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Infestation: SXSW 2026 – Hokum
HOKUM MOVIE REVIEW While Irish director Damian McCarthy is a big name in the serious horror fan community, especially after two fantastic films Caveat (2020) and Oddity (2024), his latest film Hokum that premiered at SXSW might just be the one to break him wide. Adam Scott plays Ohm, a successful author on a trip to stay at a remote
Infestation: SXSW 2026 – Over Your Dead Body
OVER YOUR DEAD BODY MOVIE REVIEW If you never got to see the 2021 Norwegian film The Trip, you missed out on a crazy, bloody, constantly surprising good time of an action, horror, comedy film. While you can still find it on Netflix, now we’ve got the American remake Over Your Dead Body. And you know what? While remakes of
Trash in the Can: Hell Comes to Frogtown
TRASH IN THE CAN: HELL COMES TO FROGTOWN This week, the boys wade into a radioactive swamp as they tackle 1988’s Hell Comes to Frogtown. Joining them for the amphibious apocalypse is founder of the One of Us network, Chris Cox, who helps make sense of a world where fertility is currency, discovers the awful meaning of three snakes, and
Heart/Felt – Ep 12 – Together Forever: The Adventures of Elmo in Grouchland
HEART/FELT – TOGETHER FOREVER: THE ADVENTURES OF ELMO IN GROUCHLAND In this episode of Heart/Felt, I’m joined by One Of Us podcaster Kim Brown to revisit The Adventures of Elmo in Grouchland. We explore the film’s heartfelt lessons about friendship and sharing, Elmo’s place in the Muppet universe, and the strange world beneath Oscar’s trash can. YOUR HOST
Infestation: SXSW 2026 – Power Ballad
POWER BALLAD MOVIE REVIEW If you don’t recognize the name of the director of Power Ballad, John Carney, you should. He fills a niche in film that you didn’t know you needed: smart, funny, and endearing films about people for whom music plays an important part of their lives. Go see Once, Sing Street, and Begin Again and tell me
Infestation: SXSW 2026 – Pretty Lethal
PRETTY LETHAL MOVIE REVIEW A troupe of ballerinas who are having trouble working together effectively somehow still get invited to a prestigious competition in Hungary. When their bus breaks down in the middle of nowhere, they find a giant hotel to give them shelter. The place is run by a former ballerina, Devora (Uma Thurman) but it’s also a mob
