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STILL: A MICHAEL J. FOX MOVIE REVIEW
Michael J. Fox was just a short kid from Canada with a dream of being an actor. When he turned 18, he drove to Hollywood and started chasing that dream, barely making ends meet until the stars aligned, and in 1982, he landed the career making role of Alex P. Keaton on the popular sitcom Family Ties. After winning the hearts of TV watchers, three years later, he became one of the most iconic film characters of all time by teaming up with Doc Brown, hopping in a Delorean, and traveling through time and into the hearts of millions in Back to the Future. Practically overnight, Michael became the biggest star in the world. And then, in 1991, at the age of 29, he was diagnosed with Parkinson’s disease, the progressive neurological disorder that he has become a champion for. But this isn’t a story about a man suffering. This is the story of what happens when an incurable optimist is forced to confront an incurable disease. As the documentary says: “The sad sack story is: Michael J. Fox gets this debilitating disease, and it crushes him. But to that, Michael says, “Yeah, that’s boring.” T.C., Melina, Neil, and Ryan discuss Fox’s inspiring story.
DIRECTED BY: Davis Guggenheim
T.C. De Witt (Screener Squad)
T.C. De Witt is a multi-awarded writer/director originally from Wisconsin and now based in Los Angeles. His life has been devoted to the arts since he was a child. He’s been a stage performer, playwright, stand-up comic, film and television actor, radio DJ, podcaster published author, recorded musician, and comic writer/illustrator. He is now a professional screenwriter and has been thriving for the past decade, regularly offering his talents to production studios in LA, Chicago, Milwaukee, and internationally in Sydney and Poland. He’s provided content for Amazon Prime, Netflix, and several YouTube partners. His films have screened internationally, and his stageplays have been performed across the country. In the last ten years, he has directed 57 films, 23 episodes of his series The One Minute Rewatch, 300+ episodes of podcasts, and his multi-award-winning short film Screen: Righter screened at the Festival de Cannes in 2016. He has released two feature films, The Princess Knight and A Christmas Sunset. He thrives on collaboration and the thrill of sharing stories in all forms.
Melina Eames (Screener Squad)
Melina first discovered that she carried the nerd gene at the tender age of four following her exposure to a little film called A New Hope. In the twenty-some years that followed, Melina continued to grow into her geek identity through the discovery of Batman, Mst3k, Game of Thrones, Lord of the Rings and The Mandalorian. But perhaps her most significant discovery came at the age of fourteen when a night of YouTube mining led her to the review site of Spill.com. Melina became a devoted follower whose fandom did not end with the site’s demise. By then, it had worked its dark magic and left her with a love and appreciation for film criticism that she has yet to shrug.
Neil Anderson (Screener Squad)
I first got hooked on movies when I saw Star Wars at a drive-in theater as a kid. Growing up in a small, rural town meant not having access to a lot of movies. In college, that all changed. I couldn’t get enough. I love it all — flicks, films, movies, and cinema. I still have that wide-eyed wonder of that kid watching movies from the back of a pick-up truck at the drive-in.
Ryan Aleck Hill (Screener Squad, Video and Audio editor)
Ryan is a Washington D.C. based filmmaker & video editor who loves watching and talking about movies more than just about anything. He currently works at a creative agency as a director of photography/video editor, and does freelance video editing for Anthony Fantano/TheNeedleDrop. He also has a YouTube channel (Downhill Media) where he works on a weirdo art explainer series called “Artsplained” with his partner Michelle. He was a part of the Spill.com community way back in the day, where he was cursed with an obsession for movies. In an effort to break the curse, he shows up on the Screener Squad podcast every once in a while and edits for One Of Us. Chris Cox claims that this is the only way it can be broken. You can follow him on Twitter but you’ll probably regret it.
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