Inside The Locker: Back To 1985

There is so much greatness in this episode that we can’t even get the locker door to close. So come on in and join your favorite sports nerds as they not only discuss, and largely laugh at, the latest sports headlines, but also reveal their favorite movies from 1985.

We also answer your tweeted questions, hand out our signature awards, and get another visit from our Corner Man!

Check it out!

 

Show Breakdown…

 

Scores, Stories, & Our Favorite Films of 1985 (4:50)

Breakfast Club

We talk about athletes stealing, athletes bathing in red wine (for real), and discuss our favorite flicks of 1985, which also happens to be the last time the Royals made it to the world series.

 

Corner Man (53:33)

UFC

Vincent Smith returns to our corner to chat about a pair of upcoming fights in the context of the brawlers’ past matches. Can someone practiced in the art of boxing survive against opponents with a more aggressively diversified bag of tricks?

 

Cheers from the Cheap Seats (67:40)

Cheap Seats

We answer questions on topics ranging from zords to underrated movies to…coffee?

 

Awards & Fantasy Segment (96:55)

Fantasy Football Report

Cyborgs and Rudys, Fredos and Frittatas, it’s the awards segment that changed the world! Wait, “the world” is just Brian’s livingroom, right?

 

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Cheerleaders

The Show Account–@ITLCast
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J.C.–@jcdeleon1
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Check out Vince’s other site, The Rogues’ Gallery (www.roguescast.com), for Let’s Plays, written reviews, podcasts and more!

Somebody Likes It Ep 14 – Janet Jackson: “Control”

When I was in 5th grade, the hot girls in my school would choreograph dance routines to Janet Jackson’s “Control”. So naturally I’ve always had a soft spot for that record. I mean, I don’t like the songs, and would never ever choose to listen to them, but for some reason I’ve always thought fondly of it. Nonetheless, Ryan and Kevin had a different take on it. Ryan especially hated it.

This week we had our first special guest, Jeff Ryder. Jeff actually thought the record was hot, and he was a fan. Not so much a fan of Ryan’s pick for this week’s standalone song, When in Rome’s heartwarmingly creepy “The Promise”. While Ryan, Kevin and I all thought the song was pretty good, Jeff fucking despised it. See, Jeff used to work at a piano bar for many years and had to experience so many drunken sorority girl sing-a-longs set to “The Promise”, the song makes him want to stab his eyes out. Regardless, we loved having Jeff on, and we’ll definitely have more guests in the future.

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For the next three weeks, rather than pick an album the 3 of us don’t know all too well, we are all picking one we individually know very well. Kevin gets the ball rolling with Air Miami’s “Me. Me. Me”. (and I have Peaches singing about fucking the pain away). We’ll see how that ends up.

–Shane

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Ash & Fern: The Good, the Bad, and the Flashy

Fall is the best. Football season (aka tailgating season), changing leaves, sweatshirt weather, and the rainy cold-ish weekends when it is totally socially acceptable to stay curled up on the couch and watch TV for 48 hours. While Netflix is still taking up entirely too much of my time – I recently discovered The IT Crowd and finally gave in to peer pressure and started watching Scandal – I have made time for some fall TV. Some of it I like, and some of it reminds me why I shouldn’t trust new things.

I’ll get the truly terrible out of the way first, and work my way up. I’m not proud of it, but I watched the premieres of both Selfie and Manhattan Love Story. I knew they weren’t going to be good, but apparently I did something bad in a past life and thought it was time to begin my punishment. The only “good” thing I can say is with DVR I only wasted about 42 minutes of my life on these gems. Unfortunately it felt more like 6 hours and I had to distract myself by paying bills online. Not good.

This next one is probably going to get me in a little bit of trouble, but I’m also not loving Gotham. I realize it was always going to be a little different than a typical “comic book show” and I thought I was ok with that, but really they’ve just taken out all of the fun. I usually love both Donal Logue and Ryan Atwood Ben McKenzie but even they haven’t saved this one for me. I just think it’s boring, and if you want me to spend an hour a week watching your show, you’re going to have to give me something to get excited about. For now I’ve given up on it, but who knows, maybe in the dead zone next summer I’ll get bored enough to give it another chance on Netflix.

