Highly Suspect Reviews: ‘Lucy’

Scientists believe that the Unusual Suspects only use 10% of their collective brain. This is a terrible myth, and we would refute that number if our brains weren’t so crammed full of movie trivia that there is no room for such trivial constructs as mathematics. Plus, we could totally scan those scientists and make their heads explode if we wanted to.

For this installment of Highly Suspect Reviews, Elliott, Beau, and J.C. take on the beautiful, but cognitively dangerous Lucy. Scarlet Johannson has always seemed like the kind of actress who can effortlessly blend intelligence with ass-kicking, but in Luc Besson’s latest, her smarts are the instrument of said ass-kickery. Now the question becomes how much of his brain did Besson use during the scriptwriting phase?

Listen to the review and find out what the Suspects suspect.

 

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Infestation: Fantasia Film Festival 2014 – ‘Zombie TV’

To say that Japanese humor is very colorful and animated is an understatement. In fact, Japanese humor is so colorful, I distinctly recall seeing a sushi commercial that involved people dumping paint on themselves, and laying on top of each other to create human sushi.

 

 

 

So when I was given a chance to see Zombie TV, which was pitched as a collection of Monty Python-esque comedy sketches done by the people behind Tokyo Gore Police, I said to myself, “You know what, I’m in the mood for something weird. What could go wrong?” Little did I know that these next 77 minutes would consist of me peering into an endless void of insanity.

 

The premise and the world they set up is actually pretty interesting. Imagine that zombies have become a regular part our everyday living and television producers wanted to make shows targeted towards the demographic of the dead. Kind of like the ending of Shaun of the Dead, with all the zombie game shows. Take that idea, and throw in a mixture of Japanese humor, Tim and Eric Show, and Robot Chicken, and you’ve basically got Zombie TV. What follows are a couple of funny sketches here and there, but they are overshadowed by the ones that go way too far.

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The most common failing of the humor in all these juvenile sketches is that they go on for entirely too long. For example, one part of the film is an informative video on how to have sex as a zombie. This sketch has scarred me for life. I usually don’t wince at gore, but when it gets to a point where a bloody naked female zombie is eating her lover’s intestines during coitus, the initial shock value fades and the routine becomes excessive (but she’s got guts, I’ll give her that!). That scene continues to a point where it definitely crosses over in to the NC-17 rating. The film also crosses offensive territory during its Cannibal vs. Zombie wrestling match. It sounds fun on paper, but when the cannibal is revealed to be a man in blackface wearing tribal face paint and bones through his nose, I started to wonder if I was having some sort of unfortunate fever dream.

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To be honest, most of the sketches became a blur to me, and that might have been due to the brain aneurism I underwent watching this film. However, there was one sketch that I found genuinely intriguing, funny, and sad. This particular sketch involved a lady who was turned into a zombie, and discovered that being a zombie meant being free from all rules and suffering that one would have as a human. This led to her developing a god complex, as she realized that she had the power to free people by turning them in to zombies. If they kept up that level of writing and humor throughout, this could have been the fun little Monty Python-esque film they claimed to be! Sadly they went for the distasteful humor, which ended up overshadowing anything that was good about this “movie.”

In the end, the bad outweighs the good. Whatever good there was is not worth the 77 minute run time.

Score: 4/10 brain cells left alive

So Ussians, what is the most bizarre film you’ve seen? Whatever they are, comment below and discuss with the Us!
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Digital Noise Episode 53: History, Science, Theater

Chris might be at Comic-Con, but that don’t stop this Digital Noise train a’running, as Richard and he managed to record ahead of all the new Blu-ray and DVD titles worth talking about this week.


We finally discuss the much anticipated home release of Blue Ruin along with the not-so-anticipated release of Sabotage, have mixed thoughts on Transcendence, and much more. Not to mention we’ve got TWO giveaways this week, both the big-budgeted Korean spy thriller, The Suspect and the 30th box set of Mystery Science Theater 3000!

 


Please do consider using our links below to make all your Amazon purchases! Much appreciated.

