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YOU CAN SEE EVERYTHING MOVIE REVIEW
Elizabeth Holmes sits in prison for what seems to be a pretty open and shut case of fraud. Her company, Theranos, claimed it had a device that revolutionized blood testing by being able to take a fingerprick worth of blood and do a giant battery of tests on it. The problem was, it didn’t work at all and it certainly seems like she knew it and was entirely dishonest about it, leading her to become a billionaire in her 30s and then going broke. She was convicted of fraud by a federal grand jury and sentenced to 11 1/4 years in prison. Nathan Fielder is a comedy filmmaker who created memorable (and intentionally cringy) shows like Nathan For You, The Rehearsal, and The Curse. He doesn’t seem like the guy that Holmes and her husband Billy Evans would open up their lives to in the weeks before she has to go to jail. But here we are with Fielder’s new co-directed film You Can See Everything. Over the course of 174 minutes, Fielder gets VERY up close and personal with the two. The aggravating thing is, as intimate as these discussions get, do we ever really know Elizabeth and Billy? Are they both lying through their teeth all the time? Does Elizabeth have off-the-charts abilities of emotional manipulation? Has Billy (and Holmes’ business/romantic partner before him, Ramesh Balwani) both been the ones manipulating Elizabeth? There are no answers in You Can See Everything but there are SO MANY NEW QUESTIONS. If there ever was a film that made you want to sit around and talk about it with your friends for an hour after you see it, it’s this one. So that’s precisely what Chris, Wright, Eric, and Frank do with their review. And honestly, we probably could have kept asking questions and arguing about it for another hour.
DIRECTED BY: Nathan Fielder and Lance Oppenheim
YOUR REVIEWERS
Christopher Lawrence Cox (Founder, Da Boss, Digital Noise, Highly Suspect Reviews, Screener Squad, Deliberations of Doom)
Born in the wilds of northern Virginia, Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas in 1992 where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar and theater management. An opportunity to see theatrical release films for free by becoming a critic on a local public access show called “The Reel Deal” turned into a full-time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this community of critics. While Brian eventually followed his heart to a new family, Chris continues on with a cast of colorful folks from all over the country (and a few others).
Wright Sulek (The Other Boss, Trash in the Can, Digital Noise, Highly Suspect Reviews, One Man’s Trash, Screener Squad)
Wright hails from the northern suburbs of Dallas, Texas. His passion for filmmaking brought him to Austin to study and make movies. Since then he’s had his hand in acting, writing, and directing his own short films with numerous like-minded film geeks he’s met along his journey. His newest interest has brought him into the podcasting world. He co-hosted a few different movie related podcasts such as ‘And Now This’ and ‘The Match Cut’. He currently co-hosts with longtime friend, Eric Samaniego, where they talk shop about the grimiest, trashiest, lost gems of movies on their show, ‘Trash in the Can’. Wright also guests and hosts reviews on Screener Squad and Highly Suspect Reviews as well as co-hosts Digital Noise with Chris Cox. As of 2024, Wright has now been inducted into the Austin Film Critics Association as well as co-owns the One of Us network with Chris Cox.
Frank Calvillo (Highly Suspect Reviews, Screener Squad, What Ever Happened to Bette & Joan?, Hollywood Royalty)
Born and raised in South Texas, Frank currently lives in Austin and has been in love with movies ever since his father showed him some Three Stooges shorts when he was five years old. Today he loves all kinds of film, regardless of era, country, budget or genre. He believes every film has an audience and is at least one person’s favorite movie. After writing for Sight & Sound and Slackerwood, he now writes for Cinapse where his increasingly random taste in all flavors of cinema (from Rashomon to Mars Attacks!) continues to thrive. His ultimate goal is to write a script for his boyhood crush, Michelle Pfeiffer.
Eric Samaniego (Trash in the Can, Heart/Felt, Make a Noise, Highly Suspect Reviews)
Eric Samaniego is a multi-award show watching, sometimes comedian, sometimes writer who began life as a Muppet and 1930s screwball comedy obsessed goon and still carries a torch for all things felt, funny, and a little bit unhinged. With a passion for genre films, poor taste, and whiskey, he co-hosts Trash in the Can, a podcast that digs through cinema’s dustbin in search of the best worst movies alongside longtime co-conspirator Wright Sulek. Eric and Wright also bring their love of cinematic oddities to the big screen with One Man’s Trash, a monthly live screening series at Violet Crown Cinema in Austin, Texas, spotlighting cult classics, forgotten flops, and anything proudly wearing the label “so bad it’s good.” He also hosted Heart/Felt, a limited podcast series celebrating the 70th anniversary of The Muppets and the enduring legacy of Jim Henson. He has a new limited series on One of Us that explores the films and life of comedy legend Mel Brooks called Make a Noise. When not podcasting, Eric serves as an American military officer, statesman, and Founding Father who was the first president of the United States from 1789 to 1797.
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