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Something I’m liking a bit more is Scorpion. I usually hate anything remotely procedural. With the exception of the occasional late night episode of Criminal Minds (because MORGAN) I can’t stand spending an hour watching a group of people solve a crime that will be completely forgotten by the next episode. And really that’s basically what Scorpion is. This group of geniuses saves the world every week by seeing things that no one else can, and yet by the beginning of the next episode the government is back to thinking they’re useless. It’s silly. But, I kind of like it. Maybe it’s because they’re all so quirky, or maybe it’s because it makes me google things like “do small hands really make a blackjack dealer lose money?”

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Again, this goes a bit against my type, but I’m also enjoying How to Get Away with Murder. Viola Davis is obviously awesome, and there’s just something morbidly fun about rooting for this seemingly soulless lawyer as she does anything to help clearly guilty people get away with murder. Maybe I’m just on a Shonda Rhimes kick. (I did enjoy her guest spot on The Mindy Project this week. If you missed it because for some ridiculous reason you don’t watch Mindy, she was allowed to compete in the Dartmouth frat alumni beer pong tournament because she’s “successful like a man.” Great stuff.) While I detest the show that made Shonda Rhimes a household name, so much so that I refuse to mention it here, it turns out she can produce some pretty awesome stuff. Hence my newfound Scandal obsession.

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But my absolute favorite show of the fall so far is The Flash. Really it’s everything Gotham isn’t. It’s bright, exciting, and fun. With as much as I love Arrow I expected to love The Flash, but it’s always refreshing when something actually lives up to expectations. Yes we’re only two episodes in, but for me the key was how well the second ep held up after the pilot. I have no reason to think they can’t keep that up. The CW has now built two pretty great shows around comic books. Maybe they can help some other networks figure out what the heck they’re doing so we can spread the fun around a little bit more?

the-flash-grant-gustin-set-photos

Let me know what you think. Am I wrong about Gotham? Am I missing another new show that I should be watching?
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Digital Noise Episode 64: Watch, Record, Repeat

Chris and Brian take to the couch once more, as they have done many many times before. In fact, it’s starting to feel a little like deja view. The guys review Live Die Repeat (aka Edge of Tomorrow, aka All You Need Is Kill), Brian spits vitriol at Seth MacFarlane, a number of documentaries are discussed, and all horror this week is relegated to the small screen.

As a special bonus, Martin Thomas comes around the Digi Domicile to help Chris review Arrow Season 2.

All this plus an Edge of Tomorrow giveaway! Plus, we have an Edge of Tomorrow giveaway!

WARNING: MAJOR SPOILERS IN THE ARROW DISCUSSION!

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Edge of Tomorrow Bluray Review   Million Ways to Die in the West Bluray Review   Roger and Me Bluray Review

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Supermensch Bluray Review   To Be Takei DVD Review   Arrow Season 2 DVD Review

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Adventure Time Season 4 Bluray Review   Afterlife Season 2 DVD Review   In The Flesh Season 2 DVD Review

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Bates Motel Season 2 DVD Review   Sharknado 2 Bluray Review   Steven Spielberg Collection Bluray Review

 

HOW TO WIN THE Edge of Tomorrow GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with what day in your life you would want to repeat over and over.

3) Add #EdgeGiveaway

4) We’ll select our favorite answer and contact that winner via Twitter (open to U.S. residents only).

 

 

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Where Every Geek Has Gone Before Part 0: My Star Trek History

Welcome to the first entry in “Where Every Geek Has Gone Before”, an oncoming series of articles centered on my progression through the Star Trek franchise. In this entry, I’ll be detailing my limited history with the property and establishing what I plan to do as I… well, ‘trek’ through further entries in the franchise.

 

 

I grew up a Star Wars geek. As a kid, my love for sci-fi mostly centered around Jedi, wookies and space rouges. My earliest memories of geek anticipation were for The Phantom Menace back during my early elementary school days… and my first geek disappointments were soon to follow once the prequels lost their early charm as I entered my teenage years. Point being, I was a huge Star Wars dork, but I never really was into Star Trek. I was always aware of Trek in the way that anyone who’s somewhat aware of pop culture is. I knew of the pointy earned Spock, the overdramatic Kirk, the grumpy Dr. McCoy, the “engaging” Picard, the robotic Data, the dude from Reading Rainbow who wore that visor, etc. All of them had popped up in my pop culture rear view mirror at some point, whether it be on a t-shirt at a convention, in animated parody form on TV shows like Futurama or even in strange fan fiction that I had unfortunately come across during random Google searches. Yet, I never really gave Trek  the time of day and, in retrospect, I understand why.

