Movie Review: ‘The LEGO Movie’

Did they really make a movie based on…?

I mean we know Hollywood is creatively bankrupt, but come on! How could anyone possibly make a movie based on building bricks and create something anybody would want to go see?

Oh, what? It’s directed by who? Ok, we’re interested.

Indeed we all thought it was ill-advised, but what in fact would be the final verdict of the Unusual Suspects once we had seen all the pieces put together? Ashley, Elliott, Beau, and Brian evade the internet lawmen once more to discuss how the movie connected with each and every one of them.

Give it a listen, and feel free to share this review if you enjoy it.

Enter The Strip Club

I remember being so excited when Dad brought in the Sunday paper. We’d have to wait for him to pull out the relevant grown-up pages and sit and at least scan them before my little sister and I were allowed to fight like crazed wolverines over who got which section of the funny pages.

 

I still can’t believe I ever was that concerned about what Garfield was doing with his day.

Flash to (*cough*) many years later and I STILL want to go straight to the funnies. I mean, fuck Garfield, but the internet has turned out to be a wealth of indie comic creators writing with great nicheyness to appeal to every tiny demographic under the sun. Or, in our case, hiding from the sun, as it is evil and destroys happiness.


It burns…it burns…


(ahem)


But, I’ll leave the humor here to the actual cartoonists, like our good friend and former member of the LEOG, Jason Fisher, who turned in this beauty as hopefully the first of many of the like we’ll see from him:

FisherComic1

And here’s where you come in…


We want more.. MORE….


Bring us all your homemade cartoon strips. Start one, if even you never dreamed you my try such a thing. You never know what hidden reserves you might have. Do you think the XKYCD guy thought to himself, “I’m so naturally gifted at drawing characters, I should do a regular strip”? Of course not. Be creative. Show us what you got.

Hell, even I’VE put together a comic before. Sure, I used an app to do it, but what the hell…

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Funny is funny and even this type of thing counts.


However,

DO NOT


post them in the comments. Send them to us at oneofusnet@gmail.com and if we like what we see, we’ll be in touch. The dream is to see Oneofus have a regular Sunday funnies page. But it depends on you. Be part of The Us.

 

SXSW 2014 Midnighters Lineup!

As we come closer to March, the feeling of anticipation for 2014’s South By Southwest Film Festival is growing tremendously. I can feel it all the way on the East Coast! The eagerness is well-deserved, as SXSW is one of the most amazing events in our nation’s culture. I only wish I could attend this year!

Last week, the features list for this year’s SXSW was revealed to the public. You can see that list here. Adding to this, we now have the list of this year’s midnighters, the films that are among the most provocative and unique features at the festival. You can catch all of these down below, so read them and get excited!

13 Sins
Director/Screenwriter: Daniel Stamm, Screenwriter: David Birke
A cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the last.
Cast: Mark Webber, Rutina Wesley, Devon Graye, Pruitt Taylor Vince, Richard Burgi, Tom Bower, Ron Perlman (World Premiere)

Among The Living (France)
Director/Screenwriter: Julien Maury, Alexandre Bustillo
After horror favorites Inside and Livid, Maury and Bustillo pair up again for a horror-thriller at the cross roads between Stand by Me and Friday the 13th.
Cast: Anne Marivin, Béatrice Dalle, Francis Renaud, Fabien Jegoudez, Nicolas Giraud (World Premiere)

Exists
Director: Eduardo Sánchez, Screenwriter: Jamie Nash
Five friends on a camping weekend in the remote woods of East Texas struggle to survive against a legendary beast that is stronger, smarter and more terrifying than they would have ever believed exists.
Cast: Chris Osborn, Dora Madison Burge, Roger Edwards, Denise Williamson, Samuel Davis (World Premiere)

The Guest
Director: Adam Wingard, Screenwriter: Simon Barrett
A soldier on leave befriends the family of a fallen comrade, only to become a threat to all around him when it’s revealed he’s hiding dangerous secrets from his past.
Cast: Dan Stevens, Maika Monroe, Leland Orser, Lance Reddick, Sheila Kelley

Home
Director/Screenwriter: Nicholas McCarthy
When a realtor is asked to sell a vacant home, she and her sister cross paths with its previous tenant: a teenage girl who sold her soul to the devil.
Cast: Naya Rivera, Catalina Sandino Moreno, Ashley Rickards, Wyatt Russell, Ava Acres (World Premiere)

