Star Wars: Rebels Has Started a Fire Across the Galaxy

I wanted to talk about Star Wars: Rebels for quite some time now. It’s a show that initially received heavy criticism, undeserved to some extent. Much like The Clone Wars, Rebels started off somewhat slow, with the first few episodes appearing to be of little consequence to the overall plot. Early reactions, even to the trailers and character shorts, were mixed at best. But with the show’s season finale, “A Fire Across the Galaxy,” having aired only several weeks ago, Rebels has not only been able to prove it could deliver an entertaining and well-paced storyline, but also give Star Wars fans another reason to be excited for the future of the franchise.

Though having to wade through a gauntlet of negativity and skepticism, Rebels’ creative team and showrunner, Dave Filoni, were adamant that their second Star Wars project (their first being The Clone Wars) would honor and embrace the tenets of the much beloved original trilogy. Using everything from legendary artist Ralph McQuarrie’s original Star Wars concept art to John William’s classic score, Rebels was on a mission to reignite a sense of nostalgia in older Star Wars fans and introduce a younger generation as to what made the original films so special. Even classic sounds such as the Tie Fighter and speeder-bike’s iconic hums have been incorporated into the series.

“There are some things far more frightening than death.”

For many however, using original concept art, music and sounds is all just nostalgic window dressing. The real meat of Rebels needs to be its characters and stories. Filoni and his writers most likely decided that following a small diverse cast of passionate insurgents was far better than trying to follow dozens of characters like they did with The Clone Wars. The cast in question does feel slightly reminiscent of A New Hope’s classic team of a scoundrel, farm boy and princess, but the characters still manage to differentiate themselves with their unique quirks and personalities.

Following rogue Jedi Knight Kanan Jarrus (Freddie Prinze Jr.) and his seemingly suicidal mission against the Empire, is the teenage thief Ezra (Taylor Gray), who is coming to grips with the fact that he can use the Force; Sabine (Tiya Sircar), a Mandalorian warrior with a love of explosives and art; Hera (Vanessa Marshall), the pilot and owner of the Ghost, the team’s personal starship; Zeb (Steve Blum), the group’s sarcastic muscle; and Chopper, a moody  R5-astromech droid tasked with the responsibility of repairing the Ghost. Though the group fancies themselves rebels, they often participate in illicit activities including smuggling and grand theft auto (ship/speeder). The credits they earn for their more questionable work finances their small guerilla war against the Empire on the planet Lothal, a backwater world which the Empire is stripping for resources to continue its expansion across the Outer Rim.

“If all you do is fight for your own life than your life is worth nothing.”

The stand-outs among the cast are Prinze’s Kanan and Marshall’s Hera. Prinze, who has increasingly shown himself to be a talent in the voice-acting world, gives viewers a Jedi that is neither an all-knowing master like Yoda or Obi-Wan Kenobi nor a petulant brat like Anakin Skywalker in the prequel films. If anything, Kanan is a Jedi that is at an impasse. Not being able to fully complete his training, the young leader shoulders and overwhelming amount of responsibility that he struggles to accept at all times. He realizes that he is one of the last few Jedi in existence, but recognizes that his relative inexperience makes him someone that is perhaps not adequate to train other force-sensitive individuals such as Ezra.

Hera compliments Kanan’s uncertainty with unwavering confidence. A green-skinned Twi’lek, Hera not only acts as the crew’s chief-pilot, but also co-leader and mother-figure. It’s Hera that often receives intel from mysterious sources to plan heists and other jobs that keep the crew working. Though only hinted at, it is implied that Kanan and Hera were or still are lovers. Their possible romantic relationship is extremely subtle and doesn’t feel forced in the slightest. If anything, their dynamic with each other is one of the show’s strongest aspects and only further proves that Filoni and his writers are incorporating mature themes into the series.

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“I know how to win a war.”