Open Grave Bluray Review   Blue Ruin Bluray Review   Sabotage Bluray Review

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Transcendence Bluray Review   Cell 213 DVD Review   Shogun Bluray Review

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Forever Female Bluray Review   Appleseed Alpha Bluray Review   Cesar Chavez Bluray Review

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Angriest Man in Brooklyn Bluray Review   The Suspect Bluray Review   MST3K XXX DVD Review

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HOW TO WIN The Suspect GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with the coolest Bond-like gadget you can think of that hasn’t already appeared in a Bond film

3) Add #SuspectGiveaway

4) We’ll select favorite answer and contact that winner via Twitter (open to U.S. residents only).

 

 

HOW TO WIN MST3K Vol XXX GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with what movie released since the inception of OneOfUs (so since July of last year) you’d like to see get the Mystery Science Theater treatment

3) Add #MST3KGiveaway

4) We’ll select favorite answer and contact that winner via Twitter (open to U.S. residents only).

 

 

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Infestation: Fantasia Film Festival 2014 – ‘Cybernatural’

Imagine your average weeknight – browsing the computer, checking your Facebook page, doing some random (possibly shameful) Google search, and then having a Skype chat with your best buds. Now imagine someone turning that into a movie. Sounds boring right? I’m not sure that anyone would find me Googling “Best way to treat hemorrhoids” to be compelling cinema.

 

 

Then again, neither is watching a girl and her boyfriend in the early stages of cybersex, unless of course you’re on a completely different site with entirely different intentions. Anyway, what if you take the seemingly mundane Skype chat and throw in a mysterious hacker that may or may not be a ghost/demon/vengeful spirit? Now we’re talkin’.

Such is the case for Cybernatural, the English language debut for director Levan Gabriadze and producer Timur Bekmambetov. The film begins as someone watches a a pretty shocking video of a young girl, Laura Barns, committing suicide that was shot from a smartphone. The someone watching turns out to be Blaire (Shelley Hennig) who is doing some “reminiscing” about Laura’s last moments when she gets a Skype call from her boyfriend, Mitch (Moses Jacob Storm). As the two engage in the timeless art of seduction, a group of friends all barge in on the call, but with an uninvited guest.

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The group partakes in some idle chit chat while trying to find out who their guest is, but pass it off as a glitch. Blaire and her boyfriend begin to receive strange messages from Laura’s Facebook page and eventually starts to address the group in the Skype chat. Everyone believes it’s just someone playing a sick prank as it’s the anniversary of Laura’s suicide – that is until things get a little more sinister. Tension rises as the friends start turning on each other when forced and lead to reveal their most shameful secrets while trying to satisfy the wishes of the mystery hacker.

I definitely feel like there is supposed to be a hint of mystery to Cybernatural. Is it really the vengeful tech savvy spirit of Laura torturing her tormentors or is it just an equally tech savvy friend of Laura’s making her bullies squirm? Maybe it’s one of the friends in the Skype chat? The problem is that even before it becomes obvious what’s happening, the mystery isn’t really much of a mystery. And once you’re able to look past the transparency of “the who” of it all you can sit back and get some enjoyment out of “the why.” It’s still pretty obvious, but it’s entertaining nonetheless.

For a batch of MTV generation actors, the cast isn’t half bad. Given that the film plays out entirely on the screen of a computer (complete with internet browsing, iTunes music, Skype calls, ChatRoulette and iMessaging) it is a film made for the attention span of the MTV generation. It’s also a film about the dangers of cyber bullying, though with a supernatural twist. I don’t think the film has anything to really “say” about bullying, unless of course the message is just don’t do it or a cyber demon will come back a year later and totally mess you up.

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Having a computer serve as the film’s canvas presents a couple of different issues. I felt the biggest problem is the inevitable scrambling of the screen during Skype calls. This is irritating enough in real life, but when you want to see what’s happening in pivotal moment, it becomes grating in a movie. While the screen scrambling was effective in building tension at some points, eventually it became annoying.

The other big issue with the computer viewpoint is that it makes the characters feel pretty hollow. Without seeing anyone interact in person, it’s tough to buy into some of the moments towards the end of the movie. Essentially, it’s people screaming at the camera and acting mad, sad or scared which is just kinda silly and unintentionally funny sometimes.

