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DIGITAL NOISE EPISODE 279: WHY ARE YOU WEARING THAT STUPID CRITIC SUIT?
Aaron and Chris got to record in person for the first time together in, well, you know, a while, and they had a great time talking about 4k re-releases of one of the most popular indie sci-fi/horror films ever made as well as a time travel film largely made by the Navy, a Japanese exploration of capitalism run amok, how you too can make extra money connecting quantum computer nodes together, why MOST (but not all) Jaws rip-offs really sucked, and much more!
All titles were sent to Digital Noise by the distribution companies in question for the purpose of review. No other compensation was involved. The opinions here are our own.
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YOUR REVIEWERS
Christopher Lawrence Cox (Founder, Da Boss)
Born in the wilds of northern Virginia, in 1992 Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas, where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar management. An opportunity to see theatrical release films for free by becoming a critic on a local public access show called “The Reel Deal” turned into a full-time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this paradise you see before you. Follow Chris on Twitter and Facebook and check out his Amazon Wish List.
Aaron Woodul (Digital Noise, Screener Squad)
It all began when Aaron was a wee little lass going to his father’s work late in the evening because an all-nighter had to be pulled. Unable to help his father, he and his mother were relegated to a conference room where there was a tv on a dolly and a VCR. He watched Cannon Film’s “Masters of the Universe” and his mind was forever altered by what we will call its greatness. From there he got insanely into the never-ending catalog of Godzilla movies, and affiliated giant monster movies, and old samurai films like “Seven Samurai.” Like any good addiction, it spiraled, and he got heavy into science fiction books, all kinds of comics, and video games. After a brief stint acquiring a degree in media production, which he did nothing with, he found his way into an office job, a happy marriage, and even fatherhood. Now he watches film and plays games when he can, reads the fuck out of comics on his phone, and has surprisingly lengthy discussions with his wife about when to introduce his son to his favorite movies and shows.
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