Of course, with the introduction of new heroes, you also need to introduce a suitably intimidating cast of villains. Thankfully, Rebels found it with the Sith warrior known only as The Inquisitor (Jason Issacs), a dark-Jedi tasked with finding force-sensitive individuals, and the re-introduction of Grand Moff Tarkin (Stephen Stanton), originally played by the late Peter Cushing in A New Hope. Both the Inquisitor and Tarkin compliment one other throughout the series. The Inquisitor is the fist of Darth Vader and Emperor Palpatine, a fine crafted instrument to be used in matters that require unrelenting force. Tarkin however, is different in many ways. Though just as cold-hearted as The Inquisitor, Tarkin is a shrewd military genius, able to demand respect from his thin-lipped scowl. Though they work together to further increase the dominion of the Empire, Tarkin makes it well-known that the Inquisitor is nothing but a subordinate to him. Other more recognizable Star Wars villains appear, including one who suffers from severe asthma.

To those who might have been turned-off by Rebels’ supposed “kiddy” appearance need not worry. The series, though a cartoon intended for a young audience, is exactly what the Star Wars franchise needs right now. It not only captures the feel and tone of the original trilogy, but it further expands on the lore of Star Wars. Unlike the prequels, Star Wars: Rebels gives viewers a look into the early formation of the Rebellion from the perspective of a small group and allows characters who only appeared briefly in the films to play a larger and more intricate role in the franchise itself. With Filoni promising a longer second season, introducing new and old characters and giving viewers a more expansive view of the Star Wars galaxy, Rebels will hopefully continue to reinvigorate the Star Wars brand.

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“Smuggler is such a small word. I’m more of a…galactic entrepreneur.”

Oh, in case you need more convincing, Bill Dee Williams voices Lando Calrissian in the series. Billy Dee, baby!

What about you reader? Have you been watching Star Wars: Rebels? Let us know in the comments below!

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Infestation: SXSW 2015 Part 1

Get ready for your first official SXSW report from your OneOfUs crew; always in the trenches and under the influence!

Brian and Chris are joined by We’re Alive creator KC Wayland to record a capsule review of the films that have seen so far at this leviathan film fest.

Fair warning: We were recording at a loud party and there were some audio issues, please forgive the audio quality that is below our usual standards. Rest assured, this will be fixed by the next recording.

 

Movies Discussed…

FInal Girls

The Final Girls
Dir: Todd Strauss-Schulson
Cast: Taissa Farmiga, Malin Akerman, Adam DeVine, Thomas Middleditch

“A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom’s most famous movie. Reunited, the women must fight off the film’s maniacal killer”

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The Boy
Dir: Craig William MacNeill
Cast: David Morse, Rainn Wilson, Jared Breeze

“An intimate portrait of a 9-year-old sociopath’s growing fascination with death”

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Deathgasm

Deathgasm
Dir: Jason Lei Howden
Cast: Milo Cawthrone, James Blake, Kimberly Crossman

“Two teenage boys unwittingly summon an ancient evil entity known as The Blind One by delving into black magic while trying to escape their mundane lives”

 

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Highly Suspect Reviews: ‘Furious 7’ (At SXSW)

SXSW has always prided itself on a being a showcase of the best independent, foreign, and avant-garde cinema. However from time to time, they host the biggest movies Hollywood has to offer. We knew a couple of big studio comedies were scheduled to play this year, but when yesterday began with an announcement of a surprise screening of Furious 7, its first public screening ever, our collective pants got a little tighter.


Here now, (recorded) live from SXSW is our Highly Suspect Review of one of the year’s most anticipated movies. If you aren’t already of a fan of this franchise, you may not find much to like here. But for all you Fasties out there (we need a better name), this is pure gasoline candy.


Brian, Chris, and J.C. are joined by special guests Kyle Scott, our editor Thomas Mariani, and We’re Alive creator KC Wayland to talk about why Furious 7 got them all revved up. Download and listen to this special early review and get your pistons pumping!


*Apologies for the less-than-stellar audio quality, recording at festivals on the fly is chaos

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SALT: Episode Twelve-Secrets of the Red Sect

Jean-Pierre Desperois. Born a slave in Haiti in a voodoo ritual with the power to travel through space and time. Now lives in Tunis. Smuggles salt. On payroll: crooked cops and hard-to-manage employees. When local gendarme Michel du Prix tells him about some corpses found in the desert, Jean-Pierre thinks nothing of it. But when the bodies start piling up, Jean-Pierre is implicated. Armed with nothing but his “baka” and his “ku-bha-sa”, Jean-Pierre tries to get to the bottom of the situation. But he’s in for more than he bargained.

Season One is 20 half-hour episodes released bi-weekly.


