The Strip Club – 7/14/2014

Thanks to negligence on our part, we’re starting your Monday off with the latest entry to One of Us’ Strip Club, our special feature where we post comic strips created by people like you. It’s usually on Sundays, but that depends on us being responsible and checking our email consistently.

In any case, this strip from regular contributor Zach Martin feels appropriate for anyone who’s beginning yet another week in an unfulfilling position. Most of us will spend some time working in less than idyllic circumstances to achieve financial stability and there’s nothing wrong with that. That being said, there are moments in life when you can choose to take a risk or be uncomfortable to pursue your passions. Don’t let fear deny you the happiness you deserve.

 

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We’d love for you to start submitting comics for our Sunday “Strip Club” feature. If you’re interested, please contact us at oneofusnet@gmail.com.

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The Pre-Weekend Recap: July 11, 2014

Hello and welcome to the Pre-Weekend Recap for the week of July 11, 2014! As you can see, our team was certainly busy this week. Not only did we have new entries to our flagship podcasts, we also debuted Salt, a brand new audio drama from the brain of the great Jason Neulander!

 

 

 

Yes, there was quite the selection of posts to come out this week and it would be downright tragic if you missed a single one. Below, you’ll find a few of the podcasts and articles we published this week, with descriptions and links leading you directly to the content. What could be better than that?

Salt: Episode One

The first episode of Salt, a spin off of Jason Neulander’s The Intergalactic Nemesis, dropped on the site this week. In this episode, you’ll meet Jean-Pierre Desperois, a Haitian salt smuggler who has the ability to travel through space and time. Listen as the fantastic cast of voice actors takes your from Jean-Pierre’s bizarre birth to his current status as a smuggler. There are dirty cops, stolen merchandise, and an apartment break-in to whet your appetite for adventure. Listen to the first episode now and get excited for the next one in two weeks!

 

The Original Gentlemen – Idiot Boxing

The original trio of Chris, Beau, and Martin is back this week and they’re talking all about the programming on the idiot box. That’s right, it’s a TV-centric OG as the guys discuss SherlockAmerican Gods, CommunityHannibalConstantine, and Game of ThronesOf course, there’s a song of the week selection and letters from all you lovely people as well. An excellent episode of The Original Gentlemen is awaiting, so get to listening!

 

World of UScast – The British Bodcast: Episode 4

The Bods have returned for the fourth entry of The British Bodcast, one of the podcasts in our World of UScast series of shows. In this episode, Duke and Kia hit the road with 007 and recount their experiences at London’s Bond In Motion exhibition. In addition, they hype up the London Film and Comic Con and discuss Kevin Smith’s Hollywood Babble On. It’s another stellar podcast starring your favorite geeks across the pond, so listen in and get some culture in your life!

If you live outside the United States and you have or would like to create a quality podcast for the World of Us show family, please get in touch with us at oneofusnet@gmail.com. Your podcast could be on the next episode!

 

Five GOOD Entries in the Transformers Franchise

As a diehard fan of the Transformers franchise, John Eckes feels the need to defend its honor in the wake of Michael Bay’s cinematic abominations. As he shows in this article, Transformers are much more than those critically-panned films make them out to be or even the toys that made Optimus Prime and company household names. Give this one a look to discover some of the best comics, TV shows, video games, and of course movies that feature the robots in disguise. And someone tell Michael Bay about these so he can see what Transformers can be in the right hands!

 

Digital Noise Episode 51 – Too Much of a Good Thing

On this week’s Digital Noise, Chris and Richard encounter the type of problem that is great to have: there are simply too many good titles to review. Our intrepid hosts even find themselves having difficulty selecting a single Pick of the Week! With selections such as Jodorowsky’s DuneThe Raid 2The Unknown KnownAfflicted and The Legend of Korra: Book 2, it’s understandable that the choice is tough to make. Listen in as they have praise this edition’s home releases and be sure to pick up a few of them for your own collection.

If you like what you’ve seen here, please be sure to share our stuff with others who might enjoy it. In addition, please consider becoming one of our proud subscribers! There are plenty of benefits for those who are generous enough to contribute to the site each month, so don’t miss out on your chance to earn some exclusive rewards! Have a great weekend!

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Inside The Locker: Late To Breaking News

Never let it be said that Inside the Locker isn’t ahead of every major sports story that breaks…because that statement is entirely true and it hurts our feelings.


