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Good Luck, Have Fun, Don't Die movie review

Infestation: Fantastic Fest 2025 – Good Luck, Have Fun, Don’t Die

GOOD LUCK, HAVE FUN, DON’T DIE MOVIE REVIEW

Despite the ‘official’ premiere of the first Gore Verbinski film in eight years being at Beyond Fest on 9/28, the ACTUAL world premiere was at the final secret screening of Fantastic Fest on 9/25. His new film Good Luck, Have Fun, Don’t Die is a dystopian sci-fi satire of films like Terminator, 12 Monkeys, and The Matrix. Sam Rockwell plays a man from the future who has traveled to modern day(ish) to gather a team at a late night diner. Apparently this is far from the first time he’s done this and he’s not shy about saying so and that so far, everyone dies and it never works. But he has to keep trying with different team variations because otherwise, a powerful AI will take over everything and lead to a terrible future. And off to the races we go. Verbinski’s film is surreal and funny, somewhere between Edgar Wright’s satires and Men in Black in tone, but doesn’t quite stick the landing in the third act. It’s got a LOT to recommend it though (and who knows what will happen between now and it’s release in January 2026). Rockwell is in top form here for sure. Chris, Martin and Wright were both thrilled and a bit disappointed by it, so why not listen to them explain in their review.

DIRECTED BY: Gore Verbinski

STARRING: Sam Rockwell, Haley Lu Richardson, Michael Peña, Zazie Beetz, Juno Temple, Dino Fetscher, Anna Action, Asim Chaudhry

 

YOUR REVIEWERS

 

Christopher Lawrence Cox (Founder, Da Boss, Digital Noise, Highly Suspect Reviews, Screener Squad, Deliberations of Doom)

Born in the wilds of northern Virginia, Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas in 1992 where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar and theater management. An opportunity to see theatrical release films for free by becoming a critic on a local public access show called “The Reel Deal” turned into a full-time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this community of critics. While Brian eventually followed his heart to a new family, Chris continues on with a cast of colorful folks from all over the country (and a few others).

 

Wright Sulek (The Other Boss, Trash in the Can, Digital Noise, Highly Suspect Reviews, One Man’s Trash, Screener Squad)

Wright hails from the northern suburbs of Dallas, Texas. His passion for filmmaking brought him to Austin to study and make movies. Since then he’s had his hand in acting, writing, and directing his own short films with numerous like-minded film geeks he’s met along his journey. His newest interest has brought him into the podcasting world. He co-hosted a few different movie related podcasts such as ‘And Now This’ and ‘The Match Cut’. He currently co-hosts with longtime friend, Eric Samaniego, where they talk shop about the grimiest, trashiest, lost gems of movies on their show, ‘Trash in the Can’. Wright also guests and hosts reviews on Screener Squad and Highly Suspect Reviews as well as co-hosts Digital Noise with Chris Cox. As of 2024, Wright has now been inducted into the Austin Film Critics Association as well as co-owns the One of Us network with Chris Cox.

 

Martin Thomas (Highly Suspect Reviews, The Original Gentlemen)

In addition to having been a puppet, a pauper, a pirate, a poet, a pawn and a king…Martin Thomas has also been a professional comic book artist (Marvel, DC, First Comics, etc.), a TV personality (The Reel Deal), and a cartoon character (“Leon” from Spill.com). Currently, he can be found podcasting up a storm at DoubleToasted.com when he’s not one of “The Original Gentlemen.”

 

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