Honeymoon
Director/Screenwriter: Leigh Janiak, Screenwriter: Phil Graziadei
Young newlyweds find their honeymoon spiraling mysteriously into chaos.
Cast: Rose Leslie, Harry Treadaway, Ben Huber, Hanna Brown (World Premiere)

Late Phases
Director: Adrián García Bogliano, Screenwriter: Eric Stolze
When deadly attacks from the forests beset a secluded retirement community, it is up to a grizzled veteran to figure what the residents are hiding.
Cast: Nick Damici, Ethan Embry, Erin Cummings, Tom Noonan, Lance Guest (World Premiere)

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Oculus
Director/Screenwriter: Mike Flanagan, Screenwriter: Jeff Howard
As children, two siblings witnessed their parents’ harrowing descent into madness and death. Now, as adults, they reunite to expose and destroy the supernatural entity responsible: the Lasser Glass – a legendary mirror their parents owned.
Cast: Karen Gillan, Brenton Thwaites, Rory Cochrane, James Lafferty, Katee Sackhoff (U.S. Premiere)

Stage Fright
Director: Jerome Sable
Stage Fright tells the story of a snobby musical theater camp terrorized by a bloodthirsty masked killer who despises musical theatre. “Scream” meets “Glee” in this genre-bending R-rated horror-musical.
Cast: Allie MacDonald, Douglas Smith, Brandon Uranowitz, Kent Nolan, Melanie Leishman
(World Premiere)

Starry Eyes
Directors/Screenwriters: Dennis Widmyer, Kevin Kolsch
In the city of dreams, a desperate actress will do whatever it takes for the role of a lifetime… no matter what the cost.
Cast: Alexandra Essoe, Amanda Fuller, Fabianne Therese, Noah Segan, Shane Coffey (World Premiere)

Will you be attending SXSW this year? Which of the midnighters are you interested in seeing? Let us know in the comment section!

Inside The Locker: Super Bowl Commentary with a Chance of Football

A few days ago, a Super Bowl occurred that made extremely dubious the boasted distinction of “super.” Seriously, we witnessed a more evenly-matched contest during the finale of Butch Cassidy and the Sundance Kid.  Luckily, the Inside the Locker crew gathered to record not a play-by-play commentary of the game, but rather a comprehensive breakdown of the commercials and trailers that come replete with every Super Bowl.

We were joined by the incorrigible C. Robert Cargill and our buddy, and film producer, Paul Gandersman for a live advertisement analysis that would have made the ESPN guys chew and devour every page of the piles of notes that their interns worked so hard to prepare for them.

How would we rate the film trailers for which we harbored the most anticipation? Would Age of Extinction accomplish the impossible task of actually getting us excited for a Transformers movie again? How many sinister villains would we count in The Amazing Spider-Man 2 spot? And would Doritos be able to topple Budweiser and/or the sight of Scarlett Johansson’s face for the coveted title of the greatest ad of the night?

Even if you couldn’t tune in on Sunday, you can still download the commentary and join in on the fun. Don’t worry that you can’t see the game or the commercials as you listen. After all, most of the ads are now on YouTube, and even if you didn’t watch the game, you still have more on-field vision than did The Denver Broncos.

 

 

Follow us on Twitter, otherwise you’ll make us cry more than this commercial did. *sniff* I got something in my eye *sniff*

 

The Show Account–@ITLCast
Brian–@BriguySalisbury
J.C.–@jcdeleon1
Elliott–@ITLElliott
Adam–@the_beef
Blake–@BaustinSali08

Why I’m excited for 24: Live Another Day

In May, Jack Bauer will return to our screens in the ninth season of 24 entitled ‘Live Another Day. ‘ I am super excited for his return and here’s why.

When ’24’ Debuted back in 2001 it was remarkable TV viewing. It presented a 24 episode, real time structure depicting an entire days events. Real time itself had never been utilized in the mainstream and used in more experimental projects such as Mike Higgis’ ‘Timecode’ .

For me personally, ’24’ was also one of the first shows in my adult life I was attracted too. I had moved past the pain of losing Buffy, Angel and Friends and had began studying at University in 2008 when I began to watch it. Yes I was late to the party, but I never followed American TV, Nor had Fox to catch it before hand (apart from that one shot of Jack crying at the end season three featured in an old Fox trailer).

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Can you tell I was addicted to it?

