Animated Anarchy: ‘The SpongeBob Movie: Sponge Out Of Water’

This week, Animated Anarchy brings disorder to the briny deep reviewing the #1 movie in America this weekend, The SpongeBob Movie: Sponge Out of Water!

I didn’t go into this movie with the highest of expectations. I was one of the few kids growing up in 1999 who didn’t really like SpongeBob Squarepants as it graced the airwaves of Nickelodeon. Following the adventures of a marine manchild who existed only to flip burgers and annoy the ever-loving ink out of his neighbor Squidward didn’t make for a good cartoon in my eyes. I especially had ire for the show as Nickelodeon already had two fantastic programs about arrested development with the criminally underrated Rocko’s Modern Life and Angry Beavers. Why should I care about the program that overshadowed nearly everything I really loved on that network?

The Live Action Spongebob and Patrick would have been easily played by Will Ferrell and John C. Reilly.
The Live Action Versions of Spongebob and Patrick would have been easily played by Will Ferrell and John C. Reilly.

These days, I can respect SpongeBob for being genuinely charming and more absurdly clever than it let on. Series creator Stephen Hillenburg was noticeably inspired by the works of people like John Kricfalusi, Joe Murray, and even childlike characters like Pee-Wee Herman to make a show that was off-kilter, but appropriate for all ages.

What’s funny about that, is because I was never invested in the show when I was little, I’m also not bothered by the supposed dip in quality that happened in the show around Season 6. I find SpongeBob still works as all the characters became more egocentric and obnoxious…they were kind of that way to begin with. So I don’t mind seeing the antics become more broad and exploitative, especially as our main character’s goal in life was to be a fast food fry cook. Still, I feel that sympathy to a great kid’s show sinking to the depths of hell, as myself or any other fan of the Fairly OddParents would tell you.

Maybe that unique history I have with the show gave me a more neutral outlook on this new movie. I never saw the first SpongeBob Squarepants movie that came out more than a decade ago. (Yes, it’s that old) Both films had positive reviews with critics and audiences, so I had to see if Spongebob’s newest foray to the silver screen would still hold water for someone who should only be still watching the program intoxicated.

SpongebobMadMax
“Prepare to be a leather daddy Mr. Squidward…”


Sponge Out Of Water
is very much like a Greatest Hits Album. The same core is there, as the 2D Animation looks just like the show but with cinematic levels of shading and it has everything you expect from the silly tone to the wonderful voice actors of Tom Kenny as Spongebob, Clancy Brown as Mr. Krabs, and Dave/Mr. Lawerence as Plankton. Most of the movie plays tribute to several of the classic fan-favorite Spongebob episodes such as “F.U.N.,” “SB-129,” “Plankton!,” and “Culture Shock.” So for someone like myself who was familiar with the series, half of the movie was just watching an extended episode.

What works surprisingly well to the film’s credit is all of the live action scenes. Most of them are centered around the key villain Burger-Beard, played quite well by Antonio Banderas whose ability to steal the Krusty Krab Formula leaves all of Bikini Bottom is disarray. Banderas works very well as a physical comedian and never once breaks his façade of playing the over the top pirate who is fighting against sea creatures or his group of bothersome talking seagulls. I particularly loved his reasons for stealing the formula and how he would make fun of storybook clichés to do so.

When the film finally jumps to live action, the way the characters are integrated in the real world is super fun. All the characters on land have a soft, plastic, child’s toy appearance, which works as a nice transition from the TV show where we would see real sponges or starfish on sticks. This is one of those rare movies where sending a popular franchise to the human world actually succeeds by making it funny and spending just enough time so you don’t get worn out on the premise.

Now in your Happy Meals, Movie-Appropriate Spongebob Action Figures!
Now in your Happy Meals, Movie-Appropriate Spongebob Action Figures!

That’s a unique aspect of the movie how most of the jokes centered on being Meta. It’s like Steven Hillenburg and Paul Tibbit know how played out this story is with Plankton stealing the formula. Characters like Squidward or Plankton would make self-deprecating remarks about bad puns or overreactions with the rest of Bikini Bottom reacting in their typical insane way. As familiar as I am with Patrick being stupid or SpongeBob being naïve, the script has a way of laughing at the characters expense that feels funny again.