SALT is a spin-off of The Intergalactic Nemesis, an adventure set in the 1930s and taking the form of comic-books and graphic novels, audio drama, a web series, and a live theatrical production that’s touring the world. For access to all of this, check out www.theintergalacticnemesis.com.


Written and voiced by Jason Neulander. Additional voices by Buzz Moran, Danu Uribe, and Julie Linnard. Sound effects, audio engineering, and production by Buzz Moran. Original score by Adrian Quesada.


EPISODE TWELVE: SECRETS OF THE RED SECT


In which Jean-Pierre comes up with a plan to cover up some murders, returns to Makandal’s camp with a new friend, and participates in a spectacular ritual.


Did you miss Episode 11? You can catch it right here.

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Diva Del Mar SXSW Review: The Boy

Don’t you love it when a movie makes you think about it for hours after the initial viewing? I mean, regardless of the fact that it may be somewhat predictable, or maybe that it encompasses a theme that has been done before. A movie doesn’t have to be original to be great, it simply has to draw us in, capture our minds and emotions, leaving a savory thought process behind as a lingering feast for our brains.

 

The Boy, directed by Craig William Macneill, is one such film. Based on his award-winning short, Henley, Macneill gives us and insider’s view of a pre-pubescent boy, Ted Henley, played by Jared Breeze, in the last days of childhood innocence, before his metamorphosis into a cunning killing machine.

Ted and his father, played by David Morse, live alone maintaining a failing motel in the middle of nowhere sometime in the 1980s. The boy’s main focus is collecting roadkill for quarters, but his father assigns him the role of motel housekeeper when he is not playing with his pet rabbit or exploring the property grounds. It’s quickly established that this boy is intelligent and resourceful. He’s a problem solver and he’s tenacious. And oh boy, does he want out of the endless purgatory in which his father keeps him trapped.

THE-BOY-poster

What surprised me about this movie was that I was able to easily relate, emotionally and intellectually, to Ted’s sociopathic behavior. By the end of the first act, you get why Ted is frustrated, angry, and desperate for an outlet. The child has little to no social bonding with peers or day-to-day human interactions with anybody other than his father. Ted is rarely exposed to new experiences, or challenges in life. He’s trapped and he is keenly aware of it. The only form of positive reinforcement that his father offers, is to collect roadkill to earn quarters.

Ted diligently scours the highway for dead animals, saving up his quarters with the intention of buying a bus ticket and escaping. The dead animals he collects represent hope for him, a means to leave this dull and hellish world behind. And in this way, unintentionally, his father sets him on the road to learn that death has some major advantages and can be used as a means to an end. As the tension mounts between father and son, Ted’s sociopathic tendencies accelerate as new strategies are exercised in procuring fresh roadkill, ultimately leading to a nightmarish conclusion.

The film adopts an observational and patient style of storytelling. We are given a birds-eye-view of a nine-year-old’s hellish evolution. Ted is adapting, learning, and growing ever more bold before our eyes, and damn, it’s creepy! Macneill creates a frustrating and tense atmosphere without heavy handedness or over-the-top theatrics, typical of most serial killer movies. Even the moments of gore and mayhem are handled with graceful minimalism that delivers a sucker-punch to your psyche. This is mostly due to the fact that you are constantly handed a spoonful of realism with each step that Ted takes towards his fate. The filmmakers did their research on childhood sociopathy, and the effect is terrifying.

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The movie is beautifully effectively shot. One can see looming green mountains in the distance, and yet, the motel is seated in a dusty and barren area, further emphasizing the isolation from vibrant possibilities of the outside world that tease Ted’s tortured mind.

All the performances are fantastic, including Rainn Wilson’s, who plays an unintentional customer of the motel. He has quite a heavy role in the movie and delivers it with grace and talent. Breeze plays Ted beautifully and his unraveling is horrifying. Morse also delivers his strongest moment in a particularly well-played dialogue with Wilson’s character.

I highly recommend this movie for those who like to become deeply imbedded in slow-burn psychological thrillers. While it’s slowly paced, one never gets bored. It’s truly dripping with talent and craftsmanship. I applaud the entire cast and crew for accomplishing this fantastic film. Well done and do keep them coming!

Thanks for reading.