It was exciting, full of intrigue and featured some of the most iconic characters in the lexicon. I was immediately hooked. Yes, in the later seasons it got a little stale and predictable, but even at its weakest I believe that ’24’ was still a quality show with much to give. I was never fully satisfied with the conclusion of the eighth season and whilst the final moments were touching, it was never the finale we deserved and I always believed that it would return in some form.

 

 

There was talk for a number of years of ’24’ returning. At one point there was a rumor that Jack Bauer would team up with John McClane in a new series or feature. Many deemed it an awful decision but I was interested. It would have been fascinating to see these two characters come to blows. It could have also helped reinvigorate the ‘Die Hard’ franchise but alas, ‘A Good Day to Die Hard’ is what we ultimately got and we all know how that turned out.

06112010_DieHard247The problem with ’24’ returning was simple. It was one of the last of a dying generation of television. TV evolved and began producing high quality shows such as ‘Breaking Bad’ ‘Walking Dead’ with shorter episode numbers and increased focus on character and story telling. How would a dying format of twenty plus episodes fit into today’s TV landscape. I guess the answer is that it couldn’t, but that hasn’t stopped ’24’ from returning. After failed movie attempts it was confirmed last year that the show would return in a twelve episode structure retaining real time, but allowing hourly jumps between episodes to suit the story. The real time format of the show by this point is ingrained in culture and therefore, I feel it’s easier for this decision to be made. A long break in production is hopefully exactly what the entire creative team needed to produce some high quality, high adrenaline TV.

I always enjoyed how, regardless of how much time had passed between seasons there was a sense of progression within the characters, specifically within the political sphere which inhabits much of ’24’. This new season sees former Secretary of Defense James Heller, featured in seasons four, five and six return, now as the President of the US after Alison Taylor no doubt stepped down after the events of season eight. It fits, it makes sense and gives a continuity to the world of the show.

With a increasingly interesting cast, including Stephen Fry and a relocation to London I hope this new season can be fresh, interesting and personal for Jack Bauer. After the Superbowl trailers which featured some rather awful CG, I hope we won’t see a return of the poor CG that plagued the later seasons and rather the down to earth effects such as we (for the most part) see in the extended trailer.

’24’ remains one of my favorite shows of all time and I cant wait for its return… DAMMIT CHLOE!

What was you favorite season or moment from ’24’? Are you looking forward to the new season? comment below.

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Digital Noise Episode 30: Damn Our Eyes!

You take the good, you take the bad, you take the really bad, you take the really, really bad, and even the OMG WTF bad, and there you have, this 30th episode of Digital Noise.

We do suffer for our art.

That being said, there’s at least enough genuine awesomness to have a pick of the week in Treme: The Complete Series but you know what you love the most: hearing our pain.

Fear not, schadenfriends, as you’ll hear plenty of agony as we discuss Bad Grandpa, Argento’s Dracula 3D, The Fifth Estate, Last Vegas, and more things that never should have made it outside of the concept stage. Or really, any stage ever.

Plus, we’re giving away an autographed copy of Never Sleep Again, one of our coolest giveaways to date!

 

Thinking of purchasing any of the titles we discussed? Or anything from Amazon in general? Please access Amazon via our links to help support the site. We really appreciate it.

Cloudy 2 Blu-ray Review   Treme Complete Series Blu-ray Review   Harry Kellerman DVD Review

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Fifth Estate Blu-ray Review   1 Movie DVD Review   Bad Grandpa Blu-ray Review

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War Men Women DVD Review   Dr Jekyll Blu-ray Review   Coexist DVD Review

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Dracula Blu-ray Review  Dark Touch DVD Review Last Vegas Blu-ray Review

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Never Sleep Again Giveaway

 

 

How To Win This Week’s Giveaway:

1.) Follow @OneOfUsNet on Twitter

2.) Tweet at us with what horror subject you’d like to make a documentary about and tell us what it would be called. It can be funny or legit.

3.) Add hashtag #neversleepgiveaway

4.) We’ll select our favorite and contact that winner via Twitter. (U.S. Residents only)

Ash & Fern: My Olympic Obsession

I realize there is sometimes an attitude out there that “real geeks” don’t like sports. I can promise you that’s not always true because this geek LOVES sports. In a previous life I was even semi-athletic myself. Unfortunately I’m also incredibly clumsy and while I used to bounce back with no problem, I’m now out of commission for a full week when I fall over trying to do yoga. So for the sake of my overall health I generally leave the sports to other people now.