Yes, every once in a while a shock wave ripples through the sports world while we’re busy editing the latest episode. This episode was recorded last night, on what turned out to be the eve of LeBron’s other decision. Oh, in case you didn’t hear, The Return of the King is no longer just a Tolkien book and/or a Peter Jackson movie.


The sexy allure of Cleveland…is something we never thought we would write…was too much for King James to ignore and he has ventured back to the team he once spurned. Something tells me they may be plotting a Godfather Part II-esque double-cross, but for the time being we’ll consider this a happy homecoming.


As to the episode itself, J.C., Elliott, and Beef Nuggets hold down the Fortress of Nerditude while Brian is away. They discuss the world-class beatdown Germany doled out to Brazil in the World Cup, and offer their thoughts on (what was at the time of recording) the hot button question of LeBron’s future plans. They also chat about athletes doing supremely stupid things. All this, plus the return of He Might Be a Cyborg.


Give the episode a listen and please do weigh in on the LeBron return to Cleveland. We want to know what you think.

JAmes


Also how freaking great is it that this Hastily Made Cleveland Tourism Video from a few years ago remains sparklingly relevant?! Their economy is AGAIN based on LeBron James!

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Make sure to follow us on Twitter, otherwise LeBron will leave again.

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The Show Account–@ITLCast
Brian–@BriguySalisbury
J.C.–@jcdeleon1
Elliott–@ITLElliott
Adam–@the_beef

 

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2014 Emmys: A Selection of Notable Perfomances

I can’t say I’m a regular viewer of award shows, but I do appreciate it when exceptionally well written films and television shows are recognized for their writing and acting.

 

 

 

 

This year, the Emmys have nominated many critically acclaimed actors and actresses for their impeccable performances.  Yes, you have multiple nominees for Breaking Bad and Mad Men, but you also have some fresh faces from shows like Game of Thrones and True Detective.

Looking at the list of current nominees for acting, I felt compelled to talk about some of my favorite performances of the year.

When viewing the nominees for Best Actor in a Drama Series, it’s hard not to pretend that the strongest contenders by a mile are Bryan Cranston for Breaking Bad and the two leads for True Detective, Matthew McConaughey and Woody Harrelson.

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Cranston’s final bow as Walter White was a glorious one. As Breaking Bad fanatics know, Walter’s world came crashing down on him and everyone unlucky enough to be around him in Season 5. The episode “Felina” may have provided audiences their last hour in Walter’s world, but the episode “Ozymandias” was the highpoint of the season, and showcased the overwhelming talent that Cranston possesses as an actor.

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True Detective was probably one of the biggest surprises of the year. Appearing to be just another police procedural, True Detective was actually a philosophical thriller that showcased two actors at the top of their game. McConaughey’s Rust Cohle and Harrelson’s Martin Hart couldn’t have been more different as characters, but their conflicting personalities made them so fascinating to watch as they awkwardly attempted to work together.

For leading ladies, Robin Wright’s Claire Underwood in House of Cards and Lizzy Caplan’s Dr. Virginia Johnson in Masters of Sex gave viewers a chance to see two extremely confident women exercise their power and authority in their separate domains.

Claire Underwood

In the case of Wright’s Claire, audiences saw her devotion to both herself and her husband’s seemingly impossible goals. Claire’s willingness to destroy everything in her way made her more than a perfect match for Spacey’s relentless Frank Underwood. Threatening to let a woman’s unborn child wither and die, while manipulating the President of the United States for kicks showed how being bad could be so good.

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Caplan’s Virginia is a character that so few programs on television typically show. She’s a sexually confident woman living in a time where the sexes couldn’t have been more unequal. While Masters of Sex is certainly a slow burn of a show, Caplan’s performance makes it worth it in the long run.

Nominations for supporting actors and actresses yielded a number of pleasing results too.

Game-of-Thrones-Season-4-Tyrion

It was no surprise that Peter Dinklage received his second nomination for playing the honorable and wonderfully sarcastic Tyrion Lannister. As Game of Thrones fans are already aware, Tyrion had quite the eventful season this year. It felt as if everything kept getting worse for Tyrion as the episodes progressed. Still, all these horrible things did provide a lot of material for Dinaklage to work with. Who didn’t love Tyrion’s “confession” at his trial?

Not only did Dinklage receive a well-deserved nod for his performance on Game of Thrones, but his co-star Lena Headey received a nomination as well.

