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DIGITAL NOISE EPISODE 290: AARON IS A YOKAI MONSTER
Aaron returns to the show and he and Chris deal with a LOT of superhero stuff, weird Japanese spirit/monsters in the 60’s and what Miike did with them, the horniest and foulest cartoon cat of all time, some long overdue classics(?) in 4k, and much more.
All titles were sent to Digital Noise by the distribution companies in question for the purpose of review. No other compensation was involved. The opinions here are our own.
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YOUR REVIEWERS
Christopher Lawrence Cox (Founder, Da Boss)
Born in the wilds of northern Virginia, Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas in 1992 where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar management. An opportunity to see theatrical release films for free by becoming a critic on a local public access show called “The Reel Deal” turned into a full-time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this community of critics. While Brian eventually followed his heart to a new family, Chris continues on with a cast of colorful folks from all over the country (and a few others). You can also check out Chris in his videocast, along with Martin Thomas and Danni Danger, that One Of Us does with our friends at Bell of Lost Souls: Crossover Event. He also regularly guests on the video game website Rage Select. Follow Chris on Twitter and Facebook and check out his Amazon Wish List.
Aaron Woodul (Digital Noise, Screener Squad)
It all began when Aaron was a wee little lass going to his father’s work late in the evening because an all-nighter had to be pulled. Unable to help his father, he and his mother were relegated to a conference room where there was a tv on a dolly and a VCR. He watched Cannon Film’s “Masters of the Universe” and his mind was forever altered by what we will call its greatness. From there he got insanely into the never-ending catalog of Godzilla movies, and affiliated giant monster movies, and old samurai films like “Seven Samurai.” Like any good addiction, it spiraled, and he got heavy into science fiction books, all kinds of comics, and video games. After a brief stint acquiring a degree in media production, which he did nothing with, he found his way into an office job, a happy marriage, and even fatherhood. Now he watches film and plays games when he can, reads the fuck out of comics on his phone, and has surprisingly lengthy discussions with his wife about when to introduce his son to his favorite movies and shows.
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