I do like the normal American sports. I was one of the few people who actually made it all the way through the Super Bowl on Sunday. In fact the only play I missed was the kickoff when the rewind button on my remote got stuck immediately following the David Beckham H&M commercial.

Also I’m an Indiana girl, so I’ve watched my share of basketball over the years. Even won a few March Madness office pools.

But what I really love are the more random sports. Soccer is my first love. You’ll hear a lot more about it from both Ash and I as we get closer to our June adventures in Brazil. (I’m currently working on perfecting my Portuguese. I know how to order a beer, say thank you, and tell the ref to get his head out of his ass. Obviously I’m good to go.) My obsession with tennis got me up at 3am several times over the last few weeks to watch the Australian Open before work. And I once spent an entire day in a pub in London trying to understand cricket. It was a miserable failure but I got to say sticky wicket a lot. That’s even more fun after a few pints.

I’m bringing this up now because it is finally time for one of my favorite things EVER, the Olympics. Why do I love them so much you ask? It’s simple really. The Olympics combine two of my great loves in life: marathon TV viewing and really ridiculous sports. There’s nothing better than spending hours on end watching people ski and stop to shoot at things. Yep that’s a sport. I’m also a huge fan of the Nordic Combined, a sport that combines cross-country skiing and ski jumping.  In other words, this is the sport I perfected last time I went skiing when I got lost on the trail and accidentally went over a jump.  Pretty sure I would have medaled.

And bobsledding?! The fact that we have a Jamaican bobsled team to root for again this year only adds to my excitement. I’ve already watched Cool Runnings 3 times in preparation. And I may or may not be wandering around the office singing “Jamaica we have a bobsled team.” Frankly this seems like a sport I could do. Run a few steps and then jump into a sled that someone else is steering? Actually forget that, I’d probably fall out.

I’m a person who generally chooses staying at home and watching TV over doing anything social anyway, and this tendency is magnified tenfold during the Olympics. No I don’t want to go to dinner, there are speed-skating preliminaries on! This is when I get to learn about the skater from some random country I’ve never heard of who was almost eaten by a bear as a child but has gone on to become his country’s first winter Olympian! He will finish last, but I will cry anyway.

And at some point I will become irrationally angry at my parents for not forcing me to practice figure skating for 8 hours a day my entire childhood.  Thanks guys. It’s like you don’t even love me. I could have been an Olympian!

Like most viewers, I have some very strict rules about who I root for in a given Olympics. They are:

1) America. I probably put too much stock in the medal count, but it is what it is.

2) Anyone from a country that has absolutely no business being there.  Example (other than Jamaican bobsledding), there was a swimmer in the last summer Olympics that came from a country without a full size swimming pool.  Seriously?  I’m in.

3) Whoever looks like they are having the most fun. There’s always that one athlete that clearly knows they aren’t going to win a medal, but is having the time of their life. It’s infectious, even on TV.

I was never going to be an Olympian myself. It would have involved an amount of dedication and natural ability that I simply don’t have. But for a couple of weeks every few years, I get to be excited for the people who have dedicated their entire lives to skiing around tiny flags. And then I take a moment to feel a little bad for them because they’ve been so busy being awesome at something that they probably haven’t had time to memorize every episode of Firefly.

Anyone else excited for the Olympics?! Maybe I should live tweet curling…

One of Us’ Farewell to Philip Seymour Hoffman

“I’m afraid I’ll be the kind of actor who thought he would make a difference and didn’t.” That vulnerable confession was made by Philip Seymour Hoffman, whom we lost on Sunday. When I say, “we,” I am casting a very wide net. Anyone who still goes to the movies intent on being transported by artistry in performance, you’re in that group. Anyone who believes that for all the thrilling trappings afforded by special effects, capes, and cowls, films still thrive on characters…you are in that group.

It’s impossible to even calculate the height of screen performance in this generation until you’ve watched Philip Seymour Hoffman’s films. I’m embarrassed to say the impact of Hoffman’s roles on my own growth as a cinephile escaped my notice until after he was gone. The first time I remember being aware of cinematography and the complexity of an actor’s craft, it was while watching The Talented Mr. Ripley in high school. The Big Lebowski was my introduction to The Coen Brothers. Not even two years ago, I got to see my very first 70mm film: The Master. Hell, I’m laboring over a screenplay at the moment featuring a character lovingly based on Dusty from Twister.