Diva Del Mar

 

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The Weekly Wrap-Up: Flying Elephants, Tron’s Legacy and a Lone Rogue

Hello, everyone! It’s One Of Us’ weekly article series, “The Weekly Wrap-Up.” Covering everything from film announcements to comic books, “The Weekly Wrap-Up” ensures that the biggest stories of the week are analyzed and discussed by our team of writers. This week we have news about a live-action Disney remake, another Tron sequel and the title for the first stand-alone Star Wars movie. Be sure to read everything you might have missed over the last few days.

Tron 3 to Shoot This Fall

tron

After years of rumor and suspected cancellation, it looks like Tron will get a third installment after all. Vancity Buzz reported that the long thought dead follow up to 2010’s Tron Legacy will in fact be shooting this fall in Vancouver. The only confirmed returns from the previous film as of yet are it’s director Joseph Kosinski  (who also directed 2013’s Oblivion) and star Garrett Hedlund, who will be reprising his role as Sam Flynn.

This was certainly a surprise. Legacy, which managed to scrape by with a solid but underwhelming $400 million. Not a bad number, but not what Disney was initially hoping for. Admittingly, the original Tron wasn’t a smash hit either when it came out in 1982, so I wasn’t that astonished when the sequel performed similarly even with the retroactive love the original got following its initial release… and yet we’re getting another sequel. Basically, this franchise is full of odd surprises. I’m still curious as to whether others from the earlier films will return, particularly Olivia Wilde due to how integral she ended up being to the story of Legacy. Hopefully they don’t try to shoehorn Jeff Bridges in there, especially that creepy CLU version of him from Legacy.

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Scarier than any other Disney villain. Just… good God that face.

 

Hotel Transylvania 2 Trailer

 

The first teaser-trailer for Hotel Transylvania 2 was just released and it promises to reunite audiences with the “Drac Pack” once again for another endearing adventure. The sequel to the critically underrated Genndy Tartakovsky (Star Wars: Clone Wars, Samurai Jack) directed original, Hotel Transylvania 2 looks to be focusing on Dracula’s (Adam Sandler) role as a grandfather, teaching his grandson, the child of his daughter, Mavis (Selena Gomez),and son-in-law, Johnathan (Andy Samberg), the ways of the vampire.

As the trailer suggests, the vampire training isn’t going as well as the other monsters would hope, but they all seem to generally love and care for the little red-headed human/vampire-hybrid. In any case, the teaser is suitably charming and funny, and only promises more of the same success that Tartakovsky managed to create with the first film. Hotel Transylvania 2 will be released September 25, 2015 and co-stars Mel Brooks, David Spade, Kevin James, Steve Buscemi, Keegan-Michael Key and Fran Drescher.

 

Tim Burton to Direct Live-Action Remake of Dumbo

Dumbo

In the continued trend of Disney reimagining their classic animated films with live action, the company has recently announced that Tim Burton (who started this trend with 2010’s Alice In Wonderland) will be directing a live action/CG hybrid retelling of their 1941 classic Dumbo. Burton will be directing a script by Ehren Kruger (writer of the last three Transformers films), who is also producing. The release date is unknown as of yet.

Now as if the idea of a live action/CG remake of Dumbo wasn’t already annoying (seriously, that movie barely has any human characters), it appears that they’ve attached the once-beloved-but-now-disappointing voice of Tim Burton to bring this horrendous vision to life. Admittingly, the story of a young lonely outcast moping around until he finds a few odd friends to support him in a circus setting obviously appeal to Burton’s taste, given his constant use of that archetype. However, his usual gothic style doesn’t jell at all with the very simple and sweet tale of a baby elephant trying to reconnect with his mother while dealing with adversity from those around him. Honestly, even if Burton goes for a more multi-hued take with this project, his output as of yet hasn’t inspired much hope for any creativity in this clear cash grab. It doesn’t help that Ehren Kruger is the screenwriter, who will likely turn the controversial crow characters from the original into the new Mudflap and Skids from one of his previous efforts Transformers: Revenge of the Fallen… unless Burton turns them into mopey goths by the final cut.

 

Star Wars: Rogue One

Rogue_Squadron_TEA

Yesterday, Disney Chairman and CEO Bob Iger announced during a shareholders meeting that the first stand-alone Star Wars movie, directed by Gareth Edwards (Godzilla), would be titled Rogue One and that Star Wars: Episode VIII would be written and directed by Rian Johnson (Brick, Looper).