As I was growing up, Star Trek really wasn’t front and center in the culture. Sure, it had its place, but that place wasn’t in the hearts and minds of the youth. During my younger years, the only real presence Star Trek had was Star Trek: Enterprise, or as I liked to call it, the show that I saw ads for while watching The Simpsons in syndication on UPN. Plus, on the rare occasions I had seen glimpses of The Original Series or The Next Generation reruns on TV, I was usually bored by the slower space battles or technical jargon heavy conversations. I was raised on the action heavy and quickly paced back and forth of George Lucas. I didn’t want to hear Gene Roddenberry’s creations babble on about the “Prime Directive” or whatever it was. I wanted high energy space battles, stories of good vs. evil and light sabers cutting things in half, all of which were delivered by the timely Star Wars prequels… for better or for worse. So, when the Star Wars films became dormant in 2005, there was a lack of a sci-fi franchise that stood out. Sure, there were space themed films like Wall-E or Sunshine that broke up the monotony, but nothing that really stood out to me in terms of a thrilling sci-fi franchise that made me wonder about the stars like that earlier series of films had… until May 08, 2009.

trek09
“You understand what the Federation is, don’t you? It’s important. It’s a peacekeeping and humanitarian armada…”

JJ Abrams’ Star Trek has a lot of problems, most of them typical of many huge blockbusters of the time (and now, to be honest). It has a weak villain, vague science and more of a Wars vibe than a Trek one overall. Yet, I did and still do love the hell out of it. Despite all of its clear flaws, it excelled at doing what all franchise reboots should do; it put the property back in the minds of the public in a way that didn’t completely destroying the spirit of the original. In fact, I still maintain that the element that earns the film its title is what kept people glued to the original property in the first place: the ensemble cast. Chris Pine as Kirk, Zachary Quinto as Spock, Karl Urban as McCoy, Anton Yelchin as Chekov, John Cho as Sulu, Zoe Saldana as Uhura and Simon Pegg as Scotty all had a lot staked against them going in from die hard Trekkies young and old, but for someone like me that had had little to no exposure to the original characters, they brand new slates to be drawn to. Everything from Kirk’s cocky attitude to Spock’s inner emotional turmoil to Chekov’s quick witted attempts to use the transporter charmed and entertained me to no end.

So, no matter how big or small, the entire cast made an impactful impression on my image of the characters, not merely as pop culture icons, but as actual human (or half Vulcan & human in Spock’s case) characters that I could relate to and want to see succeed against the intergalactic odds. Despite being young and attractive versions of these legendary pop culture icons, they still managed to feel flawed and fun in their own unique ways while at the same time keeping to the basic tenants of the characters that even non-Trekkies (like myself) knew. It obviously helped to have Leonard Nimoy present as a passing of the torch as well as a solid contrast between the older and younger generations. I can see why older Trek fans couldn’t quite get into it, but for someone seeing the franchise with fresh eyes, it was a damn fun time at the movies that gave me a hunger that needed to be satiated.

khan
“I suppose you’re about to remind me that logic alone dictates your actions?” “I would not remind you of that which you know so well.”

From there, I looked into watching the older films with the original cast. I had obvious heard a lot about Star Trek II: The Wrath of Khan, so I figured that it would be a solid start for my exposure to the original cast that started it all… and boy did I figure right. Despite being released fifteen years after the start of the first television series, the film manages to catch any non-Trek fans up to speed on the character relationships just enough to be fully invested in what’s going on. The witty back and forth, themes of letting go & moving on and powerful performances from a commanding Ricardo Montalban, an aged William Shatner & the rest of the cast manage to make the film more than just both a great adaptation of Star Trek and an elaborate ship battle in space between two sworn enemies that anyone could enjoy.

All the tension is there and when Spock makes his famous sacrifice, it feels so earned because all of the actions leading up to it have been so damn emotional. The way we see people like Kirk, Spock & McCoy interact like old friends makes their struggles as the film continues all the more investing. The character arcs are developed in such a fashion that makes all the trouble and turmoil near the end worthy of the attempts at heartbreak… something the similarly themed yet FAR less impactful Star Trek: Into Darkness couldn’t clearly ascertain.  Plus, on a technical level, it’s just astonishingly impressive, from it’s dynamic use of tight spaces to James Horner’s chilling score. Wrath of Khan is not just thee best of the The Original Series cast films, but one of the best sci-fi films of all time.

trekIII
“My God, Bones… what have I done?” “What you had to do, what you always do; turn death into a fighting chance to live.”

