Highly Suspect Reviews: Twin Peaks The Return: The Final Three Episodes | One of Us

Highly Suspect Reviews: Twin Peaks The Return: The Final Three Episodes

4 Submitted by on Fri, 08 September 2017, 11:59

It’s been a great ride but now it’s done, as Chris, Ian, Betty, and Scott talk about the last three episodes in Twin Peaks Season 3, their Grand Unified Twin Peaks theories, and feelings overall about the season.


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Born in the wilds of northern Virginia, in 1992 Chris managed to put all of his survival skills to use and barely escaped with his life to Austin Texas, where ever since he’s dabbled in everything from plumber’s assistant to sandwich maker, from band to bar management. An opportunity to see theatrical release films for free, by becoming a critic on a local public access show called “The Reel Deal”, turned into a full time job when Chris and his friends decided to take it to the internet. They built the site Spill.com, adding multiple podcasts and animated features, to no small amount of success. During this time, a fortuitous friendship sprung up between Chris and young Brian Salisbury, who was also a local film critic, and they merged their forces of will, and their laundry list of ideas for shows, to eventually build this paradise you see before you.
  • Allan Jensen

    Thanks for doing these, everybody. I’ve enjoyed them immensely ☕🌲 🐠

    • Chris Cox

      The pleasure was all mine.

  • I think the creepy sex as magic ritual theory holds some weight, as it was two people having sex infront of the glass box that first summoned Judy way back in episode 1. It seems like after Coop and Diane have sex in the motel that everything really changes – the motel itself, their own identities – perhaps the version of herself Diane sees at the motel is Linda, who she becomes the next day after this weird ritual… did she even write that note or is that some leftover from this new reality…?
    Jeez, trying to make sense of this shit is hard!! Kudos to you all for doing it for the last 4 months!

  • Johnny Neill

    I feel like, if Twin Peaks get under your skin, whether it was when the show first aired or whether you went to it after Lost Highway or Mulholland Drive or whenever, if Twin Peaks, or David Lynch, settles itself into your mind as an organic presence, every show afterwards, that doesn’t suck, can be seen as a sequel to Twin Peaks. The Good Place? Total sequel. Bojack Horseman? Everything about it fits into the skein of Twin Peaks. The Deuce? Also. It is such an experiential show that it isn’t just seen, it is incorporated. But at the same time, it is so pure. The soundtracks were not released until after the show was finished. Even they are more like evidence than merchandise. It was a stunning and powerful series that traversed so many levels of meaning, with fictional and out of the series timeliness. Bravo.