As a moviegoer I would see a movie like Cybernatural and walk out of the theater somewhat pleased, but probably not recommend it to anyone as something they have to go see. It’s the type of film that I’d watch on a whim while browsing Netflix for something to kill time while not being able to sleep and as a random Netflix watch it would be something I’d be pleasantly surprised by and probably recommend to friends as a  “if you’ve got time” rental. The cast, the acting, the tension is all there, but the medium lends to frustration and a lack of empathy for the characters. Overall, Cybernatural is just a few “likes” away from going viral.

Rating: 7/10
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San Diego Comic-Con 2014 Predictions, Opinions and Thoughts

Even if we all can’t go, San Diego Comic Con is every geek’s favorite time of year. With OneOfUs.net’s Brian Salisbury and Chris Cox making the perilous pilgrimage from Austin to the geek’s holy land, I felt it was appropriate to discuss my own thoughts on the con and the possible announcements that my beloved overlords might bear witness to this week.

 

 

 

Marvel Studios Panel

While not every film Marvel has produced has been of quality (I’m looking at you Thor: The Dark World), you can’t deny that they haven’t been enormously successful when it came to developing their cinematic universe. With Guardians of the Galaxy soon to be released in August, and Avengers: Age of Ultron to be released next year, it seems that Marvel is on top of things when it comes to delivering multiple pictures of its spandex clad heroes. That’s why I’m excited to hear the possibility of a few big announcements at the Marvel film panel. Yes, we can expect to see plenty promotional material for Guardians and Avengers 2, and probably a fair share of damage control for the ever-troubled Ant-Man production, but I’m most excited to hear news for some of the rumored films the company has in development.

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I’d bet everything I own that a Dr. Strange film will be announced at the panel. Stephen Strange, the Master of the Mystic Arts, has already been named dropped in Captain America: The Winter Soldier and has long been rumored of getting his own feature length film. Strange has always been considered one of Marvel’s tertiary characters. He had a popular run in the 1970s and has frequently been featured in Marvel’s big crossover events, but he’s never really achieved the same level of recognition of Marvel’s A-listers. This is a chance for Marvel to tap into its magic universe and finally give Dr. Strange his due.

Black-Panther

Another possible character that I think will finally get his own film announcement will be T’Challa, The Black Panther. Many of those who have been following Avengers: Age of Ultron’s production knows that the movie spent a considerable amount of time filming in South Africa. Could South Africa be filling in for the vibranium enriched country of Wakanda? Personally, I wouldn’t be surprised if it is. A cameo by Black Panther would be an amazing moment in Age of Ultron, but Marvel may already be planning a reveal ahead of that.

Marvel Television Panel

As disappointing as Marvel’s Agents of S.H.I.E.L.D. was, my excitement for their multiple Netflix programs hasn’t been diminished. With casting for Daredevil already underway, a few big announcements for Luke Cage, Iron Fist and Jessica Jones seem inevitable.

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Marvel certainly needs to let fans know that they’re taking their television plans just as seriously as their cinematic universe. Agents of S.H.I.E.L.D is a bit of sore spot for them. It would certainly alleviate my fears if they’re willing to reveal even more about their planned Netflix shows. Talking about how the programs coincide with the movies will drum up even more hype. A teaser trailer for Daredevil or a picture of Charlie Cox in the costume can probably be expected. Hell, I’d like to see a pic of Matt Murdock laying down the law in a courtroom. As a lifelong Daredevil fan, I’ll take anything they give me. Well, anything but a Daredevil/Agents of S.H.I.E.L.D crossover. Keep that ABC trash as far away from my gritty urban superhero shows as possible please.

Warner Bros. Picture Panel

Warner Bros. will definitely have its hands full when it comes to their big DC film announcements, but outside of their comic book related projects, they have quite a few highly anticipated movies on their hands. Their 2-hour long panel will focus on three of their biggest films, which include Jupiter Ascending, Mad Max: Fury Road, and The Hobbit: The Battle of the Five Armies.