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Lena Headey received her first nomination for Best Supporting Actress in a Drama Series for playing the psychotic “Mother of Madness,” Cersei Lannister. Much like Dinklage, Headey was given ample room to show off her acting chops in Season 4 of Game of Thrones. Her strongest scenes featured her alongside Charles Dance’s Tywin Lannister. Their last conversation with each other at the end of the season showed just how far Cersi would go to maintain her power and independence. It also showcased Headey’s ability to go toe-to-toe with a classically trained actor like Dance.

Other well deserved nominations included Taylor Schilling for Orange is the New Black, Diana Rigg for Game of Thrones, Andre Braugher for Brooklyn Nine-Nine and Allison Tolman for Fargo.

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Probably the most notable omissions this year are Tatiana Maslany for Orphan Black and Keri Russell for The Americans. Neither actress was nominated last year for Best Actress in Drama Series. While the nominee list is certainly crowded, a nod to these shows and the two lead actresses would have certainly been appreciated.

What about you reader? Any performances that stood out to you? Let us know in the comments below.

 
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I Love You, Dr. Zaius: The Vitality of The Apes

Over 45 years after Charlton Heston dug his fists into that beach, The Planet of the Apes is still a film that rings in the public consciousness. The iconic ape make up designs, the highly influential production design of the primitive ape village and the unforgettable Statue of Liberty ending are all still so ingrained in the minds of people… but why?

 

 

Out of all the big films to come out of 1968, why is it that Apes and its general media franchise are so well regarded and remembered as part of the pop culture landscape, even with all the advances in technology? Why did the 2011 reboot Rise of the Planet of the Apes become the surprise hit of that summer, resulting in the newest entry Dawn of the Planet of the Apes?

Well, one must first look at the concept. Apes are considered our lesser evolutionary cousins by our society (well… most of our society). Simians are creatures we look down on as inferior primitive versions of ourselves. We laugh at them as they wear clothes and dance for our amusement, whether it be in a circus or in Ronald Reagan’s Bed Time for Bonzo. They are creatures that we mistreated at the time of the original POTA’s production and still continue to mistreat to this day, albeit in a lesser fashion. That mistreatment is ultimately what makes the concept of said Apes not only wearing human like clothing, walking upright and ruling over humans so intriguing, but also makes it somewhat terrifying. It takes everything we as humans have been raised to believe and turns it on it’s head, making us think about the implications of such a society and how it relates to our own human worries and fears, much like any great sci-fi should.

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“The only good human… is a dead human!”

Speaking of human worries and fears, all of the films are very clearly done during the climate of their own times. The first was released in April 1968, a year when the civil rights movement was still in full force and the same weekend of the assassination of Martin Luther King Jr. The scenes of Cornelius and Zira defending Charlton Heston’s Taylor in Dr. Zaius’ court are a plea for acceptance of the new and unconventional in a society that’s mainly run under an old ideology of “The Lawgiver” that doesn’t condone or even willingly acknowledge the existence of an intelligent human. This is obviously a topic that is not only poignant for the era of the civil rights movement, but for any point when authority figures shun the new and unknown. It’s a universal theme that helps keep the film just as relevant as it first was. There’s also the theme of man’s own destructive nature, which ends up giving us a twist on Dr. Zaius and his hatred of man once he reveals the 29th scroll and Heston finds that infamous destroyed Statue of Liberty.

The other films in the franchise also take stabs at social commentary. The second film, Beneath the Planet of the Apes, features a cult of mutated humans that worship a nuclear bomb, continuing to play off the ideas of the first film’s end. There’s also an exploration of the ape factions, particularly the war like gorillas lead by General Ursus (brilliantly played by James Gregory) and how they clash with the more conservatively mindful orangutans as well as the more pacifistic chimpanzees. This is all clearly metaphor for the Vietnam war debates and controversies of the time, right down to the point where the gorillas break up a protest from the chimpanzees. Escape from the Planet of the Apes brought Cornelius and Zira to then contemporary 1973 New York, where they become beloved as novelties before eventually persecuted for their differences, further recalling the themes of racial intolerance.

