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CHILLING ADVENTURES OF SABRINA – PART 4 REVIEW
WARNING: This is a full spoiler review.
Netflix strikes again. Despite being a big hit for them, this fourth and final season of “Chilling Adventures of Sabrina” has ‘unexpectedly cut short and scrambling’ written all over it. This time the Scooby Ga…Fright Club (ahem) is going up against the Eight Eldritch Terrors, who are decidedly of wildly varying levels of terror (from kinda adorable to gross) and have to make some major sacrifices to fix everything. Including, according to one of our critics, almost all quality of storytelling. Chris, Matt Foster, Jena, and Robert went through these eight episodes and their reactions vary as wildly as the Terrors do. Check out their disagreement here.
**This review comes in a MUCH longer, uncut, video version for TIME LORD subscribers and above right here**
CREATED BY: Roberto Aguirre-Sacasa and Greg Berlanti
STARRING: Kiernan Shipka, Ross Lynch, Lucy Davis, Miranda Otto, Chance Perdomo, Michelle Gomez, Jaz Sinclair, Tati Gabrielle, Richard Coyle, Lachlan Watson, Gavin Leatherwood, Abigail Cowen, Ty Wood, Alessandro Juliani, Chris Rosamond, Georgie Daburas, Jedidiah Goodacre, Tyler Cotton, Luke Cook, Sam Corlett, Skye Marshall, Jonathan Whitesell, Caroline Rhea, Beth Broderick, Riker Lynch
YOUR REVIEWERS
Christopher Lawrence Cox (Founder, Da Boss)
Born in the wilds of northern Virginia, in 1992 Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas, where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar management. An opportunity to see theatrical release films for free by becoming a critic on a local public access show called “The Reel Deal” turned into a full-time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this paradise you see before you. Follow Chris on Twitter and Facebook and check out his Amazon Wish List.
Robert Garza (Screener Squad)
If it weren’t for sad music and scary stories I wouldn’t be as well-adjusted and cheerful as I am today. Moonlighting as a musician off and on since adolescence, I am as big a fan of scores and needle drops as I am of slow zooms, production design, and third act exposition. Just about all of my screen time is spent on international horror, drama, and hour long episodic. Big fan of genre, and the biggest fan of supernatural horror and dark sci-fi with meaningful representation and narratives that use trauma, grief, and grace as more than surface-level content. Also, I read a ton of modern horror novels/comics and stan Matt Berry. In the before times I worked music and film festivals across the US and will hopefully return to that sometime in the future.
Matt Foster (Screener Squad)
Matt Foster is a stand up comic, podcaster, and movie critic currently living in the greater Salt Lake City area. His lifelong love of genre film began early, when he realized they freaked out his mom. He performs (epidemics permitting) regularly on Dungeons and Comedy, a DND live play with standup comedians, and is the slightly less mustache-y half of the Nighthawks Podcast, a cinema-centric discussion cohosted by Trevor T. Trujillo.
Jena Perry (Screener Squad)
Jena Perry. Aka Luna. Aka Dion. Aka Memori. Aka Dog whisperer. Aka whiskey connoisseur. As you can see, depending on when you met this Oakland, California native, you have experienced a completely different person, each time. After finally deciding on a 13+year career choice as a Videographer and Radio Personality, Jena balances her time between pursuing her Doctorate in Philosophy, providing insightful and funny critiques on films and Television, raising her daughter and dog in Ohio, and constantly fighting off the existential dread that is being a dope black woman in America in the 20th century.
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