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The Best Convention in 2017: Anime Expo
There are so many big name conventions out there in 2017, but which is the best one that caters to every type of geek there is? Conventions like San Diego Comic Con have outgrown their locations and have become very expensive. It’s time to avoid extremely crowded and overpriced conventions and find the one that is perfect for everyone. One big name that
‘Devil in the Dark’ Review
Devil in the Dark is a new horror film from director Tim Brown, and follows two adult brothers who go on a hunting trip. What should be a bonding experience turns into a fight for survival as the two brothers encounter a supernatural creature from their past. The film has a solid premise that seems straight out of a Stephen
Movie BS Ep 348: ‘Logan,’ ‘A United Kingdom,’ ‘Table 19’
0:00 – Hello, a report on our Oscar bowling 5:25 – iTunes review, but it goes long and we have to break it up 8:20 – We have a spiffy new logo courtesy of the talented Gustavo @WikiRascals 10:30 – Logan review 21:15 – Bayer saw Get Out and makes it BS-approved; Snider saw Before I Fall at Sundance and
Highly Suspect Reviews: Before I Fall
Poor Samantha. Her friends (who are practically the “Heathers” from Heathers) don’t understand why she’s been acting so stressed out. Probably because Groundhog’s Day-style mystical experiences are WASTED on the young. Over and over and over she has to relive this day and she is having a heckuva time figuring out what she needs to do differently in order to
Unconventional Horror Movies You Need to Watch
This past week, Jordan Peele’s Get Out made its theatrical debut to critical acclaim. With its unique premise and focus on race, the film has quickly become a worthy addition to the unconventional horror sub-genre. Horror has always been home to many sub-genres. Whether it’s the tried-and-true slasher flick, the paranormal mystery, or the mind-bending psychological thriller, the genre has
Somebody Likes It Ep 97: Otis Redding – “Otis Redding Sings Soul”
Otis. In addition to being one of those artists that one can cite by first-name only, he can be included in the great pantheon of those that nobody doesn’t like. Possessing arguably the best voice of his generation (if not claiming the mantle “voice of his generation”), Otis Redding, tragically, left us way too soon. Somehow, however, I had managed
