Greetings everybody, and welcome back to Big Finishing Move. For any of you not in the know, this is the little section of One Of Us where I get to take a look at the auditory offerings from Big Finish and give the people my two cents as to whether or not they are worth your investment. Today we are looking at the Season Three finale of the Fourth Doctor Adventures as Scarfy and Savage (I love calling them that) go on a Zygon Hunt.
TARDIS Team: Scarfy and Savage *ahem* I mean, the Fourth Doctor and Leela
The Doctor and Leela hit up the planet Garros, a planet with an ancient jungle and supposedly no large fauna. To the Doctor and Leela’s surprise, they find large creatures, as well as a bunch of yahoos with guns out who kill them for sport. Said yahoos are part of an order of knights who protect Earth. They include Earth Forces Knight Commander-in-Chief Greg Saraton, a man behind a majority of Earth’s defenses including the codes for the defense grid protecting the planet itself. Captured by the order, the Doctor and Leela get caught up in a Earth invasion scheme by the Doctor’s most phallic foes (don’t pretend you don’t know what I’m talking about), the shape-changing Zygons.
One of the things I really enjoyed was Leela’s disgust at the Knights’ brand of “blast everything for no greater purpose than inflating your ego” hunting.” As a huntress, she lives by an ethical code in her hunting. She lives with the land and while not entirely against sport hunting, she sees it fit only when her prey has a good chance of ripping her face off and eating it. She kills to feed, clothe, protect, and on rare occasion to test her mettle. She does not kill to get her jollies and takes great offense at those like the Knights who do. I’m not what you call an outdoorsman, but I have been both hunting and fishing and reaped the benefits of both on my dinner plate. I was taught a respect for the land and its animals and the importance of conservation and I’m happy to hear those values championed in Who.
While I did enjoy the story, it does suffer one major flaw. The Doctor and Leela don’t really do much in this story. One could argue that the story may well have resolved itself without the Doctor showing up at all. I don’t mean to suggest that the Doctor has be the center of every story. In fact, some of the best tales in the franchise have him more in the background. This time, however, his presence (or lack thereof) usually remains vital to the plot.
I’ve sung the praises of Baker and Jameson an bunch of times during the course of this season and their work once again lives up to the high standard they have set for themselves. Special props should also be given to Michael Maloney as Saraton, he really seemed to nail the right vibe of the special kind of overacting actors from the Fourth Doctor’s era were known for.
I’m so happy this season ended on an acceptable note. The middle of the season did struggle, but the season opened and finished fairly strong making this the best season of the Fourth Doctor Adventures to date. Zygon Hunt on its own works well enough on its own, to fully appreciate it though you will need to go back and listen to the previous episodes of the season if you haven’t picked them up already. Here’s to you Nicholas Briggs, you not only brought this season home but you’ve delivered the best season for the Fourth Doctor you’ve ever done. I’ll be expecting even better from you next season.
Purchase Doctor Who: Zygon Hunt Here:
Do note gentle readers, we here at at the good ol’ One of Us have our own audio drama series by the name of Infinite Variations and we are also home to Jason Neulander’s new spin-off series from The Intergalactic Nemesis entitled Salt. Go get yourself some glorious audio goodness!
For next time, it looks like we are going to get our Doctor Who with a splash of Tron in:
This week we celebrate the return of Ashley from darkest Africa and hope she didn’t bring Ebola back with her.
Those of us who haven’t already chime in about Guardians of the Galaxy, the film Calvary, the Fest of Us celebrations, and a whole stack of new recommended comics for you to check out!
If you have a few extra dimes to spare, please help us help a fan in need. Thank you!
We all know that Star Wars Episode VII will be general audiences’ first chance to see what the franchise’s live action future will be. There’s plenty of excitement, nervousness and skepticism in the air. However, Star Wars fans might be able to slightly alleviate, or confirm their fears upon viewing Disney’s first foray into a galaxy far, far away: the animated series, Star Wars Rebels.