However, because it’s so reliant on the viewer’s experience of SpongeBob, it doesn’t make the movie as epic as it should. This could have easily been shown on Nickelodeon with no one being the wiser and I didn’t see it in 3D, although many of the scenes are gimmicky. For the first half of the movie, you are watching everything play through the motions and maybe chuckling at half of the jokes thrown your way. Don’t make a mistake; just because SpongeBob’s fans have grown up, the movie is stilling aim relatively low.

If anything, I wish the writers were more ambitious making PG-related jokes or having more celebrities in there to make the experience more worthwhile. I can’t give enough praise for Antonio Banderas interacting with all the cartoon characters so well. But I also need to give a special credit to Matt Berry (From The IT Crowd and Garth Marenghi’s Darkplace) who voices a very Hitchhiker’s Guide inspired dolphin. His booming, 70s-inspired delivery is perfect for moving the plot forward in a more enjoyable, absurd direction. (And he has a great scene at the end which I won’t give away)

"Yarr, this story be a great move on my career!"
“Yarr, this story be a great move on my career!”

This is a short movie, only 90 minutes total complete with credits and that’s probably the best direction to take with a property like SpongeBob Squarepants. Like a Krabby Patty, it’s fast, cheap entertainment that gives you the rush you want while giving you time to go back to the daily grind. There weren’t any bigger aspirations other than that, as the plot does want to stray at all from anything you aren’t familiar with.

The SpongeBob Movie: Sponge Out of Water is a good movie and great for washing out of the taste of the god awful Strange Magic out of my mouth. Yes, I wish it could have done more rather than playing such a safe, familiar route to people who already know everything about the series. It’s good for kids and fans of the show, but it won’t stay for long in your brain. Many of the jokes could be better, but I’m glad this managed to be another TV-show-turned-movie that was well made. And just as it took American Sniper off the #1 Box Office Slot, I hope it stays that way for Valentine’s Day…

My Arbitrary Rating for Sponge Out Of Water: 7 out of 10 Brains of Cotton Candy.

 

SpongebobGray
There’s also a gag in this movie also laughs at Jupiter Ascending if you really look into it….

Thanks for reading the 10th Animated Anarchy Blog on Oneofus.net! Did you see SpongeBob? What are your thoughts? This was a much shorter blog than normal, but just you wait! Right before the 87th Academy Awards, expect some thick, juicy retrospective articles coming out in the next few weeks. Leave a comment below!

Interested in picking up some seasons of SpongeBob? Please use our Amazon links to do so!

spongebob1           spongebob3

 

Subscribe to One of Us Shop One of Us

Shows Empty Space

World of UScast: British Bodcast Episode XVII: The Wicked + The Divine Tropico

Duke and Kia are back from their time in Mexico and talk about chilling out playing addictive games like Tropico 4 and The Walking Dead; talk about the stack of comics they read; briefly review Kingsmen: The Secret Service and much more!


You can enter their giveaway over at needtoconsume.com/batmanbook and why not Like or Follow them on all the usual social media channels!

Shows Empty Space

Public Axis #106: Inappropriate Little (Wo)Men with Allie Amrien & Avery Moore

Books Worth Reading! Inappropriate Parents! Gender Swapping! Eff Jane Austen and listen to Public Axis with guests Avery Moore and Allie Amrien!

Recorded on February 5th, 2015 at the Public Axis F-Stop.

00:00 Welcome to the F-Stop!  This week, we welcome back comics Avery Moore and Allie Amrien. Between hosting some excellent (dark) comedy showcases in Austin and being involved a viral marketing website for a (fictitious) restaurant, these ladies have been keeping busy!

Embedded image permalink

19:30 Yeah, Imma Look Into Dat!  Topic #1: What book really got you into reading? Or are you just not into books? (Inspired by the upcoming book, Go Set a Watchman.)

52:46  Dad’s Corner(ed)!  Topic #2: What’s the most inappropriate thing your parents have done in front of you?

1:19:47 Hey, That’s Not Funny!  Topic #3: If you could swap genders for one day, what would you do? Inspired by an Oculas Rift based study with nudity and everything.

1:48:05 What Did We Come to Know? Public Axis is an educational program and at the end, we always ask our guests and listeners, “What did you come to know?” Enlighten yourself.

Let your friends know about Public Axis on Facebook and Twitter and keep those Facebook comments coming at our Happy Campers group!

