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You’ll never accuse Archy Marshall (better known as King Krule) of waxing trite: Marshall, the artist by way of producer, has always been as versatile and fearless as he has been precocious. He forged a bumpy, art-indulged childhood into unpredictable, relentless artistic visions as a young adult, and it seems to be taking him places: with The Ooz, his latest release, he’s stitched together a potentially rich opus of personal and sonic deconstruction. It’s not an easy listen, but then again, neither are those shady corners of the darkest recesses of our mind that help make us who we are. It’s alchemy, and it’s messy.