Taking place several years before the events of A New Hope, Rebels follows a small rag-tag team of mercenaries, and their adventures working with the newly formed Rebel Alliance.
Led by a rogue Jedi Knight named Kanan Jarrus (Freddie Prinze Jr.), the team is comprised of a number of characters with their own unique quirks and personalities. Following Jarrus and his Imperial hating ways is the teenage thief, Ezra (Taylor Gray), who’s coming to grips with the fact that he can use the Force; Sabine (Tiya Sircar), a Mandalorian warrior with a love of explosives and graffiti art; Hera (Vanessa Marshall), the pilot and owner of the Ghost, the team’s personal starship; Zeb (Steve Blum), the group’s Chewbacca-like muscle; and Chopper, a moody astromech droid tasked with the responsibility of repairing the Ghost.
With a cast of fun-loving heroes, a suitably detestable villain is needed. Trained by Emperor Palpatine and Darth Vader to eliminate “terrorists” and force sensitive individuals, the pale skinned Inquisitor (Jason Issacs) seems more than up for the task. Equipped with a double-bladed lightsaber, the Inquisitor seems to especially relish hunting down Jedi and instilling fear into his opponents.
Coming from the same animation team that created The Clone Wars, Rebels seems to not only be striving to capture the look and tone of the original 1977 film, but the iconic artwork of conceptual designer Ralph McQuarrie. Gone are the chrome plated starships and cities seen in the prequels. In their place are the dirty and battle worn starships and technology fans of Star Wars might glimpse in The Empire Strikes Back. Even the clothes and armor adorned on the characters bodies has a worn look to it.
With the show’s look grounded very much in the original films, it comes as no surprise to hear a number of familiar sounds too. It’s almost a shock to hear the sound of a TIE Fighter screaming across the sky overhead. It’s a noise that many people haven’t heard in a Star Wars movie in quite a long time. While the oddly shaped starfighter is meant to instill fear into those that see it bearing down on them, the iconic wail probably instills warm memories for viewers of the animated series. The Imperial speeder bikes also make an appearance in the show, and much like the TIE Fighters, make the exact same noise as they did nearly 32 years ago in Return of the Jedi.
Even with all these positive signs and familiarities, there are still concerns coming from Star Wars fans. As stated before, it should be noted that Rebels is coming from the same team that created The Clone Wars. Originally premiering in theatres with a full length film, the series was often criticized for its look and writing early in its six season run. Still, six seasons offers plenty of time for improvement, and the series did eventually get better. The Clone Wars was not only able to present a number of well written storylines, but a number of fairly dark ones as well. Anyone still questioning the show’s writers at telling a dramatic story must watch the first five episodes of Season 6.
First impressions are so important, especially to thousands, if not millions of bitter Star Wars fans who have had to endure the prequels and their spin-offs for over a decade. Disney has the monumental task of methodically repairing damage to a beloved franchise that has undergone unwanted revisions and ret-cons. It’s a difficult and extremely profitable position to be in. I, and many others, am hopeful that their first steps into this franchise will be respectful ones. Let’s just hope the Mouse knows what he’s doing.
What about you reader? Are you excited for Star Wars Rebels? What are your concerns for the show? Let us know in the comments below.
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The Greatest Robots Ever! Old School Video Game Skills! The Library is People! Tap X to Public Axis with guest Bryan Powell!
Recorded at the Pubic Axis F-Stop on August 21st, 2014.
00:00 Welcome to the F-Stop! This week, we welcome back comedian and gentleman extraordinaire Bryan Powell to the F-Stop! He’s a kind man who gives good gifts, rides motorcycles and watches True Blood with his mom. We also get down on some serious snacks from Australia and New Zealand -courtesy of Regan’s recent travels.
24:29 Yeah, Imma Look Into Dat! Topic #1: What/who is the greatest robot that was ever made? (Inspired by film, Automata, starring Antonio Banderas and directed by Gabe Ibáñez.)