This is even more pronounced in Conquest of the Planet of the Apes, to the point where Caesar (son of Cornelius and Zira) bluntly compares himself to the one human being who is compassionate to the apes and his African American heritage while leading his fellow apes on an uprising against the oppressive humans. These themes would later be explored far better in the 2011 reboot Rise of the Planet of the Apes, as the Andy Serkis version of Caesar is seen being raised in isolation from humans in order to make the uprise all the more emotionally powerful. Battle for the Planet of the Apes… well, that script is so jumbled that it’s hard to process what exactly it’s going for. Something about ape not killing ape and humans living in harmony with apes… whatever. Point is, most of the films strove for some sort of commentary.

"Dr. Cornelius, tell me: how do you find our women?" "Very human."
“Dr. Cornelius, tell me: how do you find our women?”
“Very human.”

However, there is more to those films beyond the social commentary. The characters themselves were ones that we could attach to, whether human or ape. Charlton Heston’s Taylor is an asshole who dislikes humanity so much that he goes on a decade long spaceflight, manages to gain a trust in the very human-like evolved apes, only to be proven right for his doubt by the end of the first film. It’s irony steeped in tragedy, a tragedy that would be a recurring part of the very downer ending prone Apes series. One of the best examples is the ending of Escape From The Planet of the Apes, which shows our favorite apes Zira and Cornelius, who found happiness in the past of their Earth only to have it taken away in a bloody shoot out. Caesar’s rise to power in Conquest is initiated by the death of Armando (wonderfully played by Ricardo Montalbon), the lovable circus owner who raised him from birth after the death of his parents. Even some of the villainous characters are somewhat sympathetic, whether it be the justifiably human fearing Dr. Zaius in the original Planet or Dr. Hasslein’s justified fear of intelligent apes in Escape. The emotionally investing stories of all these characters is what helps all of these films survive the potential dated qualities of the time they were made in, sticking with audiences to this day.

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“The King is dead. Long live the King!”

So, that’s is why the Apes franchise thrives  in the pop culture consciousness. Even in the decades between Battle and Rise (no, there was no other film in between them. NO. OTHER. FILM.), there were still a lot of references to the original films in countless examples of pop culture. Everything from The Simpsons to Spaceballs to Godzilla vs. Mechagodzilla has paid homage to these films and it’s easy to see why. They twist the nature of man’s dominance over simians, serve as commentary for issues both their initial context & to this day and gave us emotional connections to characters, whether ape or human. Plus, it’s encouraging to know that with the modern reboot craze, the modern day Apes films like Rise and Dawn  haven’t lost that focus in character based commentary and have advanced cinematic technology even further to give the ape creatures a sense of realism, much in the same way the filmmakers strived to do all the way back in 1968. That all being said, I think we could all use a different kind of full scale Apes adaptation.

That’s right; a full scale Broadway production of Stop the Planet of the Apes, I Want to Get Off!

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Nothing Is Sacred: Auralnauts’ ‘Star Wars’ And More

Welcome to a galaxy where the Jedi are a bunch of drug fueled hooligans, the Sith are ambitious entrepreneurs, Anakin Skywalker lives in Padme’s friend zone, and C-3PO is a mortality obsessed sociopath called Creepio.

Well, at least that’s viral video creator Auralnauts version of a galaxy far, far away.

 

 

Even if you haven’t heard of the name, you’ve probably watched their content over and over again. Creating massively popular videos like “Arnold Schwarzenegger Kill Count, “Super Boat” and “Star Wars PSA,” Auralnauts has made a name for itself when it comes to creating parodies.

 

Over the past year, Auralnauts have been creating parody versions of the Star Wars prequels, one hilarious episode at a time. The viral trilogy of mockery came to a close July 4 with the release of “Episode III: Revenge of the Middle Management.”

“Episode III” is available to view on their website, www.auralnauts.com.

For those unfamiliar with the group, Auralnauts is a collaboration between two content creators currently distributing material through their YouTube channel of the same name. The mixture of comedy and music production has been consumed by over 12 million viewers to date. Known for lampooning films and television commercials with their own take on the dialogue and soundtracks, they are preparing a slew of new material that has been produced by them from the ground up.

 

Auralnauts’ Star Wars parodies haven’t been the only videos that have garnered attention. Batman fans might be more familiar with the group’s “Freestyle Bane” video. The video, which features Tom Hardy’s muzzled interpretation of the super villain, has Bane dropping some sick beats while threatening Bruce Wayne and the people of Gotham. That video alone has viewer count over 1.5 million.