Though officially announced, it was known for months that Johnson would be writing and directing Episode VIII, however, the Edwards directed Star Wars film has been a mystery for some time, with few details revealed about the secretive project. Though Iger did not announce an official plot synopsis for Star Wars: Rogue One, many people have suggested the title is more revealing than it seems. As Star Wars fans know, Rogue Squadron is the Rebellion’s elite team of X-Wing pilots. Often under the command of either Luke Skywalker or Wedge Antilles, Rogue Squadron participated in many space battles throughout the original trilogy, including the attack on the first Death Star and the Battle of Endor. Though now considered not to be canon by Disney, Rogue Squadron continued to play a significant role in the Expanded Universe Star Wars novels, often fighting a resurgent Empire under the command of Grand Admiral Thrawn.

Is it possible that Rogue One could be following the first members of the Rebellion’s Rogue Squadron? Months prior to the announcement of the title, rumors circulated that Edwards’ first film would revolve around a group of bounty hunters, possibly led by the enigmatic Boba Fett, planning a heist to steal the plans to the original Death Star. It’s possible that this still could be the case to some extent. Currently, there are no confirmations other than Felicity Jones (The Theory of Everything) will be starring.

 

Original The Simpsons Writer/Producer Sam Simon Dies at 59

Sam Simon’s End Days

An underrated, but highly influential voice in television comedy has passed. Sam Simon, who along with Matt Groening and James L. Brooks helped to develop The Simpsons for television and was involved as a writer during it’s first four seasons, passed away March 8th from colon cancer at the age of 59. Simon, who also wrote for shows like Taxi, Cheers and The Drew Carey Show, had a huge personal fortune at the time of his diagnosis in 2012, which he elected to donate most of his fortune to various charities. He was a professional poker player, a nine time Emmy winner and an avid animal rights activist. Even though he only worked on the first four seasons of The Simpsons, his influence can be felt throughout. Much like Brooks, Simon knew when to eject the right amount of emotion in the middle of the comedy of any episode. Plus, he was crucial in creating the character of Mr. Burns, initially as a sly middle finger to Barry Diller, the executive who created Fox. It’s tragic to see him pass at the age of 59, but he lived a life far more full than most others. He enjoyed his time on this Earth and decided to donate so much of his fortune to help other living creatures (person or animal) enjoy their time like he did. He will be missed.

 

Valiant Comics Announces Movie and Television Projects

valiantcomics

In the minds of many comic book readers, Marvel and DC are the companies that are always trying to garner the most attention. Whether it be comic events, television projects or film announcements , the Big Two always want the focus on them. However, companies like Image and Valiant have been making a name for themselves for some time, often producing unique and well-written comics.

Recently, Valiant Comics Creator Jim Shooter and CEO Dinesh Shamdasani announced that they will be partnering with the Chinese-based film production company DMG Entertainment, the same company responsible for co-financing projects like Iron Man 3 and Transformers: Age of Extinction. With help from the production company, Shooter and Shamdasani  have confirmed they are in the process of making movies for Bloodshot, Archer and Armstrong and Shadowman.

While it’s nice to see that Valiant’s properties will eventually receive their own films and television shows, their partnering with DMG Entertainment is a little concerning. The production company has a history of pushing a political and social agenda, often attempting to appeal to a Chinese audience. Though Valiant has stated that DMG Entertainment is only a minority investor, it’s reasonable to guess that the production company will most likely distribute Valiant films internationally.

Alan Tudyk and Nathan Fillion’s Con Man

conman

Every geek knows about Firefly. It was a masterly-crafted science-fiction show cancelled way before it’s time. Starring Nathan Fillion as the captain of the Serenity, Malcom “Mal” Reynolds and Alan Tudyk as the ship’s pilot, Hoban “Wash” Washburne, Firefly was a Western set in space, following a band of pirates and smugglers living their lives the best way they could manage. Though the series ended, its stars have gone on to be loved and celebrated for years. Hoping to capitalize on over a decade of goodwill, Fillion and Tudyk have launched an Indiegogo campaign to finance their new comedy web-series, Con Man.

