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KIMI MOVIE REVIEW
While the Squad recorded this review, there’s a good chance that they were also being recorded by at least two other devices in their places of residence. Between Siri, Google, Alexa, and several other pieces of technology in all our lives (and probably at least one government agency) someone is ALWAYS listening, which is exactly what Kimi, a fictional smart device does in this new suspense thriller from Steven Soderbergh. During the COVID-19 pandemic in Seattle, Angela, an agoraphobic tech worker played by Zoë Kravitz, discovers evidence of a violent crime while reviewing a data stream. She is soon met with resistance and bureaucracy when she tries reporting it to her company. To get involved, she realizes she must face her greatest fear by venturing out of her apartment and into the city streets, which are filled with protestors after the city council passes a law restricting the movements of the homeless population. Jordan, Luna, T.C., and Neil relate to this neurotic shut-in in more ways than one, because like most of us, the majority of their human interactions are via screens and chat bubbles. All that begs the question of whether or not they’d leave the comfort of our couches to help someone in desperate need… of at the very least to meet someone cute for an egg sandwich.
DIRECTED BY: Steven Soderbergh
STARRING: Zoë Kravitz, Betsy Brantley, Rita Wilson, India de Beaufort, Emily Kuroda, Byron Bowers, Alex Dobrenko, Jaime Camil, Jacob Vargas, Derek DelGaudio, Erika Christensen, Devin Ratray, Andy Daly, Robin Givens, Charles Halford, David Wain, Caleb Emery
YOUR REVIEWERS
T.C. De Witt (Screener Squad)
T.C. De Witt is a multi-awarded writer/director originally from Wisconsin and now based in Los Angeles. His life has been devoted to the arts since he was a child. He’s been a stage performer, playwright, stand-up comic, film and television actor, radio DJ, podcaster published author, recorded musician, and comic writer/illustrator. He is now a professional screenwriter and has been thriving for the past decade, regularly offering his talents to production studios in LA, Chicago, Milwaukee, and internationally in Sydney and Poland. He’s provided content for Amazon Prime, Netflix, and several YouTube partners. His films have screened internationally, and his stageplays have been performed across the country. In the last ten years, he has directed 57 films, 23 episodes of his series The One Minute Rewatch, 300+ episodes of podcasts, and his multi-award-winning short film Screen: Righter screened at the Festival de Cannes in 2016. He has released two feature films, The Princess Knight and A Christmas Sunset. He thrives on collaboration and the thrill of sharing stories in all forms.
Jordan Cobb (Screener Squad)
Born with a comic book in one hand, a camera in the other, and in front of the television as WrestleMania played out, Jordan Worth Cobb was thus birthed into this crazy world. A Digital Filmmaking major from the University of Central Arkansas, Jordan has done it all in film from directing, writing, editing, and producing in addition to skills involved in film and TV criticism, journalism, and years of podcasting experience. On any given day, her ADHD riddled brain bounces focus from film to pro wrestling to TV to superheroes to noir to video games to espionage and yes, even to sports. She played little league you know. For more of this eccentric nerd, you can follow her on Twitter here and read her original writings on Deepest Corners of My Notebook.
Jena Perry (Screener Squad)
Jena Perry. Aka Luna. Aka Dion. Aka Memori. Aka Dog whisperer. Aka whiskey connoisseur. As you can see, depending on when you met this Oakland, California native, you have experienced a completely different person, each time. After finally deciding on a 13+year career choice as a Videographer and Radio Personality, Jena balances her time between pursuing her Doctorate in Philosophy, providing insightful and funny critiques on films and Television, raising her daughter and dog in Ohio, and constantly fighting off the existential dread that is being a dope black woman in America in the 20th century.
Neil Anderson (Screener Squad)
I first got hooked on movies when I saw Star Wars at a drive-in theater as a kid. Growing up in a small, rural town meant not having access to a lot of movies. In college, that all changed. I couldn’t get enough. I love it all — flicks, films, movies, and cinema. I still have that wide-eyed wonder of that kid watching movies from the back of a pick-up truck at the drive-in.
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