45:14 Dad’s Corner(ed)! Topic #2: What was the first video game you were good at? (Larry’s kids have recently been introduced to Mario Kart and love it.)
1:05:57 Hey, That’s Not Funny! Topic #3: When’s the last time you went to the library? Do you think they’re truly useful? What’s the last thing you checked out? (Inspired by an article on the usefulness of the public library.)
1:26:58 What Did We Come to Know? Public Axis is an educational program and at the end, we always ask our guests and listeners, “What did you come to know?” Enlighten yourself.
Again, thanks for listening! As always, be sure to check out BLOOD COUSINS, our first feature film! It is waiting for you at bloodcousinsmovie.com! A movie of comedy, terror and revenge – a MUST SEE for fans of this show! Use the promo code FIESTATUBE and score it for $5!
Let your friends know about Public Axis on Facebook and Twitter and keep those Facebook comments coming at our Happy Campers group!
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What’s the one thing you hate most while watching a movie in a theatre? Screaming children? Your fellow movie watchers’ incessant chatter? The guy who insists on placing his bare feet over the seat next to you? There’s a cornucopia of bad movie behaviors to choose from.
After much thought, my personal pet peeve is people texting during the movie. That’s why I’ll most likely never want to see a movie in China where cities are now implementing “bullet screens” into their theatres. Well, that and I’m not going to China any time soon.
Bullet screens allow audiences to send text messages on a film while sitting in the theatre. The problem? The messages are projected on the screen. Apparently, Chinese theatres that are using bullet screens are attempting to attract the country’s large mobile device using audience. Mobile devices are the most popular platforms to watch films on in China. With bullet screens, theaters are hoping to create a large scale social media experience that gives audiences a way to express themselves freely while watching a movie. The reaction to bullet screens has been mixed, but that hasn’t stopped Chinese movie theatre chains in Beijing and Shanghai from implementing the screens for select films.
After the reemergence of 3D with Avatar, it is possible that bullet screens could make their way to the United States and become the latest film watching gimmick? I sure as hell hope not.
Can you imagine watching this year’s Captain America: The Winter Solider, Dawn of the Planet of the Apes or Guardians of the Galaxy and seeing the word “fart” continuously scroll across the screen a hundred times? It would be a nightmare that I would never want anyone to experience. It would definitely make me never want to see a movie in a theatre again. Not only would you see the annoying chatter of some idiot sitting five seats above you, but your eyes will be greeted to a few dozen flashing screens of every person in the theatre.
Screenshot from CCTV
Now, while trying to enjoy a good movie could be extremely frustrating with bullet screens, is it possible that these screens can improve a particularly terrible film? Honestly, I think it’s something worth trying. Mocking a bad movie through texting and social media isn’t unusual. How many times have we ripped apart a film in less than 140 characters?
This summer movie season, while strong, had a few stinkers sprinkled in with the more critically acclaimed blockbusters. A few laughs with bullets screen could be had at the expense of Michael Bay’s Transformers: Age of Extinction and the guy whose name I don’t particularly feel compelled to look up who made Teenage Mutant Ninja Turtles.
Still, this would require people actually putting thought into their text messages. I imagine we’ll get several guys who think “penis” is an apt way to describe what is happening on screen before we get a criticism with a little wit behind it. This technology could possibly be used well in the hands of professional movie mockers like Rifftrax and Master Pancake Theatre. With years of experience mocking movies, it wouldn’t surprise me that they could do something with bullet screens to earn a few earnest laughs.
What about you reader? Are bullet screens the way of future? What are your biggest movie pet peeves? Let us know in the comments below.
If you have a few extra dimes to spare, please help us help a fan in need. Thank you!
We have a massive episode for you folks this with over 2 hours of movie reviews from the past few months, including Snowpiercer, 22 Jump Street and Dawn of the Planet of the Apes!
