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Digital Noise Episode 203 – A Very Aaron Christmas
Chris and Aaron killed it with the giant stack of titles in the Conservatory this episode of Digital Noise. PLEASE USE OUR IMAGE LINKS TO BUY ANY OF THESE TITLES ON AMAZON. IN FACT, PLEASE USE THEM AS YOUR STARTING POINT FOR ANYTHING YOU BUY OFF OF AMAZON. You can now subscribe on iTunes (or the
Screener Squad: Mademoiselle Paradis
It’s time for some more foreign film goodness! Mademoiselle Paradis follows the true story of famed 18th-century pianist Maria Theresia von Paradis (Maria Dragus), who was blinded after an incident in her childhood but nonetheless found an outlet through music. Desperate to find help for her daughter, Maria’s mother entrusts her in the care of Dr. Franz Mesmer (Devid Steisow). Through
The Gathering – The Eighteenth Party
Hey you Brown Coat and above subscribers, The Gathering is here and it’s one hell of a rocking episode with a full cast of characters discussing The Best and Worst of Christmas, with every interpretation of that imaginable. Check out both segments right here.
Screener Squad: The Mercy
Colin Firth is on a boat…and it’s not going to be a pleasant experience sadly. This biopic, directed by James Marsh (The Theory of Everything, Man on Wire), chronicles the disastrous attempt by British businessman and amateur sailor Donald Crowhurst to compete in the Sunday Times Golden Globe race. The objective, to travel across the world without setting foot on
Screener Squad: Mirai (a.k.a. Mirai of the Future)
The birth of your second child should be a joyous occasion for a family…unless the older sibling feels jealous of the attention the newborn gets. This is the central premise of GKIDS and Toho’s Mirai, the newest feature from Mamoru Hosoda (The Boy and the Beast). The film follows Kun, a four-year-old boy whose comfortable life as an only child is disrupted
Highly Suspect Reviews: The Favourite
Yorgos Lanthimos is a director known for his chilly and thoroughly weird films like The Lobster and The Killing of a Sacred Deer. This time around he takes on a period piece about Queen Anne (Olivia Colman) in the early 18th century and the two women competing for her attention, affection, and court standing, Sarah (Rachel Weisz) and newcomer Abagail