As a fan of film mockery experts like Rifftrax, How It Should Have Ended and Austin’s own Master Pancake Theatre, it’s always a joy to see creative parodies that relentlessly rip films I hate and love. Auralnauts is a yet another group that is able to create something ridiculously funny, while making it completely original at the same time.

What about you reader? Are you a fan of Auralnauts and their videos? Let us know in the comments below.
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Highly Suspect Reviews: ‘Dawn of the Planet of the Apes’

The Unusual Suspects are all fans of the 2011 Apes reboot, Rise of the Planet of the Apes. And why wouldn’t we be? Rather than trying to remake the original classic (like Tim Burton so lamely tried to do), director Rupert Wyatt decided to tell the tale from the beginning, as we saw how the apes gained their sentience and how the downfall of humanity began.

But we were understandably cynical about Dawn of the Planet of the Apes. Could lightning strike twice? Even from a different director, with Cloverfield helmer Matt Reeves now at the helm?

Luckily, we needn’t have worried. Listen to Beau, Chris, Ashley and Eliott all have simian opinions on Dawn of the Planet of the Apes.

 

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Digital Noise: Episode 51: Too Much of a Good Thing

Richard and Chris have found themselves so overwhelmed by great titles releasing this week, that they actually have to fight over what their pick of the week is! With stuff like Jodorowsky’s Dune, The Raid 2, The Unknown Known, Afflicted and, even our blu-ray giveaway for this week, The Legend of Korra: Book 2, what are our hapless reviewers to decide?

Besides those we’ve got lots more titles, we answer a ton of your questions, and we learn the difference between cakes and biscuits….in case you were interested.

 

Please do consider using our links below to make all your Amazon purchases! Much appreciated.

Raid 2 Bluray Review   Afflicted Bluray Review   Scavenger Killers DVD Review

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The Final Terror Bluray Review   Lake Placid Bluray Review   Stage Fright BLu-ray Review

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Witches East End Season 1 DVD Review   Helix Season 1 Bluray Review   Operation Petticoat Bluray Review

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Unknown Known Bluray Review   Jodorowskys Dune Bluray Review   Legend of Korra Book 2 Bluray Review

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HOW TO WIN The Legend of Korra GIVEAWAY:

1) Follow @oneofusnet on Twitter

2) Tweet at us with what era the next Avatar should take place in and why

3) Add #Korragiveaway

4) We’ll select favorite answers and contact those winners via Twitter (open to U.S. residents only).

 

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Five GOOD Entries in the ‘Transformers’ Franchise

This article started out in my head as an attack on Michael Bay, but I’m not going to do that. While I don’t like his Transformers movies, it is an undeniable fact that many people do. Many kids today were introduced to the Robots in Disguise due to the Bay films and while I wish their entry point wasn’t miserable dreck, I am glad to see so many young kids get into this great franchise I’ve loved ever since I was their age.

 

 

I’d love to call Bay a hack, but I know that isn’t true. Given the right material, as the Bad Boys movies and Pain And Gain have demonstrated, Bay has proven to be a talented and effective director. What I am going to do here is defend the reputation of this franchise I enjoy. People now seem to believe that Bay’s crappy contributions reflect the entirety of the franchise and that simply will not stand.

Now I’m not going to pretend that Transformers isn’t a franchise about selling toys, but so what? Just because it has a commercial angle doesn’t make it impossible to tell a good story. The LEGO Movie should be all the proof you need of that. Also, don’t try and tell me Transformers is stupid. Oh, it’s silly as hell, but most science fiction when you get down to it is rather silly. Star Wars, Star Trek, Dune, and Doctor Who just to name a few are silly as shit, but it is the smart and entertaining stories creators can tell in those silly worlds that make these franchises so popular.  Yes, it is about robots punching each other, but that doesn’t mean it can’t be about more. Again, silly, not stupid. Transformers has had some really talented people make some really great stuff over the years and that’s what I’m here to celebrate, so sit back and let me share with you five of my favorite entries in all of Transformers.

 

5. War For Cybertron/Fall Of Cybertron New-Transformers-Fall-of-Cybertron-Game-Announced-for-2012-2_1339620410

These games follow events in the Cybertroian War from the rise of Optimus to Prime to the Autobots’ exodus in the Arc. What is really interesting is how you play both sides of the conflict, you can find yourself getting carried away in a moment as you fight your way towards your objective and forget that you are actually playing as the bad guy. These games drop you into a war you already know nobody wins and your victories along the way for either side only hasten the destruction of the very planet you are fighting for.