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Jupiter Ascending is the Wachowski siblings’ latest science-fiction film that follows a young woman (Mila Kunis) who is mysteriously targeted by the Queen of the Universe (I’m not making that up) for assassination.

I can’t say I’m the biggest Wachowski fan, but the ridiculous premise does have my attention.

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Mad Max: Fury Road will most likely premiere its first trailer at the panel. The long troubled production sees Tom Hardy taking over as the Australian wastelander and muscle car enthusiast, Max Rockatasnky. As Mad Max fans know, Mel Gibson previously played the character in three movies. Given Gibson’s behavior as of late, a recasting for Max wasn’t surprising.

THE HOBBIT: THE DESOLATION OF SMAUG

The Hobbit: Battle of the Five Armies is the third, and hopefully final, film in the Hobbit series. New footage and a trailer will most likely be shown, but I think neither will be able to raise my interest in the slightest. I love Peter Jackson’s original Lord of the Rings Trilogy, but the decision to turn a 200 page book into three movies has yielded some disappointing results in my opinion.  With this latest film focusing on the last few chapters of the book, I expect another painfully long movie with poorly rendered CGI orcs. Here’s to hoping I’m wrong.

DC/Warner Bros. Film Panel

Let me first say that I’m a lifelong DC fan. I love Superman, Batman, Wonder Woman, Green Lantern, The Flash and every goddamn hero lucky enough to be a founding member of the Justice League. I even have an enormous appreciation for under-appreciated characters like J’onn J’onzz and The Question. That’s why it pains me to write that I’m really concerned for the future of DC’s cinematic universe. Every week there seems to be news that either excites of leaves me scratching my head in regards to possible DC movies. I want DC to achieve the same level of success with their characters cinematically that Marvel has done with theirs, but I will forever remain troubled with Zack Snyder and David Goyer’s presence on these productions.

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Despite by misgivings for Snyder and Goyer, I’m still looking forward to seeing anything Warner Bros. is willing to present for Batman v. Superman: Dawn of Justice. Rumors continue to circulate about the film and which DC heroes will be featured in it. Gal Gadot has apparently finished her scenes as Wonder Woman, but recent rumors of possible appearances by Aquaman and Cyborg continue to pop up on the internet. As fun as it is to speculate, some more concrete details about what this movie is turning out to be would not only be appreciated by me, but also my fellow DC fans.

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I wouldn’t be shocked if Dwayne Johnson makes an appearance at the panel and announces his secret DC project too. Rumors across the inter-webs continue to say he’s been cast to play either Captain Marvel/Dwayne Johnson or Black Adam. Whoever he ends up playing, an announcement will surely be made soon.

Mass Effect 4 Reveal

Video games have been making attempts to break into San Diego Comic-Con for a number of years now. This year features a number of titles that have caught my eye. Like many gamers, I’m really excited for Sunset Overdrive, Far Cry 4 and Batman: Arkham Knight, but I can’t hide my fanboy glee at the prospect of BioWare revealing new information about Mass Effect 4.

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The Mass Effect Trilogy had a profound impact on my life. It featured a thrilling story, unique alien cultures, complicated relationships and superbly written characters. Mass Effect exhibits some of the best world building you’ll find in any medium. It’s because of those things that I’m so excited to learn about any new information about BioWare’s next installment in the Mass Effect series.

Some images and video of the game made a brief appearance at this year’s E3, but not nearly enough to know the direction that BioWare is taking with this newest game. Hints at a greater open world and customization options for players keep being brought up by the games’ developers. I hope BioWare is more forthcoming with details this time around. A trailer and some gameplay footage might be asking for too much, but a die-hard Mass Effect fan can dream, right?

What about you reader? Are you looking forward to anything in particular at Comic-Con? Let us know in the comments below!
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Somebody Likes It Ep 2: Beastie Boys – “Paul’s Boutique”

Welcome back dear listener for another edition of “Somebody Likes It”, the show that every week takes a purposefully ambiguous concept and rambles in circles obscuring it even more.

