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Heart/Felt – Ep 5 – An All The Time Job: The Muppets Take Manhattan
HEART/FELT – AN ALL THE TIME JOB: THE MUPPETS TAKE MANHATTAN In this episode of Heart/Felt, I’m joined by Shira More of the Necromancer podcast to dive into The Muppets Take Manhattan. We talk about the film’s more grounded, less zany tone compared to its predecessors, the historic first appearance of the Muppet Babies, and share our thoughts on the
Trash in the Can: The Paul Lynde Halloween Special
TRASH IN THE CAN: THE PAUL LYNDE HALLOWEEN SPECIAL What do you get when you mix disco, Kiss, the Wicked Witch of the West, and a mountain of cocaine? The Paul Lynde Halloween Special! A variety show so baffling, it makes the Star Wars Holiday Special look restrained. Baylor Johnson joins us for a spooky discussion on chest wigs, Tylenol,
Screener Squad: Mr. Scorsese
MR. SCORSESE SERIES REVIEW Martin Scorsese has been one of our most acclaimed filmmakers for so long, that it’s easy to forget his reputation and career weren’t always as secure as they are now. Scorsese has been the subject of many articles, books, and documentaries before, so it’s hard to imagine anything that hasn’t been said about him before. Fortunately,
Highly Suspect Reviews: Springsteen: Deliver Me From Nowhere
DELIVER ME FROM NOWHERE MOVIE REVIEW There are few American musicians more iconic and more blue-collar than Bruce Springsteen. Despite huge swaths of choads not actually listening to the words to Born in the USA and using it as a right-wing rallying cry, Bruce has firmly always been a poet of the people. What director Scott Cooper’s new film, Springsteen:
Screener Squad: Stay
STAY MOVIE REVIEW One of the most famous and spooky scary EVP’s (Electronic Voice Phenomenon) ever documented was the phrase “Get out of my house”. Often a haunted house tale is a story of a restless spirit that doesn’t want anyone in its space and someone figuring out why it’s so restless. Move on? I don’t think so, you move
Highly Suspect Reviews: Frankenstein
FRANKENSTEIN MOVIE REVIEW It’s officially getting into that end of the year Oscar qualifying season and you know what that means: elevated horror directors put out their own remakes of classic monster movies time. I mean, lately. This year it’s Guillermo del Toro’s turn and he dives into the Mary Shelley creation that he’s spent the bulk of his career