I never met the man, but his tireless dedication his craft made for extremely engaging performances that fostered personal experiences in his audiences. For our money, that more than constitutes making a difference, Mr. Hoffman. Our hearts are heavy, but we take solace in the fact that our passion is cinema, and therefore those we most admire live forever within their movies. In honor of PSH, The INTERN-Net offers their favorite Hoffman films.

Luke Crum

This is sad news indeed. I was extremely saddened to hear the news about the passing of Philip Seymour Hoffman. You’d be hard pressed to find a performance by the man that I didn’t enjoy in some way or another. I even thought he was great in Along Came Polly. Hoffman had a pretty remarkable career. Some of my favorite performances were his roles in Boogie Nights, The Master, Doubt and Capote. However, the one that sticks out the most to me, which likely won’t be his lasting legacy, was his part in the cinematic classic, Twister. To say Twister is a dumb movie is a gross understatement, but I’ll be damned if I didn’t love the hell out of that movie when I was younger and still do to this day. It was my introduction to this versatile performer. I saw Twister four times in the theaters and Hoffman’s role in that film still makes me laugh

Hoffman’s career will be memorable for me not just because he had a number of high profile roles, but also because he was versatile. Hoffman could navigate both comedy and drama, something I admire in my favorite actors. RIP Philip Seymour Hoffman, you will be missed.

Thomas Mariani

One of Philip Seymour Hoffman’s greatest strengths as an actor was his inherent ability to be relatable. There are plenty of actors one could call “relatable,” but Hoffman managed to encompass that idea in even the most murky of waters. The best example of this for me would probably be his role in Spike Lee’s underrated 25th Hour. In the film, Hoffman is a introverted inner city high school teacher who has a silent crush on one of his more promiscuous students (Anna Paquin). Obviously, that’s a really hard role to play without seeming like a degenerate creep. Yet, Hoffman somehow pulled it off. You see him experiencing the pain of having to send off one of his dearest friends (Edward Norton) before he goes to prison, his own social anxieties that closed him off from the rest of the world, and his own inner conflict with his emotions towards Paquin’s character throughout the film. It doesn’t excuse Hoffman’s character’s behavior, but it adds a lot of dimension that makes immediately judging his actions harder to do. Hoffman’s vulnerability managed to make him very human, even in his more morally-ambiguous roles like 25th Hour. It’s a shame that we won’t be seeing more of that.

Angelo Elauria

Phillip Seymour Hoffman will always be that actor who can make anything he says feel intimidating. He has a way of delivering lines with such cold confidence that you don’t know if he likes you or if he is planning to kill you in your sleep (Mission Impossible III comes to mind). On the other side of that, he also has a way of sounding completely genuine and earnest…even if the words he speaks might be a little insane.

His portrayal of Lancaster Dodd from The Master, was a performance that stuck with me even though I felt the movie itself was just alright. When he explaining his beliefs, I completely bought his conviction, even though he was basically making it up as he went along. He had a certain hypnotic charisma to him, making it easy to see why people would follow him in to this delusion. This of course is only one of many brilliant performances, but it was the most recent on my mind. The man was a force to be reckoned with, and it is sad to see him go. May he rest in peace.

Dimitry Pompee

Although I had seen Philip Seymour Hoffman in several films before 2007, the first time I really noticed him was in his role as CIA agent Gust Avrakotos in Charlie Wilson’s War. Hoffman’s job was to portray a brash, insightful, and unorthodox professional who calculated the risks of every option before endorsing one. As a result of Hoffman’s refined talent, we learned a great deal about a man who was largely responsible for curbing the Soviet advance through Central Asia. Hoffman had a way of embodying his roles so deeply that it was difficult to tell who was the actor and who was the character. For example, in Charlie Wilson’s War, there were moments wherein I was convinced that Philip Seymour Hoffman was the indeed the man who developed the plan to arm the rebels of Afghanistan so they could repel the Soviet invaders. I had to remind myself a few times that he was only playing the role of a brilliant CIA agent and that he wasn’t actually employed by the agency.

Not only was he excellent, he drew out similar excellence in others. In much the same way that the real Charlie Wilson turned into a better person after his time with Avrakotos, I think Tom Hanks’ performance in the titular role was enhanced by playing off of Hoffman’s character. It is so sad that a person who could have such a positive impact on his fellow actors is no longer around to do so. Philip Seymour Hoffman was one of the greatest contemporary actors and the quality of our movies will suffer as a result of his passing.