 

Shows

Big Finishing Move: ‘Doctor Who: The Fourth Doctor’ by Gareth Roberts

Hello all and welcome back to Big Finishing Move! The lovely little spot of this site where I get to review the audio releases from Big Finish and tell you if they hit the mark or screwed the pooch.

I’m going to keep this opening short as we have so much to cover, but I want to apologize  for not having this review out to you guys sooner. A combination of work, health issues, plus the sheer size of this release have pushed this review back way longer than I would have liked. Enough of that, you came here for reviews, not excuses. You want to know if this set, which sees Tom Baker and Lalla Ward together again for the first time under the Big Finish banner as they adapt two novels written by Gareth Roberts. Let’s take a look!

TARDIS Team: The Fourth Doctor, Romana II, and K-9 Mark II

The Romance of Crime:

the_romance_of_crime_cover_largeOut in space doing there thing, the Doctor and Romana find themselves arriving at a space prison. They soon find that the guilty extend well past just the prisoners. Can the TARDIS crew discern who is friend and foe and stop a serious evil from returning from the dead?

This one is the classic “who do you trust, and for how long” type story as all sides both good and evil find themselves taking actions either on purpose or by accident that get in the way of their supposed allies (for that moment). Everybody seems to have an agenda and  cannot see past their goal at that time.

One of the main themes in the book is the mistreatment and hatred of others by those who have themselves been victims of prejudice and abuse. Everybody has a chance to break the cycle of abuse but feels the horrors they have suffered somehow justifies their actions against others. Part of this is played straight, but a large portion is played for laughs, pointing to the absurdity of a practice that is anything but funny in real life.

On the performance side of things everybody is rock solid, the actors not only deliver their lines convincingly, but they all hit the mark in making it sound like how they would have done it back  during the late 70s. Dragon Age fans might be excited to pick this one up as it features a performance by Miranda Raison (the voice of Cassandra Pentaghast) as one of the major characters.

In my career as a critic (if I can be so bold as to call myself one) I have been dreading the day I would face something like The Romance of Crime, a story that is well written and acted, but leaves me feeling flat. I don’t have any reasonable complaints about this well crafted and executed story other than it just didn’t grab me. It had some good dramatic bits and some fine comedic moments but the piece as a whole just never had me invested at any point. I consider this a failing of the critic, not the art, so I decree this a story that is worth your time, but also one I don’t think I’ll be coming back to anytime soon.

 

The English Way of Death:

the_english_way_of_death_cover_largeOn the run from the Black Guardian, the Doctor has switched off the randomizer and steered the TARDIS for Earth in the year 1930 for what he (and he alone) considers a mission of great importance. He isn’t looking for trouble, but both K-9 and Romana are sure that this point is irrelevant and danger will find him whether he likes it or not. Of course they are proven correct (wouldn’t have much of a story if they were wrong) and the Doctor and his compatriots are soon caught up in a plot involving time travel, the undead, and your usual every day plot to destroy the planet.

This probably the funniest Fourth Doctor audio I’ve ever heard. This story is maggoty (always happy when I can use that term in a positive context) with superb one liners, situational comedy, and more than a few stabs at writers from the author himself. Another plus is it gives each of the three leads something to do. Special note must be given to John Leeson, who gets to take his K-9 voice in a direction we’ve never heard before, much to my interest and delight.

I do have one nitpick though. This story makes use of the word zombie and in actuality fairly consistent with what was considered a zombie (a corpse possessed by dark forces such as black magic) , which was a relatively new concept to widespread western culture by 1930. What isn’t part of the deal is the brain eating stuff, that part of zombie lore came way latter due to George Romero’s films and yet every nobody comments on this deviation from what would have been understood zombie behavior at the time. I know this is a silly complaint and perhaps the book this is based on does touch on this fact, but would it have killed the people at Big Finish to chuck in a throwaway line on the subject so it didn’t have to bug me so?

This is the more solid of the two entries. Everything is just a little clearer and more on point. I do wish they more clearly explained just how Zodaal was able to take over bodies, but as the story goes you just come to except it and move on. This isn’t a story that is deep and trying to point at some greater truth about humanity, it is just a well paced fun romp that knows what it is and is okay with that. If you are okay with that as well you will enjoy picking this up.

