your feast is nearly over. From this moment on, none of you are safe.”

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After Frank Miller success with The Dark Knight Returns, the writer was asked to do a retelling of Batman’s origins story for the 1980s. That retelling is now considered to be one of the most untouchable origin stories in all of comics. Not only does it show the a very inexperienced Batman attempting to save his city, but it also present a young Jim Gordon forced to hunt him down for his vigilantism.

Miller’s noire take on Batman had The Dark Knight tackle Gotham’s crooked police force and notable crime families like the Falcones. It was a bold move for Miller to take such a minimalist approach to Batman, and it wasn’t exactly embraced by everyone at that time. When it was first released, the book was viciously criticized by comic readers. With no Robin, classic villains or gadgets, fans scoffed that the comic was one of the worst things to ever happen to The World’s Greatest Detective. Years later, Batman: Year One is considered not only one of the greatest Batman stories of all time, but of the greatest comic books of all time. Sometimes, it just takes a little time to get the accolades your deserve.

 

The Dark Knight Returns

“This would be a good death…but not good enough.”

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Is it even necessary for me to talk about The Dark Knight Returns? It’s quite possibly the most well-known graphic novel outside of Alan Moore’s Watchmen. For those that don’t know (and you should be ashamed of yourselves), The Dark Knight Returns focuses on an elderly Bruce Wayne who put away the cowl and cape ten years ago. Gotham has quickly become an even more violent and dangerous place since his retirement. After witnessing the horrid acts of a vicious street gang on the news, Bruce put on the mask once again to protect the city he abandoned years ago.

The Dark Knight Returns gives readers of today a look into the world America during the Cold War and the Conservative Revolution of the 1980s. The book is extremely critical of American society and uses the DC Universe as a backdrop. It is one of those excellent books that has a message relevant to the real world. It also has the most badass fight between Batman and Superman in the history of comics. You got to give something to the fans, right?

 

What are some of the Batman stories that you love? How did you celebrate Batman’s 75th anniversary? Let us know in the comments below!

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Highly Suspect Reviews: ‘Lucy’

Scientists believe that the Unusual Suspects only use 10% of their collective brain. This is a terrible myth, and we would refute that number if our brains weren’t so crammed full of movie trivia that there is no room for such trivial constructs as mathematics. Plus, we could totally scan those scientists and make their heads explode if we wanted to.

For this installment of Highly Suspect Reviews, Elliott, Beau, and J.C. take on the beautiful, but cognitively dangerous Lucy. Scarlet Johannson has always seemed like the kind of actress who can effortlessly blend intelligence with ass-kicking, but in Luc Besson’s latest, her smarts are the instrument of said ass-kickery. Now the question becomes how much of his brain did Besson use during the scriptwriting phase?

Listen to the review and find out what the Suspects suspect.

 

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Infestation: Fantasia Film Festival 2014 – ‘Zombie TV’

To say that Japanese humor is very colorful and animated is an understatement. In fact, Japanese humor is so colorful, I distinctly recall seeing a sushi commercial that involved people dumping paint on themselves, and laying on top of each other to create human sushi.

 

 

 

So when I was given a chance to see Zombie TV, which was pitched as a collection of Monty Python-esque comedy sketches done by the people behind Tokyo Gore Police, I said to myself, “You know what, I’m in the mood for something weird. What could go wrong?” Little did I know that these next 77 minutes would consist of me peering into an endless void of insanity.

 

The premise and the world they set up is actually pretty interesting. Imagine that zombies have become a regular part our everyday living and television producers wanted to make shows targeted towards the demographic of the dead. Kind of like the ending of Shaun of the Dead, with all the zombie game shows. Take that idea, and throw in a mixture of Japanese humor, Tim and Eric Show, and Robot Chicken, and you’ve basically got Zombie TV. What follows are a couple of funny sketches here and there, but they are overshadowed by the ones that go way too far.

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The most common failing of the humor in all these juvenile sketches is that they go on for entirely too long. For example, one part of the film is an informative video on how to have sex as a zombie. This sketch has scarred me for life. I usually don’t wince at gore, but when it gets to a point where a bloody naked female zombie is eating her lover’s intestines during coitus, the initial shock value fades and the routine becomes excessive (but she’s got guts, I’ll give her that!). That scene continues to a point where it definitely crosses over in to the NC-17 rating. The film also crosses offensive territory during its Cannibal vs. Zombie wrestling match. It sounds fun on paper, but when the cannibal is revealed to be a man in blackface wearing tribal face paint and bones through his nose, I started to wonder if I was having some sort of unfortunate fever dream.

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To be honest, most of the sketches became a blur to me, and that might have been due to the brain aneurism I underwent watching this film. However, there was one sketch that I found genuinely intriguing, funny, and sad. This particular sketch involved a lady who was turned into a zombie, and discovered that being a zombie meant being free from all rules and suffering that one would have as a human. This led to her developing a god complex, as she realized that she had the power to free people by turning them in to zombies. If they kept up that level of writing and humor throughout, this could have been the fun little Monty Python-esque film they claimed to be! Sadly they went for the distasteful humor, which ended up overshadowing anything that was good about this “movie.”

In the end, the bad outweighs the good. Whatever good there was is not worth the 77 minute run time.