John Eckes

How do you even begin to comment on a man who has been in so many outstanding movies as Philip Seymour Hoffman? While he was in a number of great projects, it always comes back to The Big Lebowski for me. Every second Hoffman is on screen is funny. The little stuffed shirt character of Brandt trying to reply to The Dude’s questions using the same lingo as Dude makes me laugh my ass off every time. He milked every frame of screentime for all it was worth, and I love him for it. Here’s to you Philip Seymour Hoffman, you brought joy into my life, and for that I salute you!

Everything is awesome with Friends style credits.

I have a theory that everything is made awesome with Friends style credits. That undeniably iconic theme tune. The exciting pace, it works. So here are some of favorite things, that were of undeniable quality beforehand made awesome with Friends style credits.

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Breaking Bad

 

Big Bang Theory
Perhaps made remotely interesting for many.

 

The Simpsons

 

House

 

Doctor Who: The Day of the Doctor

 

Horror Movie Icons

 

And I have even created a special OneOfUs friends style credits for your viewing pleasure.

 

Got a favorite friends style credits video? Share below.

According to Freud: Is ‘Game of Thrones’ Healthy For Us?

Aside from its intricate story telling, well-envisioned characters, and decapitations, my intrigue with Game of Thrones lies within its impact on popular culture. The Hollywood Reporter reported that Game of Thrones had a total of 13.6 million viewers (this includes DVR, on demand, HBO on the go etc.) during its third season. This is funny, because if we look at the constructs of this show, it is actually kind of horrible. Not in terms of quality, mind you, but rather in what the viewer experiences. We see people brutally tortured, gratuitous sex scenes, and watch the people we grow to care about get killed in graphic ways.

So my question is: why is it that a show this dark and gruesome has become wildly popular in a society that shuns such behavior? Most likely, it’s because the show is damn good. However, there are multiple ways we can unpack this question. So for funsies, lets look at this under a Freudian microscope.

Freudian slip: when you say one thing, but you meant your mother.”

The short answer is, Freud might say that Game of Thrones is actually good for our psyche, as well as for the healthy functioning of our society. This postulation comes from three constructs of his theory: his structural model of the psyche, his dream theory, and a certain claim that he makes in his book, Civilization and Its Discontents. So with these parts, let’s create a lens to evaluate this pop culture phenomenon.

1. The Structural Model of the Psyche

I am Daenerys Stormborn and I will take what is mine with fire and blood.

Freud claims that the components of our personality consist of three things. First we have the Id, which is our biological and primal desires. This contains all our aggressive energy, selfishness, sex drive, etc. According to Freud, this is what we really are deep down inside. Then there is the Super Ego, which is developed through the morals and values we acquire through society. Lastly, we have the Ego. This is perhaps the most important aspect of our personality. The Ego is actively trying to find a way to satisfy what we really want from our Id, within the constraints of what society deems acceptable via the Super Ego. A healthy functioning Ego is one that is able to find a happy medium between the two. Basically, we are all violent and ugly perverts, that are trying to hide behind a pretty mask.

So what does all this have to do with Game of Thrones? Well, by indulging in this series, we are actually finding a socially acceptable way to satisfy our Id. We see a lot of lacerations, decapitations, and sex in this show. Sometimes in that exact order. Things that are usually regarded as taboo (at least in American culture) become socially acceptable when thrown into the context of art and literature to some extent. Sex and violence in popular shows have stirred much controversy amongst media critics, specifically those who say that violence and sex in the media are influential in deviant behavior. Freud might say that it is not exactly influential per say, but rather it is therapeutic. Why and how that is, could be explained through his theories on dream analysis and fantasy.

2. Dreams are the ‘royal road’ to the unconscious

 

“The strongest trees are rooted in the dark places of the earth. Darkness will be your cloak, your shield, your mother’s milk. Darkness will make you strong.”

Freud postulates that dreams are a product of the Id’s expression of internal conflict. These repressed emotions and memories are brought to awareness in distorted forms. In his book The Interpretation of Dreams, he claims that the Manifest Content (which is literally what we see in our dreams), is the result of our ego censoring the dream, trying to protect us from realizing our unconscious desires. In analyzing a dream for what it really means, we look at the Latent Content. Breaking down the metaphorical symbols in our dreams gives us the truth about our desires. For example, walking through a tunnel represents the desire to enter a vagina. Sorry to be so frank but that’s the majority of his dream theory. You know what else is part of his dream theory? MY MOM!