But Taylor, Chris and Kaycee can’t do it alone so they’re enlisting the help of G@C alums Neil, Steven and Ryan to give you their thoughts on all the biggest summer films.
Enjoy!
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Chloë Grace Moretz has a problem: does she follow her dreams of going to Julliard for music, or does she stay in her home town with her new hipster boyfriend? Thank goodness something else happens (because God knows, who’d want to watch a film just about that?), as her family gets in an accident and she finds herself a coma-ghost (is that a thing?) trapped between life and death and deciding…
Fortunately the Unusual Suspects are here to help guide her, and you movie viewers, on the voyage. Ashley, Elliott and JC weigh in on life, death, overuse of flashbacks, and If I Stay.
If you have a few extra dimes to spare, please help us help a fan in need. Thank you!
This week’s so is so gonzo that we couldn’t even think of an appropriate Muppets joke with which to end this sentence! We talk about Johnny Manizel’s new aviary nickname, provide more evidence that geeks are taking over professional sports, and assign Masters of the Universe counterparts for each of the Los Angeles Clippers…don’t worry about why. We also go another round with our Corner Man: Vincent Smith.
On a more serious note, we also discuss the passing of Robin Williams and chat about our favorites among his catalog of films.
Listen to the episode, and stay tuned after for some bonus nonsense that occurred before we knew the mic was still recording.
Show Breakdown…
Scores and Stories (4:52)
Topics Discussed: The L.A. Clippers have been sold to one of America’s preeminent nerds, Johnny Manziel flips himself off the starting position on the Browns’ roster, Braxton Miller’s injury ensures Ohio State will still be overrated, and the deal for performers to play the Super Bowl halftime show keeps getting worse all the time.
Robin Williams Retrospective (32:05)
The film community, and we include in that group anyone who loves film, lost a comedic titan recently when Robin Williams’ exited this realm. We found it so difficult to narrow his work down to one favorite film so we discuss our favorites of both his dramatic and comedic roles. Coming back from the break, we also delve into the internet theory that Aladdin takes place in the post-apocalyptic future instead of the past.
The Corner Man (48:55)
Vince returns to give us the lowdown on the world of UFC. He gets us hyped for an upcoming “Mega Fight” that somehow has nothing to do with a giant shark or octopus. He also addresses some lingering questions about the credibility of the Cobra Kai Dojo.
And the Rest (62:32)
In this week’s “also-ran” portion of the news, we chat about high school games called account of Purge, college players who are really good at tackling teammates, illustrate how Kevin Sumlin is One of Us, and Brian issues the weirdest ALS ice bucket counter-challenge ever conceived.
Make sure to follow us on Twitter, otherwise Bane will stand in your front yard perpetually doing the ALS Ice Bucket challenge.
So… some people have called me out because in our last installment I teased this week’s show with the wrong artist. I said it was gonna be Father John Misty, when in fact it is Pavement. Ok, let’s just say that I was that somebody…nobody but me actually knew about that snafu, cause this show hadn’t been posted yet. But credit where credit is due I think! Shout out to Shane Bartell for not continuing to ignore his fuck-up. Well, you’re welcome, Shane, getting a little too comfortable with picking up the pieces for you by now… please quit screwing up so we don’t have to do this one again.
Ok! Now that this embarrassing incident is behind us, let’s get on to the story.
For some of us that came of age in the 90’s, Pavement pretty much defined the middle part of that decade ( for a whole hell of a lot of people it defined the whole decade.) I fall somewhere in the middle of that line of thinking…Pavement was everywhere but always in the background. I have many fond memories set to their soundtrack.