Originally conceived by Tudyk himself, the web-series follows Wray Nerely (Tudyk), an actor who played the pilot on the cult television series Firefly Spectrum. Though the series’ lead, Jack Moore (Fillion), went on to become one of the biggest stars in Hollywood, Nerely finds himself touring comic book and science-fiction conventions. Somewhat bitter about his lack of success, he becomes increasingly exasperated at the weird and crazy situations he encounters while visiting con events. In addition to Fillion and Tudyk, the web-series will co-star Gina Torres (Firefly), Seth Green (Robot Chicken), Felicia Day (The Guild), James Gunn (Guardians of the Galaxy), Sean Maher (Arrow) and Amy Acker (Angel).

Though the show’s premise is most likely catering directly to fans of Firefly and Serenity, it’s conceivable that the series will provide a humorous, but good natured take on what one could expect to see at comic conventions, making it accessible to those who may not be familiar with the cult-series and film. As of today, Con Man has been fully funded, having earned over $1.5 million.

Their campaign, which includes clips featuring Fillion and Tudyk, can be found here.

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Highly Suspect Reviews: ‘Run All Night’

Usually, people don’t chase Liam Neeson. Typically, bad guys have no idea Neeson is coming and end up getting taken down before they have any clue what hit them. But if there were one man with the stones massive enough to piss off both the Irish mob and every cop in New York City, it’s Liam Neesons!

Run All Night takes place over the course of a single day, in which a former hitman for the mob (Neeson) must protect his son (Joel Kinnaman) from the wrath of the local boss (Ed Harris). Turns out that mob boss’ son (Boyd Holbrok) is a real d-bag and tries to murder the hitman’s son, only to end up full of bullets himself. When in the hell are people going to learn to stop effin’ with Liam Neeson?!

Brian, Elliott, and J.C. ran to the nearest dirt mall theater to see this action thriller, and they now sit down to relay their thoughts. Get it? Relay? Running a relay? Never mind. This de facto Inside the Locker version of Highly Suspect Reviews is apropos considering the weird hockey game that underscores the first two acts of Run All Night.

Plus, you know, Neeson kills gangsters like he’s campaigning for MVP of the murder league!

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Highly Suspect Reviews: ‘Cinderella’

Hey kids, it’s time to gather around the fireplace and let The Unusual Suspects read you the story of Cinderella. Well, not so much read, but rather give our thoughts after watching Disney’s Cinderella. No, not the animated version. We’re talking about the live-action remake of the Disney animated version of the fairy tale. Too bad this isn’t Alice in Wonderland, because we definitely feel like we might be tumbling down a rabbit hole here.

Kenneth Branagh directs this iteration of the classic story about a girl whose widower father apparently didn’t have access to OkCupid, because he marries a horrid ice queen (played by Cate Blanchett if you can believe it) to be his daughter’s new stepmother. When he then kicks the bucket, step-mama begins to treat lovely little Ella as a servant, nicknaming her Cinderella because she sleeps next to…you know, if you don’t know the story by now, we don’t know what to tell ya.

J.C., Chris, Elliott, and Brian put on their best gowns and have a ball reviewing this latest entry from Disney’s we-don’t-know-if-we’ll-ever-have-another-hit-so-we’re-rehasing-all-our-former-hits trend.

Would Cinderella enchant, or would the guys be dashing for the exits long before the stroke of midnight?
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Digital Noise Episode 85: Singing Werewolves

This week, on a very special episode of Digital Noise. Sam has a problem. He thinks Old English 800 is beer…and he just can’t seem to stop drinking it.

When Chris helps him to overcome his addiction by Writing Love on his Arms, he turns into a Wolfcop and together they hit the Road to Hong Kong for one Last Christmas. Unfortunately, after their Life Partner Annie joins them at The Breakfast Club (because she ain’t playing those Hunger Games, yo), The Intruders Eat Drink Man Woman, and poor Annie is devoured. It was Low Down, but even Da Vinci had demons (even though he was a Pioneer).

As they ran from Chris and Sam’s terrible vengeance they screamed out, “You haven’t seen The Last of Robin Hood!”, whatever that meant. By then it was getting to be the Late Phases of the day and while this adventure didn’t live up to The Legend of Korra, it was no small feat to get through the Longmire of a day.

Ha, did it! You owe me 20 bucks, Brian.

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