As I ventured through the rest of The Original Series cast films, my appreciation only grew for Trek. Even in the worst of those films (which, for the record, is still Star Trek V: The Final Frontier) still have a handful of fun moments, especially between the trio of McCoy, Kirk and Spock. Still, the films do range quite widely in terms of tone and intent, from the character driven and more lighthearted Voyage Home and Search for Spock to the more quiet & contemplative sci-fi of The Motion Picture and The Undiscovered Country. Yet, no matter the quality level or how clearly old the original cast members were getting, the characters tended to be consistent and more importantly engaging throughout all six of them. It was the perfect series of films to give me a wide spectrum of adventures to attach me to the classic Trek characters before eventually going back and watching the television series.

And that’s where this article series comes in. Star Trek: The Original Series and The Next Generation have been gaping holes in my geek culture exposure for years, so I naturally thought that writing a series of articles about my journey through Trek would be solid reasoning for actually sitting down and watching both. The current plan is to write an article for each season of both TOS and TNG as well as a few remaining articles on the TNG cast movies. If the series proves popular enough, I may elaborate my thoughts further on the original cast films and the reboot series, perhaps even going further into Deep Space Nine and beyond, but I’ll cross that bridge when I get there. I also roughly plan on doing these articles about every three weeks to a month, though they may be delayed or bumped up depending on what other articles I’m writing or how busy my normal life schedule gets. So look forward to seeing Trek through a noob’s eyes, as I dip my toes into the waters of sci-fi lore that is Gene Roddenberry’s Star Trek.

Kirk

Next time on ‘Where Every Geek Has Gone Before’, we’ll be looking at Gary Mitchell, time portals and Khan Noonien Singh himself as we dive into The Original Series Season 1.
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Highly Suspect Reviews: ‘Fury’

Director David Ayer helms this grimy WWII feature about five men in a tank in the final push across Germany and the new guy who is really, really, REALLY unqualified to be there. Brad Pitt gruffly commands the group of Shia LaBeouf, Logan Lerman, Michael Peña and Jon Bernthal.


The Unusual Suspects, in this case: Chris, Brian, Michael and JC, tread through the positives, and the not many negatives, of this war film sure to pop up on Oscar night. Oh, and no dismissing it just because of the LaBeouf. Believe it or not, he’s actually pretty good in this one.

 

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Highly Suspect Reviews: ‘Men, Women & Children’

The voice of Emma Thompson reminds us to not take any of this too seriously from space, as Jason Reitman’s sixth film explores the lives of it’s titular subjects. Rosemarie DeWitt, Jennifer Garner, Judy Greer, Dean Norris, Adam Sandler, Ansel Elgort and more (it’s a big honkin’ ensemble cast) deal with the disconnects and new kinds of connections that have altered our lives in this modern digital age.

But the Unusual Suspects feel connected to you. That’s why Beau, Chris, and Elliott are gifting this review of the film to you. Don’t you feel the warmth?

 

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A Positive Look at Warner Brothers’ DC Film Schedule

With any announcement of a big comic book movie, there’s always intense excitement and skepticism. Warner Brothers’ release schedule for their upcoming DC films will certainly evoke both feelings in people who read it. After thinking long and hard about it though, I’ve realized there are some notably positive things to take away from this announcement, and what Warner Bros. possibly has planned for their DC cinematic universe.

 

“Batman v Superman: Dawn of Justice,” directed by Zack Snyder (2016)
“Suicide Squad,” directed by David Ayer (2016)
“Wonder Woman,” starring Gal Gadot (2017)
“Justice League Part One,” directed by Zack Snyder, with Ben Affleck, Henry Cavill and Amy Adams reprising their roles (2017)
“The Flash,” starring Ezra Miller (2018)
“Aquaman,” starring Jason Momoa (2018)
“Shazam” (2019)
“Justice League Part Two,” directed by Zack Snyder (2019)
“Cyborg,” starring Ray Fisher (2020)
“Green Lantern” (2020)

First of all, it’s nice to see that DC/Warner Bros. has presented a schedule for their upcoming projects. For the first time, there’s actually a game plan of sorts. While not following the Marvel formula of releasing a series of solo films that culminate in a big team-up movie, Warner Bros. is looking to introduce as many of their biggest heroes all at once. It’s definitely a risk, but with so many of these iconic characters already in the public consciousness, its lessened to a degree. Plus, as many of us have already seen with Guardians of the Galaxy, you don’t necessarily need a ton of backstory to make one hell of a badass superhero team-up movie.