A complimentary theory to this, is his claim that day dreaming/fantasy is used as a defense mechanism to relieve some of the tension in our Id; experiencing fantasy is almost as good as experiencing reality. For example, fantasize that you are beating the absolute crap out of that person you don’t like. Through that fantasy, you have just had a mini-catharsis, and will less likely go out there and beat the absolute shit out of Steve from work that person (damn you Freud and your banana peels!).

These theories put things in to an interesting context, in terms of how the psychology of the cinematic arts work. If the actors, directors, and writers do their job well, they establish a strong viewer-screen relationship. This leads to the viewer getting immersed in the world being displayed on screen. This puts the viewer in to a sort of dream state. Why is it that certain scenes in Game of Thrones make you cringe, or feel sorrow when we see the death of a character, even though this is all fantasy? Because, just like in your dreams, you are experiencing these things vicariously.This is how Game of Thrones helps us satisfy our violent perverted desires from the Id. It provides us with a sort of catharsis, thus freeing up some psychic energy we can invest in to other things.

Here’s my favorite part about this theory.

 

You might say to yourself, “Well, I don’t see my self torturing people… In fact, I feel shocked and uncomfortable when watching those torture and sex scenes! So clearly, my Id is not getting any satisfaction!”

To which Freud might respond, “Then ask yourself this, ‘why are you still watching this show?’ The truth is, you picture yourself as the one doing the torturing and having the sex. The mere fact that you are experiencing such a strong negative reaction, is proof that your ego is working to protect you from awakening these unconscious desires. Just like how your ego censors your dreams.”

Isn’t psychoanalysis just grand?

3. Civilization and Its Discontents

“Smoke, sweat, and shit. King’s Landing, in short. If you have a good nose you can smell the treachery too.”

Yeah yeah, Game of Thrones is like chicken soup for your soul. But how does that turn in to gumbo for society? (Sorry, I couldn’t think of anything clever. It’s like me blaming owls for how bad I am at making analogies). Well, in Freud’s book Civilization and Its Discontents, he claims that people rely on civilization to be happy, yet civilization itself is established through the suppression of natural human desires. Freud further states that:

“… It was discovered that a person becomes neurotic because he cannot tolerate the amount of frustration which society imposes on him in the service of its cultural ideals, and it was inferred from this that the abolition or reduction of those demands would result in a return to possibilities of happiness…” (Barash 119)

Our innate aggressiveness is integral to human nature, and civilization is the force that stifles this aggression. This might be what causes anxiety and neuroses amongst people, and in order resolve that, we should break free of society and its civil chains.

To indulge in Game of Thrones, is to indulge in our desires to reject civilization. This is established once Joffery took the throne. His tyrannical rule caused frustration and anger throughout all of Westeros, resulting in the nation being at war. It illustrates how we feel about a society oppressing our innate aggression. This is when human nature shows it’s true colors. Even the ‘good guys’ that want to act civilized, become blinded by their conquest for power and revenge. They will do anything to succeed at their goal, and as a result, swords are drawn, blood is shed, and awesomeness ensues.This is why we cheer on our protagonists. They break free our civil shackles, and do the things that we can only imagine our selves doing: going medieval on someone’s ass.

In conclusion, Freud would applaud Game of Thrones for relishing in our innate aggression, and providing us with a socially acceptable way to celebrate our Id. It gives us an outlet for all that yucky energy that is bubbling down in our unconscious. In a way, this show potentially prevents us from partaking in inappropriate endeavors. When a society can collectively enjoy and discus such a gloriously disgusting show, it distracts us from our frustration with our current civilization, and brings us together in harmony. Hell, it might even prevent anxiety and neurosis for that very reason!

Game of Thrones gets the Freud seal of approval, and is essential for your nutritious entertainment diet.

 

So fellow OOUies, are you excited about this coming season? How do you feel about the series over all? Whatever your thoughts, comment below and let One of Us know!

Sources:

O’Connell, Michael. “TV Ratings: ‘Game of Thrones’ Finale Brings in 5.4    Million Viewers.” The Hollywood Reporter. The Hollywood Reporter, 10 June 2013. Web. 30 Jan.

Barash, David P. Ideas of Human Nature: From the Bhagavad Gita to Sociobiology. Upper Saddle River, NJ: Prentice Hall, 1998. Print.