The second game especially has a somber and bittersweet tone to it, but developer High Moon doesn’t use this as soapbox to make some grand statement. Instead, it shows the tragedy play out and leaves the player to figure out what they should feel about it. You do need a passing knowledge of the Transformers to truly appreciate these games as they don’t spend a lot of time explaining things that the fanbase for the games would already be familiar with. A third entry into the series, not developed by High Moon and serving as the tie-in for the newest Bay flick was just released and by most accounts isn’t any good (big surprise). Roll with the original two and leave the third one out.

 

4. Transformers Prime

290713124328_8227Prime owns its existence directly to the Bay films and carries over some of trappings.  It was even developed and produced by Alex Kurtzman and Roberto Orci who “wrote” some of the Transformers movies. Thankfully, it was written, directed, animated, and acted by people who seemed to care about the project and didn’t want to just phone it in for a huge payday. The show integrated popular elements from previous incarnations and had a darker edge to it, which brought in fans new and old. Transformers Prime was nominated for and won multiple Daytime Emmys.

The show was gorgeous and the voice cast was beyond excellent. Peter Cullen, Jeffery Combs, Ernie Hudson, Michael Ironside, Nolan North, and Clancy Brown are but a few of the big names on this project. Despite such a great cast, when I think of this show only two names come to my mind. First, once again going toe-to-toe with Peter Cullen, we had the return of Frank Welker as Megatron. Second, the revelation that was Steven Blum as Starscream. Everybody up to that point would simply ape Chris Latta’s original take on the character in an uninspired manner.  Conversely, Blum was allowed to go a different direction. Blum’s Starscream manages to stay true to everything we know and love about Decepticon schemer, but in a fresh and exciting new way. The third season and the series ending TV movie were somewhat disappointing, but as a total product Transformers Prime is well worth your time.

 

3. Beast Wars

Beast_Wars_title_logoBeast Wars can be seen as the great experiment in the Transformers franchise. Gen 2 hadn’t taken off like Hasbro had hoped and they were out to find something to keep the brand name going. Beast Wars got to break most of the rules and tropes simply because those things weren’t set in stone yet like they were for later incarnations. One of the most interesting features of this series was its continuity. Slowly it was revealed as the show went on that this series was in the same timeline as the original Generation 1 cartoon from the 80’s.  I won’t spoil all the whens and hows for anybody who hasn’t seen it and wants to, but it really becomes one of the high points of the show. The series used its own franchise’s history to provide a sense of scope. As this series had a much smaller cast than the original, more time could be spent fleshing out the characters. From Megatron’s need to hear himself talk, the conflicted nature of Dinobot, or the somehow loveable douchery and pessimism of Rattrap, you got a sense of what made these creatures tick.

Another thing with the show was all the unceremonious death. Few characters made it all the way through the series and the majority of the dead went out in rather pointless ways. It gave the show an edge and provided tension as you could never be 100% sure that everyone would come out the other end safe. The show isn’t without flaws, the CG hasn’t aged very well (especially with the first season, ugh!) and the slapstick feels forced and out of place most of the time. The following series Beast Machines left a sour taste in many fans mouths as many of the big reveals and character twists were insulting to all that had come before it.  Beast Wars has a satisfactory ending of its own, so I wouldn’t recommend continuing after  it unless you really want to see what happened next.

 

2. All Hail Megatron

51923f059a51018404In 2008 IDW sought to jump-start their Transformers comic line with a soft reboot courtesy of Shane McCarthy. McCarthy took the ball and went on to tell one of the best stories starring the Transformers ever told. With the Autobots beaten and scattered across space and the Matrix in Megatron’s clutches, the Decepticons decide to quit playing nice and outright conquer the world in their customary violent fashion.

While McCarthy and Co. couldn’t really show full on human death, this book is full so much implied human death that it is a little staggering. One scene that still makes me squirm involves releasing Frenzy on a bunch of soldiers while some Decepticons talk about just what is going to happen to these poor troops. It leaves the mind’s eye to fill in the blanks of what happened to the people, which is part of what makes this book so effective. With Earth conquered and the Autobots missing, the question then becomes what are the Decepticons with no one to fight? Megatron finds that there is little to nothing for him on the other side of battle. Thankfully for old Megs, the Autobots finally have the means to make a counterattack and take back the planet before the Decepticons fully turn on each other. A great storyline that no mere synopsis could cover and that shaped Transformers comics for years All Hail Megatron is worth every penny.

