Previous
Next
Digital Noise Episode 246: Coulrophobia
DIGITAL NOISE EPISODE 246: COULROPHOBIA Chris and Aaron have a solid stack of movies to talk this week: some good, some bad, some made us mad. But one thing you can say for sure about our selection this week…we got some evil clowns. All titles were sent to Digital Noise by the distribution companies in question for the purpose of
Highly Suspect Reviews: The Gentlemen
THE GENTLEMEN MOVIE REVIEW Guy Ritchie returns to the world of fast-talking British gangsters with, The Gentlemen. This particular outing follows an American pot kingpin living in London (Matthew McConaughey) who wants to sell his empire but there are a lot of other gangsters who just want to take it and a savvy reporter (Hugh Grant) who has figured the
Screener Squad: Color Out of Space
COLOR OUT OF SPACE MOVIE REVIEW Director Richard Stanley returns to helming narrative feature films for the first time since he was fired (unjustly, some would say) off the famous trainwreck 1996 adaptation of The Island of Doctor Moreau. But he’s back (thanks to Elijah Wood’s production company SpectreVision) and he’s here with the first of what is hoped to
Eye on the Prize Ep. 43 Part 2 – Best and Worst of 2019
EYE ON THE PRIZE: EP. 43 PART 2 – BEST AND WORST OF 2019 Did you miss The Gathering discuss their Best of 2019? Or the video we did with all our contributors listing their Top 3 anything from the year? Well, go check those out and then listen to this further discussion of the Best and Worst of 2019.
Digital Noise Episode 245: The Best and the Worst
DIGITAL NOISE EPISODE 245: THE BEST AND THE WORST John and Chris take a look at some of the recent home release titles and they include a 70s classic that we are mystified isn’t discussed among the classics of the era and a film that is the worst thing poor John has ever had to sit through for this show.
Screener Squad: For Sama
FOR SAMA MOVIE REVIEW The Screener Squad got a chance to watch one of the nominees for Best Documentary at the Oscars with For Sama. The majority of the story follows Waad Al-Kateab, a young woman in Syria during the Syrian Civil War. Over the course of five years, we see her fall in love, give birth to her daughter