The reviews are in from the first show and they are resoundingly MIXED! That right, some of you found our stories hilarious and some of you just wanted us to get to the point. I will say that I feel confident that as the weeks go on we’ll be pulling those two extremes together, right now we’re still figuring this stuff out. So there.

Ok, on to this week’s show. This week we’ll be discussing Paul’s Boutique, the record that set the stage for the second act of the Beastie Boys career. I think after the show we all walked away with a better understanding of why Ryan thinks the Beastie Boys are always yelling at him.

NEXT UP – Fleetwood Mac and their FM Radio Juggernaut “Rumors”.  Some people out there really like that record.

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SALT: Episode 2: The Maryaj Lwa

Jean-Pierre Desperois. Born a slave in Haiti in a voodoo ritual with the power to travel through space and time. Now lives in Tunis. Smuggles salt. On payroll: crooked cops and hard-to-manage employees. When local gendarme Michel du Prix tells him about some corpses found in the desert, Jean-Pierre thinks nothing of it. But when the bodies start piling up, Jean-Pierre is implicated. Armed with nothing but his “baka” and his “ku-bha-sa”, Jean-Pierre tries to get to the bottom of the situation. But he’s in for more than he bargained.

Season One is 20 half-hour episodes released bi-weekly.

SALT is a spin-off of The Intergalactic Nemesis, an adventure set in the 1930s and taking the form of comic-books and graphic novels, audio drama, a web series, and a live theatrical production that’s touring the world. For access to all of this, check out www.theintergalacticnemesis.com.

Written and voiced by Jason Neulander. Additional voices by Buzz Moran, Danu Uribe, and Julie Linnard. Sound effects, audio engineering, and production by Buzz Moran. Original score by Adrian Quesada.

Episode Two: in which we learn further details of Jean-Pierre’s birth, he confronts a vagrant, sees a familiar symbol, and pays a visit to a former employee.

Did you miss episode 1? Check out “Bwa Kayiman” right here.

Check out episode 3 right here.

 

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Top 10 Weird Al Parodies That Outlived Their Targets

Alfred “Weird  Al” Yankovic has been skewering popular music in his own unique fashion for quite some time. His career spans from his 1979 parody of “My Sharona” ever so brilliantly titled “My Bologna” to his recently released fourteenth album Mandatory Fun that features parodies of Robin Thicke & Iggy Azalea. In the 35 years that Weird Al has been releasing music, he’s done parodies of so many genres, including (but not limited to) rock & roll , rap, grunge & alternative rock.

 

Many of his biggest parodies are of songs that were hits at the time and still remain classic well recognized tunes to this day, like “Eat It” or “Smells Like Nirvana.” Yet, at the same time, there are plenty of songs that Weird Al has parodied that don’t remain popular enduring hits, whether they be products of one hit wonders or artists that were very much of their time. Despite this, Al’s parodies of these songs usually manage to outlive their targets and entertain younger audiences despite their lack of knowledge on the original ditty, a phenomenon TVTropes.org refers to as The Weird Al Effect. For a few examples of said effect, I offer my humble list based on my own skewed perspective below.

10. I Lost On Jeopardy

Year of Release: 1984
Album: Weird Al Yankovic in 3-D
Parody of: “Our Love’s In Jeopardy” by The Greg Kihn Band

Are you aware of the game show Jeopardy? Of course you are, but probably not in it’s initial form. Yes, three short months before we were blessed with the more modern version of the hit game show featuring Alex Trebeck’s gorgeous ‘stache, Weird Al assembled a tribute to the classic 60s/70s version of the game show out of The Greg Kihn Band’s now forgotten 1983 hit “Jeopardy.”

The song has a ear worm of a beat, which Al twists from being a generically written song about a man pleading with his lady to work out their relationship into a contestant groaning over his recent failure on the hit game show. Al’s regrets over his loss and nervous tension over the categories are cartoonishly funny, made even more so by the visuals of his over the top reactions in the music video. The only thing that keeps this from going higher is the fact that it explicitly references elements from the long gone version of the show that date it, right down to having the show’s former host Art Fleming and former announcer Don Pardo in the video. Still, it gave us Don Pardo loudly announcing “Rice-A-Roni,” which never gets old.