For this episode, Ryan just had to pick the one Pavement record I don’t love. However, I truly believe it set the tone for what was to come for a large segment of indie rock for years…and that includes Pavement’s subsequent records. After listening to, and talking about “Slanted and Enchanted”, I’ve arrived at the conclusion that this record is both the weakest in the Pavement canon, and valuable mostly as a place-marker in the history of American rock music. I think anyone listening will see how ambivalent the 3 of us were about it…
Actually, let me turn it over to Ryan for a minute and see what he has to say…
After an agonizing 12 minute wait, Ryan says:
“Thanks, Shane. I take full responsibility. Not for the content of Slanted and Enchanted, as I did not write it or perform on it. But I did, in fact, select this record for our latest installment of the meeting of the minds (and drinks) that is “Somebody Likes It.” And in fact, “ambivalent” does go a long way to describe my feelings for this particular slice o’ wax. At the risk of sounding like a newlywed who picked the highly-touted restaurant for an anniversary dinner and found it lacking (and then took to Yelp to let the world know), I really wanted to like this more. Even more than that, I wish that that each and every rock critic in the free world at that time had liked it less. Perhaps then we’d have all been saved from a decade of smug, lazy wielders of Tascam cassette recorder “bedroom prodigies”. Laden with down-tuned guitars and a distaste for song structure, they pretty much convinced the hipsterati at the time that they were the next big thing. I, much like Shane, very much appreciate Pavement’s subsequent output, but had some trouble digesting what sounded to these ears like nothing so much as some really talented dudes just screwing around and barely trying. Ryan Newsum
Couldn’t have summed it up any better than that.
Next Week—Father John Misty. This time for real…
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As you might be able to tell from how late this post is going up, this is both a pretty complex topic, and one that I had to do a fair bit of thinking about how to address. A lot has been made of the “wisdom of crowds” and the power of social networking sites like Reddit to harness the power of the people to create a form of democracy more true to the etymology of the word, and less like the electoral system that so many have felt disenfranchised by over the years.
Our world (and in particular, our media) is so pessimistic that it’s refreshing to see people have this much faith in the new. But such optimism, much like anything, could stand to be tempered by reason lest it run away with itself. I was listening to the Nerdist podcast a while back when I heard Chris Hardwick describe Reddit as “the perfect meritocracy.”
*insert squealing brake sound here*
I immediately started mentally warning Mr. Hardwick to, as OOU’s own Martin is fond of saying, “slow his roll,” but despite my most formidable efforts, my psychic message failed to penetrate the abyss of the Internet and reach his overly enthusiastic eardrums.
The big problem I have with his enthusiasm comes from a seemingly innocuous equivocation of democracy with meritocracy. In essence, it implies that the option chosen by the unfettered will of the people will undoubtedly be the best option. The images that reach the front page of Imgur, for example, are by virtue of being there, the best images, because the most people voted for them.
I don’t know about you, but when reading that last sentence, I get a vaguely queasy feeling in my philosophical gut that tells me that not all is well. For that reason, on this week on Heavy Meta I’ll be testing two basic assumptions: First, the assumption that for the purposes of determining online visibility, unfettered democracy is the best option. Second, the assumption that social media systems like Reddit, Imgur, or Digg, represent the ideal meritocracy/democracy that e-vangelists like Hardwick seem to suggest they do.
The Front Page and the Illusion of Knowledge
“Sometimes appearance is different from reality.”
Reddit markets itself as “the frontpage of the Internet”, where all the links that are fit to peruse gather. Those chosen stories that occupy the main pages of its various subreddits are voted on by literally millions of users, creating an environment where the vox populi have directly given their consent (via upvoting) that these are the stories most worthy of your time.
The problem is the hidden implication that, if these are the stories most worthy of your attention, them those further down must be less so, and so on/so forth. Popular posts are rewarded with visibility, and therefore the less visible a post is, typically the less popular it becomes. The conclusion this particular logic train rolls downhill towards is one that assumes “most popular = best”, which is far from always being the case. If it were, Transformers 4 would be the robot-vehicle hybrid spawn of Meryl Streep, sweeping up awards left and right.