 

Final Verdict:

While neither of these stories are must haves, the sheer amount of craft, care, and content makes this a rather attractive release. I can’t blame anybody who opts to save their cash and skip this one but I also can’t imagine anybody picking this up being disappointed. If your hungry for Who and have a little extra money lying around, go ahead and grab this one. You’ll be glad you did.

Purchase Doctor Who: The Fourth Doctor by Gareth Roberts, Volume 1 Here:

gareth-case-sqr_cover_large

Take note, my good readers, we here at One of Us have our own audio drama series Infinite Variations, as well the spin-off series from The Intergalactic Nemesis entitled Salt. All this is found free on the site so you have no excuse not to check it out!

For next time:

the-exxilons_cover_large

Check out my previous reviews:

Phantasmagoria

The Fearmonger

The Light At The End

The Spectre of Lanyon Moor

Storm Warning

Blood of the Daleks

The Chimes of Midnight

Seasons of Fear

The King of Sontar

White Ghosts

Dark Eyes II

The Crooked Man

Project: Twilight

The Evil One

The Harvest

The Last Of The Colophon

The Council Of Nicaea

Destroy The Infinite

 Afterlife

The Abandoned

Zygon Hunt

Revenge Of The Swarm

Philip Hinchcliffe Presents Box Set

Dark Eyes 3

Mask of Tragedy

 

Subscribe to One of Us Shop One of Us

Shows Empty Space

Inside The Locker: Judgement Day

Yeah yeah yeah, the Super Bowl…whatever.

The real reason to listen to this episode of Inside the Locker, is that we sports nerds may have completely broken The Terminator franchise. As it turns out, John Connor is a selfish prick whose play-calling may have been even worse than Pete Carroll’s.

We also count down the best and worst SB movie trailers, discuss other terribly play-calling from the cinesports universe, talk about how the Fast & Furious franchise should end, and explain the creative changes we would implement to make certain sports more competitive/fun/dangerously irresponsible.

Download and listen to the new show. What are you waiting for, Judgement Day?

Empty Space

Follow Us on Twitter, following us is totally almost as awesome as this…

F7

The Show Account–@ITLCast
Brian–@BriguySalisbury
J.C.–@jcdeleon1
Elliott–@ITLElliott
Adam–@the_beef

 

 

Shows

Subscribe to One of Us Shop One of Us

Highly Suspect Reviews: ‘Seventh Son’

Remember in the mid-80’s when sword and sorcery movies were coming out as fast and furious as, well, Fast and Furious movies do today? When we had films that weren’t exactly ‘classics’ per se, but were audience-pleasers for those of us in the dice-rolling set who would sneak out under the oppressive thumb of a anti-nerd dominated society in order to get our fix? No, now that I look at our age range demographics, you almost certainly don’t remember that, but there were films we held high like Krull, The Sword and the Sorcerer and Ladyhawke. Trust me, we liked ’em. Don’t judge.

In this era, entertainment such as The Lord of the Rings and Game of Thrones set such a high and poetic bar to reach for cinematic fantasy in the modern age that most of the competition (what there was of it) didn’t see fit to aspire to try. Seventh Son is not a movie that is trying to match those lauded entries in fantasy either, but has its strategy down pat nonetheless. More like the quick-and-fun, dice-and-entice 80’s films, this movie starring Ben Barnes as the seventh son of a seventh son who becomes the apprentice to a powerful but aging knight (Jeff Bridges) who must battle a evil witch queen (Julianne Moore), has simpler aspirations.

And lest you think we are all of one mind, clearly the reviews out there will show it is not so. Even THIS review shows it is not so. So pack your rations, backpack, and whetstone, and join the Unusual Suspects, if you will dear listener, on a voyage into a world where Brian, Chris and Diva make a savings throw for fantasy nostalgia.

 

Shows Empty Space

Digital Noise Episode 80: The Stars Get In Our Eyes

Chris and Brian watch a lot of movies, and sometimes the process can leave them a little starry-eyed. Starry-eyed means hung over, right? No? Ok.

In any event, this week’s show features some fantastic gems like the blue collar crime flick By the Gun, an outstanding Richard Pryor documentary, and an indie horror film that will have you seriously reconsidering that career in Hollywood. The guys also give away a copy of a silly/fun Dracula prequel and explain how The Judge was clearly written by robots…clearly.