 

9. I Think I’m A Clone Now

Year of Release: 1988
Album: Even Worse
Parody of: “I Think We’re Alone Now” by Tiffany (originally by Tommy James and the Shondells)

80s teen idol hit turned existential sci-fi crisis? Why not? Yes, former mall touring teen idol/current Syfy Original Movie actress Tiffany’s hit cover of “I Think We’re Alone Now” was transformed into the story of Weird Al realizing that he’s just “Part of Some Geneticist’s Plan/Born To Be A Carbon Copy Man.” This may be one of the bigger leaps that Weird Al has done in terms of subject to parody, but it still manages to outlive it’s predecessor mainly thanks to the ever curious premise of cloning technology. Also, it’s interesting to note that “Clone” sort of has this paranoid tone to it as Weird Al realizes the crisis of his existence, mirroring how “I Think We’re Alone Now” has become an unintentional stalker anthem in the wake of the documentary of the same name. A Weird Al Nostradamus moment of sorts.

 

8. Do I Creep You Out

Year of Release: 2006
Album: Straight Outta Lynwood
Parody of: “Do I Make You Proud” by Taylor Hicks

Do you remember Taylor Hicks? Of course you don’t. It feels a bit like cheating to pick on an American Idol winner for a lack of longevity at this point, but it can’t be denied that Hicks and his songs have gone much the way of his fellow reality show winning brethren. However, Mr. Yankvoic managed to squeeze out a humorous little ditty about the creepy behavior of an obsessive stalker type. “Do I Creep You Out” is one of Weird Al’s darker songs, making a love ballad out of stalker tendencies. This could easily be far less funny given the subject matter, but it helps that the song he’s lampooning is a rather bland and self absorbed pat on the back of a song about self pride. The arrogance translates well to delusional feelings of love in the form of self-serving creeping.

 

7. You’re Pitiful

Year of Release: 2006
Album: N/A, online single release on Weird Al’s website
Parody of: “You’re Beautiful” by James Blunt

Here is an interesting case, in that the backstory for the song had a sort of self fulfilling prophecy on longevity. Yankovic, who likes to secure permission from the artist before parodying their songs as a courtesy, asked and got the blessing of James Blunt to do his parody of “You’re Beautiful.” However, Atlantic Records (Blunt’s record company) denied Al permission to release the song after he had already recorded it, saying that a parody could give Blunt the stigma of a “one hit wonder” far too early in his career.

Despite Atlantic being technically right in hindsight, it still doesn’t excuse their behavior. So now, along with the lyrics being a darkly fun jab at the more unmotivated slobs of the world, the live performances of the song feature a giant middle finger to the record label itself, which can be seen in the above video of his live performance from 2011. Guess it’s both a parody of Blunt’s aggressively cloying song and the douchebag behavior of the music business now, isn’t it?

 

6. The Saga Begins

Year of Release: 1999
Album: Running With Scissors
Parody of: “American Pie” by Don McLean & Star Wars Episode I: The Phantom Menace

Now before I get comments about “How dare you say American Pie isn’t an enduring classic”, let me assure you; this song isn’t on here because of “American Pie”, which is still a fantastic song that people of any age can at least remember the tune of. No, the reason “The Saga Begins” is on here is because of other big source of parody, The Phantom Menace. True, the fourth entry in the Star Wars franchise may still be in our minds, but not in the way it was meant to be. So, one of the most disappointing subjects of nerd culture was turned into a jaunty adventure thanks to Weird Al’s lyrical description of the plot over a tweaked version of McLean’s beat. I still can’t help but sing along every time Al sings “Well, I Know He Built C-3PO/And I’ve Heard How Fast His Parts Can Go”, transforming a George Lucas blunder into an unbelievably catchy hook. Plus, is there no better a visual for that music video than Weird Al as Obi-Wan crooning in the Mos Eisley Cantina? No. There really isn’t.