Another implication of this assumption is even more dangerous. In believing that the most popular stories are the best ones, it cultivates the Illusion of Knowledge: the erroneous belief that once you’ve read the front page, you’ve seen all that’s worth seeing. The other hundreds of thousands of news items, editorials, or original content, might as well not even exist.
As any seasoned geek knows, the things that are most popular are often there because they either appeal to the lower common denominator, or are the least offensive. For instance: the world’s funniest joke, determined by similarly millions of votes in a multi-year study by Dr. Richard Wiseman of the British Association for the Advancement of Science, goes as follows:
A couple of New Jersey hunters are out in the woods when one of them falls to the ground. He doesn’t seem to be breathing and his eyes have rolled back in his head.
The other guy whips out his mobile phone and calls the emergency services. He gasps to the operator: “My friend is dead! What can I do?”
The operator, in a soothing voice, says: “Just take it easy. I can help. First, let’s make sure he’s dead.”
There is a silence, then a shot is heard. The guy’s voice comes back on the line. He says: “OK, now what?
Not exactly gut-busting, is it? Wiseman determined that the cause for the popularity of a joke was more influenced by the number of people it offended, rather than the degree to which people found it funny. The same jokes that sent people doubling over to the floor tended to be the same ones that wrinkled the noses of others, leading to humor ratings that balanced out around average.
Much like the jokes in the study, the viewpoints and opinions that garner the most approval are hardly ever the most moving or impassioned, but rather those that adhere to accepted dogma, and avoid offending most anyone. They’re safe, neutral, and avoid rocking the boat by avoiding taking any kind of a solid stance.
The inverse of this, as many seasoned movie geeks will attest, is that the most affecting and important views are often the hidden, unpopular gems. Many movies that we take to be legendary now were critically panned or controversial when they first debuted. Blade Runner, Pulp Fiction, and Shawshank Redemption all fall within these categories. It’s only decades later, when the bold choices made by directors have irreversibly changed the cinematic universe that we in retrospect recognize the genius of their methods.
The parallel is easily drawn with strong or controversial opinions on boards such as Reddit. Sure, there are the rare examples of campaigns that go viral, but for the most part, revolutions (in thought or otherwise) are slow in building. It’s true that the internet has played a significant part in allowing niche media to find an audience, but when it comes to movements like gender equality or net neutrality, appealing to a proportionally small sect of the population (even if that percentage is made up of millions of people) amounts to preaching to the choir in an echo chamber of political opinion. Without the visibility to a wider audience, lasting change isn’t given the opportunity to occur on a large scale.
It’s for this reason that the algorithms that determine visibility on Google, Tumblr, and Reddit (and the Eclipse by the Mediocre that they cause) are so harmful. The important stuff, the world-changing stuff, the truly human, is almost never the most popular.
Power To the Empowered
Another issue that throws a wrench in the idea that Reddit is a People’s Meritocracy is the fact that for a democracy to be effective, the voters must both be properly informed, and comprise a proportionally representative sample from all relevant demographics (age, race, economic status, etc).
One of many social sites’ strongest points; the ability to let users post pseudonymously, is also an obstacle to be dealt with in terms of representation. Reddit in particular is a text-based site, so when a post reaches the front page, one might be forgiven for assuming that those who endorsed come from a venerable Benaton ad worth of diverse backgrounds.
However, a report put out by Pew shows that the sect of the population that uses Reddit, for example, is heavily skewed towards 18-29 year old males. Furthermore, only 6% of the adult population in the U.S. uses it. To be sure, that is a massive number, but if one were to poll the entirety of the country for their opinions on a given subject, 6% falls woefully short of what would be required to get a clear picture.
An annoying quirk in human psychology tends to cause us to assume that the views held by those around us are representative of people as a whole. The same thing happens with online communities, and when information about who is endorsing and saying what isn’t available, it makes it that much easier to believe that every guy thinks women who become friends with them but then refuse sex are manipulative bitches, even though its just you and the other fedora wearing neckbeards incessantly scratching Cheeto-dust off their oversized black t-shirts who feel that way.
