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What Ever Happened to Bette & Joan? Ep.8 – The Karate Killers and Madame Sin
WHAT EVER HAPPENED TO BETTE & JOAN? EP.8 – THE KARATE KILLERS AND MADAME SIN “How would you like your submarine, gentlemen?” Welcome to another episode of What Ever Happened to Bette & Joan?, our ongoing journey through late-era Bette Davis & Joan Crawford. This week, we watch the two divas become a pair of spy dames, by attaching themselves
Jurassic World Rebirth
JURASSIC WORLD REBIRTH MOVIE REVIEW Seven of these Jurassic movies now. SEVEN. The hope was that after the terrible (but, of course, financially lucrative) last three entries, this new creative team led by director Gareth Edwards (who knows a thing or two about giant monsters) would rediscover what made that first Jurassic Park movie so fantastic. Sigh. Zora (Scarlett Johansson)
Screener Squad: Ironheart Part 1
IRONHEART PART 1 REVIEW Disney Marvel has dropped a new MCU series starring Dominique Thorne following her role as the tech-genius Riri Williams, first introduced to us in Black Panther: Wakanda Forever. The show picks up after the events of that film and takes Riri back to her hometown of Chicago where she reconnects with her past and tries to
Digital Noise Episode 357: The Ep Added to the National Film Registry by the Library of Congress
DIGITAL NOISE EPISODE 357: THE EP ADDED TO THE NATIONAL FILM REGISTRY BY THE LIBRARY OF CONGRESS No, not really, but we do have a TON of films to talk about this week that were added to the National Film Registry. So, ya know, really good. Wright and Chris have trouble keeping from over-gushing about so many of the great
Highly Suspect Reviews: Sorry, Baby
SORRY, BABY MOVIE REVIEW Most films that deal with overcoming trauma do it either as it being represented as a growing black gulf of evil (see at least half the horror films made in the last 5-10 years), or with a good deal of saccharine. The debut film from writer/director/star Eva Victor is something new. Agnes (Eva Victor) has just
Highly Suspect Reviews: F1
F1 MOVIE REVIEW In this day and age of trademarked products being made into gigantic Hollywood films, it’s at least a little surprising that Formula 1 Racing took this long to get into the act. At least since 2013’s Rush anyway, but never quite so proudly branded as F1 (and to a great deal, paid for by related advertisers). Director