 

5. eBay

Year of Release: 2003
Album: Poodle Hat
Parody of: “I Want It That Way” by Backstreet Boys

Unless it’s in the room of a nostalgic early 20 something or This Is The End, not many  songs from The Backstreet Boys’ catalogue have been played in recent years. Yet, “eBay” still manages to stay entertaining. Much of this obviously has to do with the still popular online consumer-to-consumer site it’s titled after, but there’s also Al’s undeniable ability to capture the obsessive nature of people searching for cheap tchotchkes they can bid on. The items themselves are all so ridiculous, yet not all that out of the question for anyone who’s done their fair share of eBay searches, from a Dukes of Hazard ashtray to an Alf alarm clock. Plus, the boy band style over-processed passion of the tune manages to make Al’s fixation with the “worldwide garage sale” all the more funny.

 

4. Gump

Year of Release: 1996
Album: Bad Hair Day
Parody of: “Lump” by Presidents of the United States of America and Forrest Gump

Presidents of the United States of America isn’t a band that I’ve admittingly followed that much, but I think it’s clear to see that Weird Al’s song as endured for audiences like myself mainly due to the popularity of it’s other parody source; 1994’s Forrest Gump. Yes, in an exact opposite effect of “The Saga Begins”, the film the song is parodying has managed to keep it alive. The combination of an alternative rock song and a very mainstream Hollywood film like Gump is a bit of an odd match in concept, but Weird Al manages to explore the oddball charm of the then beloved/now divisive 1994 hit with the manic energy of the PUSA song. That being said, it’s also just fun to see Yankvoic hop around with that bald cap in the video.

 

3. Albuquerque

Year of Release: 1999
Album: Running With Scissors
Parody of: “Dick’s Automotive” by The Rugburns

Few other artists can pack so much damn silliness into 11 minutes. The original song, a cowpunk stream of consciousness narrative where a man gets a job at an auto mechanic shop that takes very dark turns, has elements of a Weird Al song, especially the general wackiness of it. Al, however, tops all of that with an elaborate exercise in stream of consciousness absurdity. The song is more than worthy of Al’s Weird moniker, as it’s so packed with a variety of Weird Al-isms that it may be the definitive Yankovic song, adding the zaniness of sauerkraut and glow in the dark snorkels to a song about one man’s search to find himself in the world. Plus, it feeds off the universal desire we all have to find a place where “the sun is always shining and the air smells like warm root beer and the towels are oh-so-fluffy.”

 

2. The Night Santa Went Crazy

Year of Release: 1996
Album: Bad Hair Day
Parody of: “Black Gold” by Soul Asylum

Weird Al turns 90s alternative rock into a Christmas novelty classic that should have knocked Grandma Got Run Over By a Reindeer out of the holiday rotation ages ago. While Soul Asylum was definitely a band of it’s time, Santa Went Crazy is an immortal classic. The image of Santa going postal and destroying his North Pole workplace never really gets tiring. It’s a typical move of comedy: take long thriving icon of international legend and turn him into a darker being with homicidal tendencies in a way that fits the very bleak original tune by Asylum. It helps that Weird Al’s elaborate descriptions of Santa’s rampage manage to be as over the top violent as the usually clean Yankovic will allow… which includes mowing down Dancer and Prancer with an old German luger.

 

1. White & Nerdy

Year of Release: 2006
Album: Straight Outta Lynwood
Parody of: “Ridin'” by Chamillionaire

Aside from the occasional Mario Kart 8 Luigi death stare compilation video,  Chamillionaire’s “Ridin'” really hasn’t been on the mind of many since it’s release in  2006. Naturally, this song about the practice of driving while holding illegal contraband would be ripe for an anthem for very white and very nerdy activities like knowing every line from Monty Python and the Holy Grail and the eternal quarry of whether Kirk or Picard was the better captain. In fact, it was so ripe for parody that the song managed to be Weird Al Yankovic’s first top 10 hit on the Billboard Charts, peaking at #9.

And why not? It’s one of Al’s best songs, turning the lamest activities into proud declarations of identity. It helps that Yankovic does such a damn good job of rapping his lyrics in rapid fire succession, to the point where Chamillionaire himself even commended him. It’s songs like this that prove Weird Al’s repertoire is more diverse than just accordion based tributes to food. He listens to the songs of the times and adapts them to his own offbeat style in absurdly clever ways. And that’s why we love him.
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Farewell, Lounge Geeks

Hey Gang, Steak Plissken here.