 

1. Transformers 1986

e8eZ6KHGJj9qXkVCsBW1VWVtSKTFull disclosure here, this movie is a a mess…  but it is also awesome. This cult classic proved that the Transformers was more than just a toy commercial, even if it did so unintentionally. Part of the point of this movie was get rid of all the characters whose toys were being discontinued and to introduce the new characters and toys so that the kids would be excited to pick them up when they came out of the movie. That isn’t quite what happened. Because they were dealing with robots and not people, the writers and artists were really set loose to create some spectacular and horrific death scenes and indeed the movie boasts a pretty heavy body count.

Hasbro and the creators didn’t fully understand what they had achieved with the cartoon and toys. Kids had not only bought into the toys, but they had also bought into and were emotionally connected to the characters and world. Many kids did come out pumped for the new toys, but many also left saddened and mourning the loss of characters they considered friends. Prime’s death is especially tragic and even as an adult it hurts a little every time I see it.

The film is uneven in tone and pacing as it jumps from serious to silly from one moment to the next and many scenes outright stop without providing any natural sense of completion. The soundtrack is full on cheesy 80’s metal and it is glorious. I don’t own many soundtracks, but I proudly own the OST for this flick and will rock out to Stan Bush’s The Touch any day of the week. The voice cast is impressive as well with names like Leonard Nimoy, Orson Wells, and Robert Stack as well as many others. Of course the big winners for me will always be Peter Cullen and Frank Welker as both really seemed to go for it in this movie. What we have here is a movie that is fascinating on every level and continues to be discussed and dissected even to this day.

 

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Wheelie say, instead of Bay, try these today!

Sound off in the comments below with your thoughts on my picks as well as some you own! As for me, I’m going to go read the newly released second trade paperback of the Dark Cybertron storyline!

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‘Star Wars: Episode VII’ Adds Two Fresh Faces To The Cast

With the production of Star Wars: Episode VII temporarily shutting down due in part to Harrison Ford’s injury, it felt appropriate for producers of the film give fans some good news and announce that two new additions will be joining the production.

 

 

 

Crystal Clarke and Pip Andersen are the most recent actors to be chosen for roles in the highly anticipated J.J. Abrams film. Haven’t heard of them? Well, that makes two of us. Both Clarke and Anderson are newcomers to the acting world.

They were among 37,000 hopefuls who showed up for the currently unrevealed roles for Episode VII. That’s not including the 30,000 aspiring actors who submitted online applications as well. It must be a good feeling to be picked out of 67,000 people for coveted on-screen roles in the biggest film franchise ever created.

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Clarke, a relative newcomer to acting, will be graduating from the prestigious Royal Conservatoire of Scotland in Glasgow (where our very own Chris Harrison also studies) sometime in 2014. Almost nothing has been revealed about her. Not even her age. Her first film, The Moon and Sun, in which she acts opposite Pierce Brosnan and William Hurt, won’t be released in theatres until next year.

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Andersen is perhaps a little more recognizable. He was recently featured in a Spider-Man/phone commercial for Sony, where he showcases some of his impressive parkour abilities. Anderson has been a practitioner of free-running/parkour for seven years.

 

 

Everyone has been asking the same question. Who are these young actors playing? In typical J.J. Abrams fashion, nothing has been revealed about their characters.

Clarke may actually play the descendant of Obi-Wan Kenobi that was rumored months ago. According to rumors, Abrams and company were looking for a young woman who was either black or mixed-race to play the role of Kenobi’s grand-daughter. Of course, the character has not been confirmed by Abrams or producer Kathleen Kennedy at this time.

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Andersen’s role might be a little easier to nail down. Star Wars has been known to hire actors in the past for their physicality. David Prowse, Peter Mayhew and Ray Park were all chosen to play characters when brute strength and physical prowess was needed. Andersen’s talent at free-running will obviously suit a character that takes a more active role in the action. It makes sense for him to play either a Jedi or Sith warrior. It’s not hard to imagine him bouncing around a battlefield with a double-bladed lightsaber in hand.

Little is known about the film at this point. It’s frustrating just writing this with so few details available. If anything, it’s nice to see that the cast has steadily been expanding.

What about you reader? Happy that Star Wars is getting some fresh faces to the franchise? Let us know in the comments below.
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