The Front Page Illusion I mentioned in the previous section makes this phenomenon worse, as the one post by a woman who endorses the “Friend Zone” woes is likely to attract upvotes from (mostly 18-29, male) users like light into a singularity, rocketing to the front page. Once there, those who view it are liable to take it as further confirmation of that the view of this one user is representative of women’s views as a whole. All this culminates in a dangerously cyclical version of confirmation bias, making it increasingly more difficult to debunk these or other harmful social views in the process.
Get Smart(er)
The next question then becomes: How do we address these problems? Those NSA members in my readership (hi guys!) would likely be the first to suggest that requiring real-life identification and info documentation is the way to go. However, despite my mentioning of the problems caused by internet pseudonyms sounding like endorsement for surveillance and transparency, it’s improbable that these measures would help any more than they help curb abusive behavior.
One need only look at political articles from news sites that show Facebook comment threads to see that using real-life identification, pictures, and even locations, fail to get people to alter their behavior significantly from their anonymous/pseudonymous peers. Even Reddit co-founder Alexis Ohanian has said on the Nerdist podcast that pseudonyms carry more benefits than drawbacks (at least on forums that are well moderated), by allowing people from marginalized communities to have honest and open discussions without fear of reprisal. Furthermore, Ohanian should be given brownie points for taking a proactive lead on modifying the algorithms underlying Reddit to prevent people from voting en masse to actively suppress or promote certain posts.
So clearly steps are being done on the other side of the screen to try and improve the situation, and some aspects of it like pseudonymity, require us to take the good with the bad. However, the fact remains that there are gaping holes in a network that so many people put such a great deal of faith in. The unpopular response to trying to fix those holes is this: We simply have to be smarter about it.
Michael Harris wrote in his book The End of Absence about the concern by many thinkers about the rise of shallow processing: the tendency of individuals to “know” facts, but to rarely do the deep thinking required to fully understand their logistical inner workings. People at large consider the Internet to be the repository of “where the information is.” You type a question into Google, you get an answer. Simple as that, right? Except that, as I’ve demonstrated in the earlier sections, the structure of various aspects on the Internet makes it so that numerous assumptions can be repeatedly endorsed without being actually backed up by factual proof.
It’s at times like these that I get to bandy about my philosophy education: we need to re-learn critical thinking skills. To take a skeptical eye towards what we see, hear, and read online. Especially given the deluge of information that we’re subjected to, the true wisdom comes in knowing precisely how to sift through and evaluate various points of view for their validity:
-What is the source this piece of information is coming from?
-Do we have reasonable cause to believe that a given source has a vested interest in pushing one side of the issue over another?
-Hm, that’s a well-argued, compelling series of points for that perspective. But I’d like to see what the other side has to say before drawing a conclusion.
-Do the premises and conclusion of this argument logically follow from one another?
-Is the author falling prey to any of these logical fallaciesin an attempt to make their argument more compelling?
-What relevant pieces of information aren’t present here? Is there a reason for that? How can I get access to this information?
Winston Churchill once famously said that democracy is the worst political system, except for all the others. In a world where we’re inundated with feedback on the opinions of the crowd, we’ve reached a point where an increase in the amount of feedback has diminishing returns. In order to make better use of the powerful forums like those of Tumblr or Reddit, we can no longer rely on the efficiency of machines. By re-learning how to deconstruct, analyse, and communicate effectively, we can both broaden our horizons by taking in a wider berth of perspectives, and then use that newfound awareness to participate in discussions that can further the cause of making society the kind of place worthy of the idealism we place on it.
Vince Smith is a writer, podcast host, and dyed-in-the-wool lover of minutia. You can check out his other work over at www.roguescast.com , or drop by his Facebook Page for other musings from the catacombs of the Internet.
-Written by Vincent Mendoza
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