Wipe the stars from your own eyes and download this rather excellent episode of Digital Noise!

Empty Space Please consider using our Amazon links for all your online purchases, we thank you!

The Judge Bluray Review   Oujia Bluray Review   Before I Go To Sleep Bluray Review

Empty Space

Book of Life Bluray Review   La Belle Captive Bluray Review   Starry Eyes Bluray Review

Empty Space

Exists DVD Review   World for Ransom Bluray Review   My Old Lady Bluray Review

Empty Space

Disappearance of Eleanor Rigby Bluray Review   Once Upon a Time in Shanghai Bluray Review   By The Gun Bluray Review

Empty Space

Tricked DVD Review   Richard Pryor Omit The Logic Bluray Review   Dracula Untold Bluray Review

 

 

HOW TO WIN THE Dracula: Untold GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with the answer to the title and brief pitch for your new Dracula movie. It can be funny or legit.

3) Add #DracGiveaway

4) We’ll select our favorite answer and contact that winner via Twitter (open to U.S. residents only).

Shows

Subscribe to One of Us Shop One of Us

Trailer Reaction: ‘Poltergeist’

The first official trailer for the Sam Raimi (Evil Dead, Spider-Man 3) produced Poltergeist remake has finally been released, and it’s already causing quite the stir online. Directed by Gil Kenan (Monster House), this remake seems to be trying to stay as faithful to the original 1982 film as possible. Filled with evil clowns, demon possessed trees and a fair amount of static-afflicted televisions, Poltergeist is one of the many movies set to compete for audience attention in an already crowded summer.

Take a look at the trailer below and see if the Bowen family can handle their newest home’s recent paranormal infestation.

 

The original Poltergeist is such a classic because it perfectly encapsulated 1980s suburbia. By methodically dismantling the  suburban family, Poltergeist played on middle-class America’s ultimate fears. It made people scared of the homes they live in. While we only have a trailer to go off of, this Poltergeist remake seems to be doing that again, but with a modern family. It’s apparent that the remake is copying the original’s most iconic scenes, and that (at least to me) is the biggest problem. For example, the trailer dedicates a good portion of its running time focusing on the evil demonic clown. Why a child’s parents would buy that evil little monstrosity is beyond me, but there it is. Instead of a slow burn style horror that the original clown provided, this one is jumping around and attacking everyone in sight.  This same style of “scare” is seen again when Sam Rockwell, taking on the role once played by Craig T. Nelson, is attacked by his demon-possessed daughter. This is a symptom that often plagues most modern day horror films. Instead of building tension and suspense, the trailer seems to illustrate a film that is filled with jump scares.

Look, often-times the best course of action when remaking or rebooting a beloved film is to do something completely different. This is probably best illustrated with the recent Planet of the Apes movies. While the rebooted Apes films follow Caesar and his clan, they still remain respectful of the original franchise’s legacy. They pay tribute to the original movies in subtle ways, but they don’t painstakingly attempt to copy them. They are their own thing, and they work so well because of that.

The Poltergeist remake has a lot to live up to, and it’s only going to invite more criticism as it attempts to one-up the original with more bombastic effects and scares reminiscent of Paranormal Activity. Oh, it’s also in 3D. I’m sure that will go over well with the purists. In any case, Poltergeist will be in theatres July 24, 2015.

What about you reader? Did you enjoy the first trailer for Poltergeist? Are you concerned about the remake? Let us know in the comments below!

 

Subscribe to One of Us Shop One of Us

Shows Empty Space

Highly Suspect Reviews: ‘Jupiter Ascending’

Russian cleaning ladies secretly rule the world? Telepathic bees? Intergalactic dragons? Teen Wolf in space with magic shoes? What on Earth is Jupiter Ascending? Hopefully, this Highly Suspect review can offer some answers.

Jupiter may be ascending, but here at Planet One Of Us, it’s all about the dissent. Brian, Chris, Michael, Elliott, and Diva take up arms and wage war, not for the fate of Earth, but for the probably totally equally important final consensus on the new Wachowski flick.

Spoiler alert, we don’t come to a consensus. Still, a fun review and one you should definitely listen to before heading to the multiplex this weekend.

Empty Space

Shows

Subscribe to One of Us Shop One of Us