I have had the good fortune during my career to not only meet some incredibly passionate and inspiring people, but to become friends with them as well. These are folks who have earned my utmost respect and admiration. One guy who continues to inspire me on a daily basis is Mr. Grant Davis.

 

 

Creative as all get out, hilarious both on the mic and off, and a model geek father, Grant is a maverick of this weird industry we call geek media entertainment. Well, at least that’s what I call it.

Developed as a spinoff from Spill, Grant’s Lounge Geeks site amassed a passionate following of creative and fervent fans and has been the catalyst for the inception of some of the very best geek podcasts on the web. I was fortunate enough to be associated with the site myself for a time (though my schedule never allowed me to be as involved as I would have liked to have been). Grant’s DIY spirit and flair for cultivating content is tremendously impressive, as is his level of caring and generosity.

That’s why I was saddened to learn recently that Lounge Geeks will soon be shutting its doors. But true to his generosity and concern for his team, Grant reached out to us here at OOU and asked if we would be the new home for the now “orphaned” LG content. We were honored to say the very least.

I could ramble on, but this letter from Mr. Davis himself sums it all up better than I ever could.

Grant_LG_Letter

Thanks again, Grant, and allow us to raise our glasses to the excellence of Lounge Geeks. And to the shows/blogs coming over on July 31st, we extend our warmest welcome.

 

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The Make-A-Wish Foundation Unleashes ‘Madzilla’

Most blockbusters are headlined by the biggest names in Hollywood. One such summer film I’m eagerly anticipating features someone you’re probably not too familiar with, but who is a star in his own right. The protagonist of this summer blockbuster is Maddex, a 5-year-old boy currently being treated for Acute Lymphoblastic Leukemia. His big screen debut will be in a short film entitled “Madzilla,” that sees the young Maddex transform into the King of the Monsters himself, Godzilla.

 

Maddex, whose last name was not given for the privacy of the family, was diagnosed with leukemia in April 2013. For over a year, Maddex has undergone multiple chemotherapy treatments and spinal taps. The procedures and the discomfort that they brought were lessened by his regular viewing of Godzilla movies. Maddex was first shown the original 1954 Gojira by his grandfather when he was no more than 18-months old. Since then, he has been obsessed with the giant kaiju and his rogues gallery.

 

maddex 2

 

His parents, wishing to give their son the ultimate movie monster experience, submitted his request to the Make-A-Wish Foundation: the chance for Maddex to produce his own Godzilla movie in his hometown of Chicago. The request was a short film of five minutes that featured Maddex as the titanic lizard himself. The film would have “Madzilla” fight against two classic Godzilla baddies, MechaGodzilla and Baragon.

 

maddex 3

To make Maddex’s dream a reality, Make-A-Wish asked for the assistance of filmmaker Jonathan Becker and local Chicago production company, miniGorilla Productions. Along with 100 volunteer extras, including Mayor Rahm Emanuel, the short was filmed at multiple locations across the city of Chicago. The film follows Maddex, who struggles to convince adults that he’s actually not a 5-year-old boy, but a giant fire-breathing monster. Eventually convincing his naysayers by transforming into a 300-foot kaiju, Maddex lumbers across Chicago and does battle with MechaGodzilla and Baragon for dominance over the city. He then takes a nap to recuperate after his city-wide battle.

 

maddex

Along with the film itself, planned releases from this project include a three-minute extended trailer of the movie and a short documentary that follows the Make-A-Wish Foundation’s efforts to give Maddex his own giant monster movie. Currently, Maddex’s condition is considered stable, but he still has 18 treatments left, including four spinal procedures. The OneOfUs.net community would like to wish Maddex well, and are eagerly anticipating his big-screen debut later this summer. Everyone here at OneOfUs.net encourages you take the time to look at some of the production stills provided by the Make-A-Wish Foundation here.

 

Cold Justice 216 Paulding, OH

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