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In terms of diversity, Warner Bros. doesn’t seem to be bothered by the prospect of having their leads be something other than white males.  With Wonder Woman in 2017 and the surprising announcement of Cyborg for 2020, DC/Warner Bros. is clearly looking to capitalize on Marvel’s unwillingness to cast a female, or an actor of a different race/ethnicity to headline their films.

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While Marvel has had numerous critical and commercial successes with their past films, you’ll notice that most of their movies haven’t exactly ventured away from their white-male characters. Sure, Anthony Mackie’s debut as Falcon certainly left many people impressed, and to a much lesser extent, Don Cheadle’s Rhodey Rhodes. However, the two actors play second-fiddle to their white co-stars. It’s also worth noting that Marvel has always dogged questions about a possible solo Black Widow movie. Not only that, but the supposedly gestating Black Panther film seems to never escape from just being a rumor. While the quality of Wonder Woman and Cyborg  are obviously unknown, it’s nice to see a studio like Warner Bros. willing to cast actors of various races and genders for their comic book adaptations.

Suicide-Squad-DC-Movie-Update

Finally, the talent behind some of the upcoming films can be a good indicator of what to expect. The announcement of Suicide Squad certainly has me excited. For those who are unfamiliar with the comic, Suicide Squad follows a team of villains forced by the federal government to complete the most dangerous of missions. Past team members have included Deathstroke, Poison Ivy, Bane, Deadshot, Harley Quinn, Black Manta and Captain Boomerang. Director David Ayer (Fury) will helm the picture. While not all of his work has been enormously successful (I try to forget about Sabotage too), Ayer is the guy who wrote Training Day, and directed the critically underrated thriller, End of Watch. If he can apply the same level of gritty urban violence to this DC project, then I think Suicide Squad could be one of the most original comic book films in the last few years.

Of course, not everyone on OneOfUs.net has such a sunny disposition to this recent news. I know that my fellow colleagues have more than a few concerns about these recent announcements. I’m certain you’ll hear from them soon.

What about you reader? Are you excited by any of these movies announced by Warner Bros.? Concerned? Let us know in the comments below!

Source: Business Wire

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Todd McFarlane Reveals the Future of ‘Spawn’

Image is a company that has re-emerged from relative obscurity and taken the comic world by storm in the last few years. Books such as Saga, The Walking Dead, Sex Criminals, Invincible and Rat Queens have earned enthusiastic praise from critics, longtime fans, and newly initiated comic readers. It’s exciting to see a company embrace new and bold ideas, but there is a push to elevate one particular character who has all but disappeared from the public eye.

 

Todd McFarlane, the creator of Spawn, has hardly been quiet about his most cherished creation. Spawn originally enjoyed a period of intense popularity in the 90s, especially when the book was being written by notable guest writers Alan Moore, Neil Gaiman and Frank Miller. After the release of the 1997 film adaptation of the comic, popularity for Spawn started to wane. Well, in an effort to restore the character’s public profile, the Image co-founder has released new details on Spawn #250, and the future of the comic.

With the promise of a returning character from the series, an entirely new creative team, a digital collection of all prior issues and a triple-sized anniversary issue, McFarlane is looking to bring Spawn back into the public consciousness, and promote the ever living hell out of the anti-hero. To start with, an image of the cover to Spawn #250, illustrated by Greg Capullo (Batman), has been released to showcase the new “attitude” of the character.

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McFarlane has selected writer Brian Wood (Star Wars, DMZ) and artist Jonboy Meyers to take over the book after Spawn #250. The duo will make their debut with the character in the one-shot entitled Spawn: Resurrection in February. Afterwards, they’ll pick up where McFarlane left off with Spawn #251.

To be completely honest, I know next to nothing about Spawn. I never read the comic, never watched the animated HBO series and barely recall the film which I saw a decade ago. I’m not criticizing the character or McFarlane’s work; I’m just stating that my knowledge of Spawn is extremely limited. If this new creative team can generate well-written stories and offer a fresh perspective on the character of Spawn, then I’m all for this initiative to promote the superhero.

For those who are fans of the comic, are these recent shake-ups to your liking? Would you prefer the comic being under the watchful gaze of McFarlane? Let us know in the comments below!

Source: USA Today
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