Score: 4/10 brain cells left alive

So Ussians, what is the most bizarre film you’ve seen? Whatever they are, comment below and discuss with the Us!
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Digital Noise Episode 53: History, Science, Theater

Chris might be at Comic-Con, but that don’t stop this Digital Noise train a’running, as Richard and he managed to record ahead of all the new Blu-ray and DVD titles worth talking about this week.


We finally discuss the much anticipated home release of Blue Ruin along with the not-so-anticipated release of Sabotage, have mixed thoughts on Transcendence, and much more. Not to mention we’ve got TWO giveaways this week, both the big-budgeted Korean spy thriller, The Suspect and the 30th box set of Mystery Science Theater 3000!

 


Please do consider using our links below to make all your Amazon purchases! Much appreciated.

Open Grave Bluray Review   Blue Ruin Bluray Review   Sabotage Bluray Review

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Transcendence Bluray Review   Cell 213 DVD Review   Shogun Bluray Review

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Forever Female Bluray Review   Appleseed Alpha Bluray Review   Cesar Chavez Bluray Review

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Angriest Man in Brooklyn Bluray Review   The Suspect Bluray Review   MST3K XXX DVD Review

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HOW TO WIN The Suspect GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with the coolest Bond-like gadget you can think of that hasn’t already appeared in a Bond film

3) Add #SuspectGiveaway

4) We’ll select favorite answer and contact that winner via Twitter (open to U.S. residents only).

 

 

HOW TO WIN MST3K Vol XXX GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with what movie released since the inception of OneOfUs (so since July of last year) you’d like to see get the Mystery Science Theater treatment

3) Add #MST3KGiveaway

4) We’ll select favorite answer and contact that winner via Twitter (open to U.S. residents only).

 

 

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Infestation: Fantasia Film Festival 2014 – ‘Cybernatural’

Imagine your average weeknight – browsing the computer, checking your Facebook page, doing some random (possibly shameful) Google search, and then having a Skype chat with your best buds. Now imagine someone turning that into a movie. Sounds boring right? I’m not sure that anyone would find me Googling “Best way to treat hemorrhoids” to be compelling cinema.

 

 

Then again, neither is watching a girl and her boyfriend in the early stages of cybersex, unless of course you’re on a completely different site with entirely different intentions. Anyway, what if you take the seemingly mundane Skype chat and throw in a mysterious hacker that may or may not be a ghost/demon/vengeful spirit? Now we’re talkin’.

Such is the case for Cybernatural, the English language debut for director Levan Gabriadze and producer Timur Bekmambetov. The film begins as someone watches a a pretty shocking video of a young girl, Laura Barns, committing suicide that was shot from a smartphone. The someone watching turns out to be Blaire (Shelley Hennig) who is doing some “reminiscing” about Laura’s last moments when she gets a Skype call from her boyfriend, Mitch (Moses Jacob Storm). As the two engage in the timeless art of seduction, a group of friends all barge in on the call, but with an uninvited guest.

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The group partakes in some idle chit chat while trying to find out who their guest is, but pass it off as a glitch. Blaire and her boyfriend begin to receive strange messages from Laura’s Facebook page and eventually starts to address the group in the Skype chat. Everyone believes it’s just someone playing a sick prank as it’s the anniversary of Laura’s suicide – that is until things get a little more sinister. Tension rises as the friends start turning on each other when forced and lead to reveal their most shameful secrets while trying to satisfy the wishes of the mystery hacker.

I definitely feel like there is supposed to be a hint of mystery to Cybernatural. Is it really the vengeful tech savvy spirit of Laura torturing her tormentors or is it just an equally tech savvy friend of Laura’s making her bullies squirm? Maybe it’s one of the friends in the Skype chat? The problem is that even before it becomes obvious what’s happening, the mystery isn’t really much of a mystery. And once you’re able to look past the transparency of “the who” of it all you can sit back and get some enjoyment out of “the why.” It’s still pretty obvious, but it’s entertaining nonetheless.

For a batch of MTV generation actors, the cast isn’t half bad. Given that the film plays out entirely on the screen of a computer (complete with internet browsing, iTunes music, Skype calls, ChatRoulette and iMessaging) it is a film made for the attention span of the MTV generation. It’s also a film about the dangers of cyber bullying, though with a supernatural twist. I don’t think the film has anything to really “say” about bullying, unless of course the message is just don’t do it or a cyber demon will come back a year later and totally mess you up.

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Having a computer serve as the film’s canvas presents a couple of different issues. I felt the biggest problem is the inevitable scrambling of the screen during Skype calls. This is irritating enough in real life, but when you want to see what’s happening in pivotal moment, it becomes grating in a movie. While the screen scrambling was effective in building tension at some points, eventually it became annoying.

The other big issue with the computer viewpoint is that it makes the characters feel pretty hollow. Without seeing anyone interact in person, it’s tough to buy into some of the moments towards the end of the movie. Essentially, it’s people screaming at the camera and acting mad, sad or scared which is just kinda silly and unintentionally funny sometimes.

As a moviegoer I would see a movie like Cybernatural and walk out of the theater somewhat pleased, but probably not recommend it to anyone as something they have to go see. It’s the type of film that I’d watch on a whim while browsing Netflix for something to kill time while not being able to sleep and as a random Netflix watch it would be something I’d be pleasantly surprised by and probably recommend to friends as a  “if you’ve got time” rental. The cast, the acting, the tension is all there, but the medium lends to frustration and a lack of empathy for the characters. Overall, Cybernatural is just a few “likes” away from going viral.

Rating: 7/10
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